Kouunji Kyakuden Ontvangsaal van Tempel deur Hiroaki Iwasa

Die ontwerp Kouunji Kyakuden Ontvangsaal van Tempel deur Hiroaki Iwasa is 'n hoogs gewaardeerde wenner van die baie prestigieuese 2025 A' Design Award in Brons in die Argitektuur-, Gebou- en Struktuurontwerp-kompetisiekategorie.

BronsArgitektuur· 2025

Kouunji Kyakuden Ontvangsaal van Tempel

deur Hiroaki Iwasa

Kliënt: Hiroaki Iwasa Architects Workshop

Wenner van die A' Design Award in Brons in die Argitektuur-kategorie

17,280

Geverifieerde Toekenningswenner

Verifieer Toekenningsstatus vir #162806

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Kleure

Die Ontwerp

Oor Kouunji Kyakuden Ontvangsaal van Tempel

Die projek was 'n rekonstruksie van die 140 jaar oue ontvangsaal, wat een van die fasiliteite van die Boeddhistiese tempel Kouunji was. Die ou ontvangsaal is vir 'n lang periode deur die plaaslike gemeenskap gekoester; weens ernstige skade oor die jare moes dit egter gerekonstrueer word. Die argitek het hierdie kwessies opgelos deur bywerking en harmonisering, en het ook stelsels ontwerp om die geheue van die plaaslike gemeenskap aan die volgende generasie oor te dra. As gevolg hiervan het die nuwe ontvangsaal nie net 'n gevoel van nostalgie bereik nie, maar ook 'n teenwoordigheid in die historiese konteks.

Die Erkenning

Oor die A' Design Award in Brons

Kouunji Kyakuden Ontvangsaal van Tempel is 'n wenner van die A' Design Award in Brons, 'n hoogs prestigieuse erkenning wat toegeken word aan uitstaande ontwerpe wat gekenmerk word deur kreatiwiteit, vindingrykheid en skerpsinnigheid. Wenners in Brons is ruimskoots vaardige en opvallend kreatiewe artefakte wat die groot ervaring, verbeelding en vindingrykheid van hul ontwerpers bevestig. Daar word verwag dat Kouunji Kyakuden Ontvangsaal van Tempel 'n hoog aangeskrewe, bewonderde en gekoesterde voorwerp is wat merkwaardig professioneel en innoverend is. Hierdie ontwerp wat die A' Design Award in Brons gewen het, inkorporeer die beste praktyke in kuns, wetenskap, ontwerp en tegnologie en is uitstekend vanweë sy aandag aan detail. Kouunji Kyakuden Ontvangsaal van Tempel bevredig behoeftes pragtig, raak aan begeertes, bekoor gevoelens en spreek die nuuskierigheid aan.

Agter die Ontwerp

Persstel

Krediete, spanlede en tegniese besonderhede verskaf deur die ontwerper.

Unieke Eienskappe: This project was the reconstruction of the reception hall of a Buddhist temple passed 140 years. The old reception hall had been loved by the local community for long time, but it was beyond the scope of repair. Therefore architect took on various creative challenges. He aimed to solve these issues by updating it to modern functions, harmonizing it with other facilities, and devising some mechanisms to pass on the memory of local society to the next generation. As a result, this architecture was able to achieve not a sense of nostalgia but also a presence for the future.
Afmetings & Verpakking: Specification,
Scale/ Wooden two-story building,
Structure/ Timber frame structure,
Site Area/ 3039.15 Square meter,
Building Area/ 277.26 Square meter,
Total Floor Area/ 323.77 Square meter,
Etikette: temple, reception hall, reused, minimal philosophy, local landscape, passing on the memories, historical context, local community
Produksietegnologie: This project had a clear floor plan with each function directly connected around the entrance hall, but there were many difficult construction tasks in some places. Ground reinforcement and strong foundation construction for soft ground, woodwork including special joints to structurally reuse old materials, fabrication of delicate and movable cedar lattices, and the revival of forgotten traditional natural paints "Kumezo". This project was realized through thoughtful design and exceptional craftsmanship.
Ontwerpuitdaging: Various choices and challenges were made to pass on the memory of the local community. By choosing a common wooden house construction method rather than the traditional temple construction method, they were able to shorten the construction period, reduce construction costs, and as the result have time to repair and reuse old materials. The exterior has a roof shape unique to the region, and the walls and window lattices are finished with local cedar wood and with a revived traditional natural paint "Kumezo". As a result, this architecture achieved a special harmony and presence.
Navorsing: Type of Research: About the relationship between Kouunji and the local area.
Methodology: History, landscape and topography research, annual event research, monk behavior research, and interviews with local residents,
Conclusion: Kouunji is the core of the local community that people have visited since childhood for events and daily life. The architect concluded that in addition to modernizing the function of the ceremony hall and harmonizing it with other facilities, it was essential to create a mechanism to pass on the memory of the local community to the next generation.
Inspirasie: Researching the old reception hall and the landscape and history of the area provided architect with important inspiration. In particular, the old reception hall was tilted due to the soft ground, but it was discovered that some of the main structures, such as beams and columns, were valuable materials that are currently unavailable, and could be reused if repaired. And new architecture was important not only for its shape in the landscape, but also for its presence within the historical context.
Projekduur: The project started in February 2002 and was completed in November 2004 in Tsukubamirai City, Ibaraki Prefecture.
Bedryfsvloei: Kouunji is an essential presence for the region.
Because the parishioners of Kouunji are local residents and their relatives, and annual events and celebrations and condolences are mainly held for the parishioners. The reception hall, located to the side of the main hall, functions in conjunction with the main hall during events, and is used for religious ceremonies, waiting areas, dinners using the kitchen function, and a meeting place. It also functions as an emergency temporary evacuation center in the event of a disaster. There is also a temple office that oversees them.
Beeldkrediete: Photographer Kozo Takayama