Changes Cycles and Shapes دیجیٹلی ہنر چه ڈیزائنر Yuko Suzuki

ڈیزائن Changes Cycles and Shapes دیجیٹلی ہنر چه ڈیزائنر Yuko Suzuki یک باز باایزّتین بُردکار ته 2025 A' Design Award زرّیں انعام ته بخش رقابتی جنیریٹو، الگورتھمک، پیرامیٹرک ءِ اے آئی اسسٹڈ ڈیزائن اِنت.

زرجنیریٹو· 2025

Changes Cycles and Shapes دیجیٹلی ہنر

چه Yuko Suzuki

مشتری: Feral File

بُردکار A' Design Award زرّیں انعام ته بخش جنیریٹو

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رنگ

ڈیزائن

Changes Cycles and Shapes دیجیٹلی ہنر ءِ بارءَ

ای کار ای سوال کہ رنگ کاری چے ایت؟ گوں بصری اظہاراں ءِ گردش ءِ بیان کنگ ءِ سرا تلاش کنت۔ مونڈرین ءِ رنگکاریاں ءِ تبدیلیاں گوں متاثر بیت گوں رنگکاری ءِ اجزاءِ نقشہ ءِ بنیاد ایت، کجا کہ شکل صورتی و تجریدی ءِ مان و شور و خطی ءِ مان جنبش کنت، ای تصور رنگ ءِ سرا کار برگیراگ بیت۔ ای کار دیجیٹلی مادیت ءِ بدل بوھگین حالت ءَ ظاہر کنت و تاکید کنت کہ تبدیلیاں ءِ مان مابینی شکلاں جوھر اَنت۔ بارین ءِ گوں چاپ کرگ بیت گیں ساوتاں ءِ شامل کنگ ءِ ھاترا ای کار دیجیٹلی شکل ءَ چاپگر ءِ ھاترا ھنرمند ءِ شناخت ءَ منعکس کنت۔

پِجّاری

A' Design Award زرّیں انعام ءِ بارءَ

Changes Cycles and Shapes دیجیٹلی ہنر A' Design Award زرّیں انعام ءِ ورگ آ انت، انتہائی معزز اعتراف کہ پہلی درجہ ءِ، شاندار ءُ نمایاں ڈیزائناں دیگ بیت۔ زر ءِ ورگ آ انتہائی جدت ءِ، باز بصیرت ءِ ءُ شاندار ڈولا چمّاں خیرہ کنوکیں تخلیق انت، کہ وتی ڈیزائنراں ءِ عبقریت، حکمت ءُ مہارت ءَ ظاہر کننت۔ Changes Cycles and Shapes دیجیٹلی ہنر چہ امید کنگ بیت کہ آ یک باز ساراہگ بوتگیں، رجحان ساز ءُ یادگار ایجاد بیت کہ بے مثال قدر پیش کنت۔ ای ڈیزائن کہ A' Design Award زرّیں انعام ءَ برتگ، یک شاندار، محترم منصوبہ انت کہ فن، سائنس، ڈیزائن ءُ ٹیکنالوجی ءِ حداں باز فائدہ ءَ گوں ودی کنت۔ Changes Cycles and Shapes دیجیٹلی ہنر شدید خواہش ءِ جذبہ پیدا کنت، جوش جاگینیت، تخلیقی صلاحیت ءَ ودی کنت ءُ ما ءَ مسحور کنت۔

ڈیزائن ءِ پُشت سر

پریس کِٹ

اعتبارات، ٹیم ءِ نفر و تکنیکی تفصیلات ڈیزائنر ءِ نیمگا فراهم کنگ بوتگ.

خاصین بزانتان: Based on the question, What is painting?, this work expresses the circulation of multiple visual expressions, evoking the shifting state of digital materiality, oscillating between the concrete and the abstract. In it, it also expresses the idea that forms in between changes are the essence, and we live in a moment in change.
Furthermore, by incorporating textures printed with a baren, the artist's identity as a printmaker is incorporated in a digital form.
اندازه ؤ بسته‌بندی: 1920×1080 px / 3840×2160 px, 25 seconds, 65 works
ٹیگان: Generative Art, Coding
تولید ٹکنالوجی: This work was created entirely in a programming language called Processing.
It is made up of animations that change from one shape to the next.
ڈیزائن چیلنج: The theme of the exhibition was the inheritance of the experimental aesthetics of Hiroshi Kawano, a pioneer of Japanese computer art, so I researched Hiroshi Kawano and the history of past computer art.
I had repeated conversations with this great artist of the past to find out how to connect Kawano's work with my own experiments, and it took me a long time to dig deep into my theme and digest it.
تحقیق: This design study aims to explore how print textures can be incorporated into paintings. The researcher delved into the historical background of Hiroshi Kawano and Mondrian to explore how their style and techniques can be reflected in his own work. In terms of methodology, he took an experimental approach and researched the archives of past painters to evolve the expression of his work by combining different materials and textures.
As a result, the work is a reflection of the history of painting, and the influences of Hiroshi Kawano and Mondrian are beautifully integrated. This study proposed a new way of expression that goes beyond the boundaries of print and painting, and offered a new perspective on contemporary art. In terms of business, it made us reconsider the commercial value of art and its potential as design, and in terms of society, it allowed us to delve deeper into the historical and cultural meaning of art.
الهام: In painting, shape has an axis of figurative - abstract and an axis of noise - linear, while color also has an axis of noise - linear. Based on the component diagram of painting constructed from this idea, I developed a means of cycling through multiple visual idioms at once, with the work expressing the cycle itself. This work was also inspired by the transitions in Mondrian's paintings.
پرۏژه مدّت: This work was exhibited at Patterns of Flow held at NEORT++ in Tokyo from September 24th to October 6th, 2024.
This exhibition was a collaboration with Right Click Save and Massage Magazine, and the works were sold on Feral File, an NFT platform.
عملیاتی رۏش: In this animation, objects transform over time, oscillating between figurative and abstract, noise and linear. Designed to create a continuous flow of visual changes, the animation's timing and speed are adjusted to create a visually pleasing rhythm. By silently observing these changes, viewers can relate to their own lives and experiences, evoking deep empathy and emotional responses.
تصویرانی کریڈٹ: Image #3: NEORT++, Changes, Cycles, and Shapes in Between, 2024.