التصميم Janus التصميم الداخلي لبار بواسطة Junlin Zhang هو فائز رفيع المستوى بالجائزة المرموقة جائزة A' Design Award الفضية لعام 2024 في فئة المسابقة تصميم الفضاءات الداخلية والمعارض.
فضةالتصميم الداخلي· 2024
Janus التصميم الداخلي لبار
بواسطة Junlin Zhang
العميل: Janus
فائز بالجائزة جائزة A' Design Award الفضية في فئة التصميم الداخلي
فائز بجائزة موثّقة
تحقّق من حالة الجائزة للتصميم رقم #156360التصميم
حول Janus التصميم الداخلي لبار
"جانوس" هو بار للويسكي والكوكتيل يقع في مدينة تشانغشا بالصين. تغطي المساحة الداخلية نحو 200 متر مربع موزّعة على طابقين. تتشكّل الواجهة من كتل هندسية سوداء بسيطة مزوّدة بتفاصيل كلاسيكية، مع منصة كابولية تحمل منحوتة كلاسيكية. يمثّل الطابق الأول مساحة خدمية مساندة، في حين يُعدّ الطابق الثاني القاعة الرئيسية التي تستقبل ضوء النهار عبر فتحة في السقف. يستخدم الدرج نقارات خشبية مرنة (غير مثبّتة بإحكام) تمنح صوتًا ناعمًا وارتدادًا خفيفًا تحت القدم. ويُسهم قشرة الخشب ذات العروق الرأسية والفولاذ المقاوم للصدأ المعكوس في تشكيل الأجواء العامة للمكان.
التقدير
حول جائزة A' Design Award الفضية
Janus التصميم الداخلي لبار هو فائز بجائزة A' Design Award الفضية، وهي تقدير رفيع المكانة بصورة استثنائية يُمنح للتصاميم الرفيعة المستوى والجميلة والمبهرة. والفائزون بالفضية هم أعمال لامعة بشدة وشديدة الإبداع تجسّد الخبرة والموهبة وحدة الذكاء المتميزة لدى مصمميها. ويُتوقع أن يكون Janus التصميم الداخلي لبار عملًا رائعًا يُعرض كنموذج، شديد الاحترافية وعميق الابتكار. وهذا التصميم الفائز بجائزة A' Design Award الفضية اختراع جدير بالذكر ومحل إعجاب، يعود بالنفع ويوسّع حدود الفن والعلم والتصميم والتكنولوجيا. وJanus التصميم الداخلي لبار إبداع يغبطه الكثيرون، يثير الرغبات ويبعث مشاعر إيجابية ويشعل الدهشة والإعجاب.
خلف الكواليس
الملف الصحفي
الاعتمادات وأعضاء الفريق والتفاصيل التقنية المقدمة من المصمم.
- الخصائص الفريدة
- Janus is a whisky and cocktail bar with a social aspect. Our client had two demands: one was that the audience should not interpret this place according to the literal meaning of Janus or their traditional concepts, and the other was that the audience should have more than two different spatial experiences in this place. These different spatial experiences combine as an integral whole rather than to be independent ones.
- الأبعاد والتغليف
- 200 meter-square
- الوسوم
- bar, whisky, postmodernism, hard and warm feeling, retroism, experimental
- تقنية الإنتاج
- What exactly are we talking about when we talk about spatial ambience? Is it sunlight, air, sound, materials, textures, or colours? I began to think about the overall relevance of the façade in relation to the first and second floors. They are at once traditional, strong and thick, even a little archaic and they are at the same time receptive, inclusive, interesting and experimental. I tried to use postmodernism to summarise the atmosphere created inside and outside the building. I decided to create the façade with clean and simple geometric blocks, which is the style of contemporary. But it also has classical features in the details. To this point I felt that these designs were not enough because the conflict had not reached its climax. So I added a cantilever platform to place a classical sculpture. It was at this point that I felt the importance of such design planning came to the fore. The pure black and hard blocks together with the classical sculpture bring the sense of power and make it attractive. Such not complicated aesthetics give audiences more possibilities to imagine.
- تحدي التصميم
- I decided to create the façade with clean and simple geometric blocks, which is the style of contemporary. But it also has classical features in the details. To this point I felt that these designs were not enough because the conflict had not reached its climax. So I added a cantilever platform to place a classical sculpture. It was at this point that I felt the importance of such design planning came to the fore. The pure black and hard blocks together with the classical sculpture bring the sense of power and make it attractive. Such not complicated aesthetics give audiences more possibilities to imagine.
- البحث
- I tried to decipher the form of beauty, but I found that I could not describe or categorise it accurately and clearly. It can be specific things such as people, air, light, sound or colour. When we deal with different clients and different conditions of the place, the results are unpredictable. It reminds me of Louis Kahn, who asked the red brick what it wanted to be.
- الإلهام
- When I first went to the site for mapping, I was very excited and surprised by the light on the second floor, when the sunlight was pouring down from the daylight opening. My first reaction was that the place already has distinctive features that can bring audiences different moods, and experiences in the daytime and night-time. I then began to conceptualise how to create two or more different atmospheres in the space. Creating is the art of making a meaningful whole out of individual components
- مدة المشروع
- The project was launched in March 2023 in Changsha, China and completed in June 2023 in Changsha, China
- سير العمل
- When I open the door to the first floor, the confrontation between the interior space and the facade appeared which is confrontation in colour, material, the whole and the fragmented. But this does not detract from the formal unity of the exterior and interior. The retroism without losing the independent style declares their relevance. The staircase guides to the upward space, and I deliberately used loose wood as the tread of the staircase. Stepping on it has a rustling sound and can feel the rebound of the wood. This is completely different from the feeling of crossing the first floor with steady steps. The first floor also doesn’t have the light and shadow spilling out from the top. The low linear strip of light on the side of the handrail is a safety cue as well as an orientation. People in such environment begins to become focused and anticipated. The spatial atmosphere of the second floor is basically the same as what I had conceived. Everything is as it is. There is no conflict, no exaggerated arrangement, no criticism and no attempts. I am like a director who arranges the work of each department and position in an orderly manner. Covered wood veneer with vertical grain delivers both hard and warm feeling. Mirrored stainless steel breaks the calm and refract light and images that change with the activities of the people in the space. Sometimes it is cold, sometimes warm, sometimes noisy, sometimes quiet and ambiguous.
- أعضاء الفريق
- Lead designer: JunLin Zhang
Extension designer: WenLiang Liu
Rendering designer: JingYu Zhang - حقوق الصور
- Ueya photography（Lei Liu）
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