ڈیزائن Forest Heart چوبین تصویر چه ڈیزائنر Mohamadali Vadood یک باز باایزّتین بُردکار ته 2020 A' Design Award آسنین انعام ته بخش رقابتی فائن آرٹس ءِ آرٹ انسٹالیشن ڈیزائن اِنت.
آسنفائن آرٹ· 2020
Forest Heart چوبین تصویر
مشتری: Gerdayesh
بُردکار A' Design Award آسنین انعام ته بخش فائن آرٹ
تصدیقبوتگین ایوارڈ بُردکار
ایوارڈ حالت تصدیق په #86837ڈیزائن
Forest Heart چوبین تصویر ءِ بارءَ
جنگلی دل، نقشبندیءَ یک پروجیکٹی کار اِنت، چوبکاریئی یک روش کہ ای لکڑی ہنرئی تاریخءَ نوکیں دورے راہاندازیئے دعوا کنت۔ اولاں، ای یک مرغئی شکل دیس دات، اے جسمئی ہر ٹکڑه یک جنگلی درختئی لکڑیاں۔ قابلِ توجہ نقطه، تنہا لکڑیانی اصلی رنگانی نگہداری نہاَنت، چوں کہ معمول گوں تمام چوبکاری کاراںءَ کتگ بیت، بلکی ای نمونهاں، روشنیئی پرچاءِ موجاں، ءُ بافتاںءَ بی بچات۔ ہر ٹکڑہءَ حیرتانگیز کشفانی یک دنیا اَنت، حتا ذرهبین گوں چارگءَ پدا بہ، ءُ اے دیدوکان لکڑیءِ قدرتی تصادفاںءَ لوٹگ بہ کننت۔
پِجّاری
A' Design Award آسنین انعام ءِ بارءَ
Forest Heart چوبین تصویر A' Design Award آسنین انعام ءِ ورگ آ انت، معزز اعتراف کہ آ جوانیں ڈیزائناں دیگ بیت کہ جوانیں ڈولا ڈیزائن کنگ بوتگیں تخلیقاں چہ متوقع پیشہ ورانہ ءُ صنعتی ضرورتاں پورا کننت۔ آسن ءِ ورگ آ وتی خالقاں ءِ مزن مہارت، اعلیٰ ماہری، ماہرانہ سمجھ ءُ تخلیقی صلاحیت پیش کننت۔ Forest Heart چوبین تصویر چہ امید کنگ بیت کہ آ یک باز قدر کنگ بوتگیں، ساراہگ بوتگیں ءُ پیارکنگ بوتگیں تخلیق بیت کہ عملی ءُ جدت ءِ انت۔ ای ڈیزائن کہ A' Design Award آسنین انعام ءَ برتگ، صنعت ءِ بہترین طریقہ یکجا کنت ءُ علم ءُ صلاحیت گوں جوڑ بوتگیں قابل تکنیکی خصوصیتاں دار انت۔ Forest Heart چوبین تصویر ءِ سنجیدگی ءِ سببا عزت کنگ بیت ءُ آ زندگی ءِ معیار ءَ بہتری آرگ ءِ پہ جوڑ کنگ بوتگ کہ جہان ءَ جوانتر جاگہ جوڑ کنگ ءَ مدد کنت۔
ڈیزائن ءِ پُشت سر
پریس کِٹ
اعتبارات، ٹیم ءِ نفر و تکنیکی تفصیلات ڈیزائنر ءِ نیمگا فراهم کنگ بوتگ.
- خاصین بزانتان
- This art project tries to fulfill three intended purposes:
1. Taking a fresh look at wood to explore a new perception in it and to harmonize with its pure nature as well, so we can come up with original ideas to create real art.
2. Applying an innovative technique in working with wood and also in using common tools so we could achieve adequate quality in our performance.
3. Discovering, creating and defining new ways to gain desired images by tracing natural patterns in pieces of wood and making a synthesis between them. - اندازه ؤ بستهبندی
- The size is 35 in 60 cm.
The thickness of wood sheets were 4 mm.
The number of pieces are 47.
The weight is 700 gr.
All the colours and shades are chosen carefully to seize the natural fortuities in the woods. - ٹیگان
- naqshbandi, wood pattern tracing, marquetry, wood pattern, double cut, wood texture, wood cut, coping saw, wood character, wood art
- تولید ٹکنالوجی
- Defining a geometrical table based on cutting angles plus a method of cutting for even 1 mm pieces, and trying to have desired wood patterns and spots by restoring in perfect conditions like natural moisture percentage, etc. to benefit from bacteria activity were the main production phases.
The types of wood, they were haloxylon for the body and the head, barberry for the tail, fig for the feet, tree of heaven for the nose and the leaves, acer monspessulanum (keykom) for the leaves again, jujube for the beak, European ash for the background and wenge for the margin.
The tools were coping saw, plane, sanding paper, nail and hammer. - ڈیزائن چیلنج
- Defining geometrical patterns of cuts so that pieces of wood could save their original patterns, overcoming the thickness of cutline without using primer, and coming up with the idea of what I call Double-cut at the time of sanding to prevent the destruction of sub-patterns and sub-textures and save the main image are the parts of this work that ended up being its challenges.
- تحقیق
- Naqshbandi is a new method or attitude which is used to create this piece and aims to benefit from connecting lines, expanding textures from one piece to another, and deciding upon the true light shade, not just the colour contrast and various tonalities as it is usual in other works of marquetry. It requires the artist to make a full-hearted attempt to harmonize themselves with the nature of wood as much as possible, and help them grow a clear perception of their work and gain a direct inspiration from natural fortuities given by wood. So, the whole thing will finally sound the art of nature in the eye of beholder.
- الهام
- Natural wood structure, consisting of a variety of colours, illusory lines, special texture and darkened and bright spots with special makeup during the growth of the tree, can broaden any individuals' horizon in many impossible to imagine ways. The cutting angle of the wood makes these motifs look even more varied on the surface of a piece, cut from the main wood. With this discovery of what the cutting angle leads to what l am thinking of, l came up with this idea that I would find a base for this to control the patterns, lines and colors of the wood to create an originally incredible image based on the nature of wood and not manual changes.
- پرۏژه مدّت
- This work was created, in Tehran, started and finished in 2010, and to find appropriate woods they were provided from different places.
It took 6 months to accomplish the project as it turned out to be time-consuming to find desired wood pieces. - عملیاتی رۏش
- In this project-like work of art you can see a specific way of working with wood using the fewest pieces and mainly benefiting from the natural colour and also texture of the wood so you can build up a perfectly complete image, which actually cannot be repeated or copied as patterns in each piece are naturlly unique. Thus, it can be artistically used as a piece of decoration, specifically in wood-based decorated spaces on the wall or a shelf.
As for the transformation, it could be carried in a box of the same size and as it deos not weigh that much or take up much space, it does not matter a special transport. - ٹیمئے اعضا
- the artist and the founding father of the method: Mohammad-ali Vadood
اسپانسر
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گیشتر بچار
ہمربط ڈیزائن
همے دسته بندی ءَ گیشتر اِنعام یافته ڈیزائن، شایستگی ءِ بنیاد ءَ چاگرد کنگ بوتگ.
