Bellamy Sans Pismo od Paul Robb and Moira Bartoloni

Dizajn Bellamy Sans Pismo od dizajnera Paul Robb and Moira Bartoloni je visoko cijenjeni dobitnik prestižne nagrade 2025 Srebrna nagrada A' Design Award u kategoriji Dizajn Grafike, Ilustracije i Vizuelne Komunikacije.

SrebroGrafika· 2025

Bellamy Sans Pismo

autor Paul Robb and Moira Bartoloni

Klijent: S6 Foundry

Dobitnik nagrade Srebrna nagrada A' Design Award u kategoriji Grafika

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Dizajn

O dizajnu Bellamy Sans Pismo

Bellamy Sans je savremeno bezserifno pismo koje nanovo promišlja groteskni stil kroz profinjenu, modernu osjetljivost. Ukorijenjeno u tradiciji švajcarske tipografije, podržava osnovni princip neutralnosti dok uvodi ublaženi pristup krutosti svojstvenoj klasičnim groteskama. Suptilni kontrast i pažljivo oblikovane krivulje daju pismu diskretnu izražajnu eleganciju sa jasnoćom koja se postiže bez oslanjanja na suvišnu ornamentiku.

Priznanje

O nagradi Srebrna nagrada A' Design Award

Bellamy Sans Pismo je pobjednik Srebrne nagrade A' Design Award, izuzetno prestižnog priznanja koje se dodjeljuje vrhunskim, veličanstvenim i impresivnim dizajnima. Srebrni pobjednici iznimno su briljantna i vrlo kreativna djela koja ilustriraju izuzetnu stručnost, talent i oštroumnost svojih dizajnera. Očekuje se da Bellamy Sans Pismo bude divno, reprezentativno djelo koje je izuzetno profesionalno i duboko inovativno. Ovaj dizajn koji je osvojio Srebrnu nagradu A' Design Award vrlo je zapažen, nadaleko cijenjen izum koji koristi i pomjera granice umjetnosti, nauke, dizajna i tehnologije. Bellamy Sans Pismo je kreacija kojoj se mnogi dive i zavide, koja budi želje, donosi pozitivne osjećaje i raspiruje čuđenje i divljenje.

Iza dizajna

Press komplet

Zasluge, članovi tima i tehnički detalji koje je dostavio dizajner.

Jedinstvena svojstva: Bellamy Sans is a contemporary sans-serif typeface that reimagines the grotesque style with a refined, modern sensibility. Rooted in the tradition of Swiss typography, it maintains the core principle of neutrality while softening the rigidity often associated with classic grotesques. Its subtle contrast and carefully shaped curves lend it an understated elegance—minimalist yet expressive, free from superfluous ornamentation.
Dimenzije i pakovanje: The book is 120 pages, with the first section demonstrating the robustness of the font in use, the back pages are dedicated to the individual weights and glyphs.
Oznake: Type design, Typeface, Specimen
Tehnologija proizvodnje: The font was digitally created and supported by over 200 Latin languages. The cover was printed onto a recycled board, the internal pages onto 150gsm recycled paper and the book was hand-sewn.
Dizajnerski izazov: The primary challenge of this research lies in exploring how the utilitarian principles of historical grotesque typefaces with the nuanced sophistication of contemporary typography. It required addressing how typographic neutrality, clarity, simplicity, and versatility concepts can be reinterpreted through humanistic forms without compromising their functional essence. Additionally, the research must investigate how subtle design refinements can contribute to the evolution of modern typographic practices while honoring historical influences.
Istraživanje: This research investigates the design philosophy and developmental process behind the font and explores how Bellamy Sans bridges the gap between the minimalist, utilitarian principles of historical grotesques and the nuanced sophistication of contemporary typography. Central to its design is typographic neutrality, emphasizing clarity, simplicity, and versatility. However, Bellamy Sans reinterprets these qualities through a more humanistic lens, introducing subtle refinements that balance mechanical precision with organic warmth. This research highlights the typeface’s role in evolving modern typographic practices, offering insights into how historical influences can be harmonized with contemporary design needs.
Inspiracija: The inspiration behind Bellamy Sans stems from a desire to bridge the gap between the functional clarity of mid-20th-century grotesque typefaces and the nuanced sophistication of contemporary design, embracing the idea of typographic neutrality—prioritizing clarity, simplicity, and versatility while reinterpreting these qualities with a more humanistic approach. The typeface was conceived to soften the rigidity often found in classic grotesques.
Trajanje projekta: The initial designs were designed in November 2023 with the digital font launched in September 2024.
Tok rada: The Specimen book was sent to the first ten companies that ordered the complete family.
Članovi tima: Paul Henry Robb
Moria Bartoloni
Autorstvo slika: Paul Henry Robb