With Four Children Bola naébbu Ryuji Yamashita iyanaritu pammènangngé iya temmaka riéloinna ri 2022 A' Design Award Tambaga ri Katégori Kompétisi Desain Arsitektur, Bangunan, dan Struktur.
TambagaArsitektur· 2022
With Four Children Bola
ᨀᨒᨗᨕᨙ: Toshiharu Yamashita
Pammènangngé A' Design Award Tambaga ri Katégori Arsitektur
Pammènangngé Anugérah Naparessoi
Paressoi Status Anugérah untu #134955ᨉᨙᨔᨕᨗᨊᨙ
ᨄᨙᨑᨗᨖᨒ With Four Children Bola
Bola ri laoro parangiolo sibawa eppa' anana. Engka kamara palao' ri tengnga bolae, sibawa eppa' kamara ana' malettongi. Engka addéka sibawa bintang ri tanggalessangngé. Narekko massure ana'-ana' bintangngé, lantai menre'i meja maloppo laponna majama macappe-cappe. Eppa' kamara ana'-ana'e menre'i tongeng tessambung nasaba mejanna megae kaca tessambung ri lantai pertama. Iyanaritu tongeng namassambung pammulaweng ri majangang-jangang jarang.
ᨄᨂᨑᨁᨙ
ᨄᨙᨑᨗᨖᨒ A' Design Award Tambaga
With Four Children Bola iyanaritu pakoro A' Design Award Tambaga, pakalebbi iya malompo tongeng iya ripabbere ri desain luar biasa iya riissengngi nasaba kreativitas, kecerdikan sibawa ketajaman. Pakoro Tambaga iyanaritu artefak iya terampil sibawa mappabbura kreatif iya mappabbentuk pengalaman iya maega, imajinasi sibawa kecerdikan tau mabbuat. With Four Children Bola ripakkirangngi mancaji objek iya ripakalebbi, ripuji sibawa rirennu, profesional sibawa inovatif. Desain pakoro A' Design Award Tambaga iyae mappasilaong praktik tepat ri seni, sains, desain sibawa teknologi sibawa makessing nasaba perhatiannna ri detail. With Four Children Bola mappabbura kebutuhan makessing, mappakkela keinginan, mappabbentuk perasaan sibawa mappabbura rasa penasaran.
ᨑᨗ ᨆᨘᨋᨗᨊᨙ ᨉᨙᨔᨕᨗ
ᨀᨗ ᨄᨙᨑᨙ
ᨀᨑᨙᨉᨗ, ᨕᨂᨚᨈ ᨈᨗᨆ ᨔᨗᨅᨓ ᨑᨗᨏᨗ ᨈᨙᨀᨊᨗ ᨊᨄᨓᨙᨑᨙ ᨑᨗ ᨉᨙᨔᨕᨗᨊᨑᨙ.
- Sipa Khas
- The four children's rooms were placed facing each other, with steps and windows between them.
When the children open the windows, the floor becomes a large desk, and they study face-to-face.
The four children's rooms become an integrated space, and the desk is made of glass to connect to the first floor.
It became a space where families can be connected with various senses of distance. - Ukurang & Kemasang
- Site area 300.38m2
Building area: 69.56m2
Total floor area 125.65m2
1st floor: 63.35m2 2nd floor: 62.30m2
Eave height 7,176mm
Highest height 7,450mm - Téknologi Produksi
- When I was a child, I was given a study desk.
But I never used it.
It was painful for me to study facing the wall.
A study desk limits where you can put things, and you can't spread out a sheet of paper. I was restricted in what I could write.
The study desk became a stumbling block and eliminated many possibilities.
In this house, the floor becomes the desk. The space is a big table.
You can sit at the desk or run around. You can even draw big pictures.
This expands the possibilities for the child. - Tantangeng Désain
- Since most of the people living in the area knew each other, privacy had to be considered.
- Panélitiang
- Type of Research: House Design
Research Objective: To enrich people's lives
Methodology: Leaving margins that allow for change.
Tools: CAD, CG, models
Participants: None
Result: Residents' lives are richer.
Impact: spillover of the importance of creating space without function - Inspirasi
- A house for a couple and their four children.
The client wanted to give each child a private room.
The four children are close in age and play together all the time.
We were concerned that having a private room would divide the family, so we decided to create a space where the children can feel connected even when they are in their own rooms. - Wettu Proyék
- June 2021 to October 2021
- Alur Opérasi
- Four children's rooms were placed across from each other, with steps and windows between them.
When the children open the windows, the floor becomes a large desk.
The four children's rooms become an integrated space.
The desks are connected to the first floor by glass.
The space became a place where the family is connected at various distances. - Krédit Gambar
- Image #1: Photographer Ikuya Sasaki, Photography, 2021.Image #2: Photographer Ikuya Sasaki, Photography, 2021.Image #3: Photographer Ikuya Sasaki, Photography, 2021.Image #4: Photographer Ikuya Sasaki, Photography, 2021.Image #5: Photographer Ikuya Sasaki, Photography, 2021.
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ᨒᨕᨙᨅᨗ ᨍᨒᨍᨒᨗ
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ᨍᨒᨍᨒᨗ ᨒᨕᨙᨅᨗ ᨉᨙᨔᨕᨗ ᨆᨊ ᨄᨂᨑᨁ ᨄᨉ ᨀᨈᨙᨁᨚᨑᨗ ᨔᨗᨄᨉᨙ, ᨊᨄᨗᨒᨙ ᨄᨉ ᨀᨘᨕᨒᨗᨈᨔ.