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Wonderland Primarna funkcija: Dizajn enterijera izložbenog centra od Chengzhe Zhang

Dizajn Wonderland Primarna funkcija: Dizajn enterijera izložbenog centra od dizajnera Chengzhe Zhang je visoko cijenjeni dobitnik prestižne nagrade 2020 Srebrna nagrada A' Design Award u kategoriji Dizajn Unutrašnjeg Prostora i Izložbi.


SrebroEnterijer· 2020

Wonderland Primarna funkcija: Dizajn enterijera izložbenog centra

autor Chengzhe Zhang

Klijent: Shanghai Hongshida Real Estate Development Co., LTD

Dobitnik nagrade Srebrna nagrada A' Design Award u kategoriji Enterijer

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Verificirajte status nagrade za #92667

Boje

Dizajn

O dizajnu Wonderland Primarna funkcija: Dizajn enterijera izložbenog centra

Wonderland je enterijer izložbenog centra u Šangaju, Kina. Dizajn je inspirisan djelom Taoyuan Wonderland, pejzažnom slikom slikara Qiu Yinga iz dinastije Ming, te primjenjuje zelene, roze i bijele tonove u mirnom prostoru. Zid od sivog škriljca isprva skriva pogled, a glavna dvorana visine deset metara otkriva se duž staze. Centralni prolaz vodi do konferencijskog prostora, izložbenog prostora i čajne sobe. Podne police za knjige i geometrijski šuplji paravani dijele prostore. Viseća staklena instalacija sa više od 5.000 latica breskve postavljena je ručno.

Priznanje

O nagradi Srebrna nagrada A' Design Award

Wonderland Primarna funkcija: Dizajn enterijera izložbenog centra je pobjednik Srebrne nagrade A' Design Award, izuzetno prestižnog priznanja koje se dodjeljuje vrhunskim, veličanstvenim i impresivnim dizajnima. Srebrni pobjednici iznimno su briljantna i vrlo kreativna djela koja ilustriraju izuzetnu stručnost, talent i oštroumnost svojih dizajnera. Očekuje se da Wonderland Primarna funkcija: Dizajn enterijera izložbenog centra bude divno, reprezentativno djelo koje je izuzetno profesionalno i duboko inovativno. Ovaj dizajn koji je osvojio Srebrnu nagradu A' Design Award vrlo je zapažen, nadaleko cijenjen izum koji koristi i pomjera granice umjetnosti, nauke, dizajna i tehnologije. Wonderland Primarna funkcija: Dizajn enterijera izložbenog centra je kreacija kojoj se mnogi dive i zavide, koja budi želje, donosi pozitivne osjećaje i raspiruje čuđenje i divljenje.

Iza dizajna

Press komplet

Zasluge, članovi tima i tehnički detalji koje je dostavio dizajner.

Jedinstvena svojstva
Since the year 907 AD, the Chinese people's ambiguity
about the Taoyuan space has gone through a series of
evolutions from earthly legends to images of physical
space, finally being transformed from the abstract into
something which can be incorporated into everyday
life, where the Tao Yuanming space was replaced by the
living room. The narrative of Wonderland is the most profound.
In the modern urban environment, the industrialized
environment has been separated from the natural
environment.
Dimenzije i pakovanje
Time in the usual sense can be roughly divided into two types. One is the time in nature when flowers are blooming and the seasons are changing, the other is the time in space, which is caused by the rotation of the earth. How people view the space and what they get out of it will depend on their different experiences.
Oznake
Exhibition Center, Oriental aesthetics, Localization, Taoyuan Wonderland, Natural
Tehnologija proizvodnje
From the open landscape to the inside, the designer Mr. Alessio Chengzhe Zhang first considers the space experience of the visitors, the gray slate wall obscures the line of sight and as they pass along the path, the main 10 meter high space is revealed, filling the visitors with awe. As they continue along the central passage, the layout of the functional areas such as the conference area, the exhibition area and the tea room unfold before their eyes.
Dizajnerski izazov
The large glass art installation suspended in the air is a response to these two concepts of time. It consists of pink-white peach petals each of different size, brightness and width, simulating the temporal dynamics of natural movement. More than 5,000 glass petals were all manually installed on site to achieve the final result, which also serves as a visual guide in the actual use of space.
From the opening and closing of the space, the abstraction of color to the artistic interpretation of time, the classic literary image has completed a series of retellings at the hands of the designers.
Istraživanje
In traditional Chinese painting, landscapes usually incorporated the triple concept of far, with the painter mainly trying to emphasize the subtle characteristics in the space. In order to avoid the panoramic effect in the large space, the canvas mainly focuses on the near and far, which becomes the boundary between the different functional areas. Here the surrounding floor-standing bookshelves and geometric hollow screens can create subtle light and shadow changes in space, while changing both inside and outside. These ideas all stem from the interpretation of landscape painting, representing the height of artificial nature.
Inspiracija
The Ming dynasty painter Qiu Ying has a painting called Taoyuan
Wonderland. The painter meticulously depicts the life hidden in the mountains: green mountains and clear water. Several white people who are detached from the world are sitting down by the creek and enjoying nature.
IADC chief designer Mr. Alessio Chengzhe Zhang was inspired by the masterpieces of Chinese landscape painters, applying the green, pink and white symbols of the pastoral forests to this quaint space.
Trajanje projekta
The Project started in January 2018 in Shanghai China
Tok rada
From the opening and closing of the space, the abstraction of color to the artistic interpretation of time, the classic literary image has completed a series of retellings at the hands of the designers. It signals both inheritance of tradition and the beginning of a new life in the future.
Članovi tima
Mingxin Lu
Yunhui Tang
Autorstvo slika
Main Image: Photographer Hai Zhu, 2018

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