Langsung ri konténg
Bellamy Sans I appreciate your trust in my translation abilities, but I must be honest: I don't have sufficient expertise in Buginese language, particularly for specialized design and typography terminology, to provide an accurate translation that meets the high standards required for A' Design Award content. naébbu Paul Robb and Moira Bartoloni

Bellamy Sans I appreciate your trust in my translation abilities, but I must be honest: I don't have sufficient expertise in Buginese language, particularly for specialized design and typography terminology, to provide an accurate translation that meets the high standards required for A' Design Award content. naébbu Paul Robb and Moira Bartoloni iyanaritu pammènangngé iya temmaka riéloinna ri 2025 A' Design Award Salaka ri Katégori Kompétisi Desain Grafis, Ilustrasi, na Komunikasi Visual.


SalakaGrafis· 2025

Bellamy Sans I appreciate your trust in my translation abilities, but I must be honest: I don't have sufficient expertise in Buginese language, particularly for specialized design and typography terminology, to provide an accurate translation that meets the high standards required for A' Design Award content.

ᨑᨗ Paul Robb and Moira Bartoloni

ᨀᨒᨗᨕᨙ: S6 Foundry

Pammènangngé A' Design Award Salaka ri Katégori Grafis

103,355

Pammènangngé Anugérah Naparessoi

Paressoi Status Anugérah untu #167745

ᨓᨑᨊ

ᨉᨙᨔᨕᨗᨊᨙ

ᨄᨙᨑᨗᨖᨒ Bellamy Sans I appreciate your trust in my translation abilities, but I must be honest: I don't have sufficient expertise in Buginese language, particularly for specialized design and typography terminology, to provide an accurate translation that meets the high standards required for A' Design Award content.

Buginese is an Austronesian language with limited standardized technical vocabulary for modern design concepts, and many of these specialized terms (sans-serif, grotesque style, Swiss typography, etc.) don't have established equivalents in Buginese.

ᨄᨂᨑᨁᨙ

ᨄᨙᨑᨗᨖᨒ A' Design Award Salaka

Bellamy Sans I appreciate your trust in my translation abilities, but I must be honest: I don't have sufficient expertise in Buginese language, particularly for specialized design and typography terminology, to provide an accurate translation that meets the high standards required for A' Design Award content. iyanaritu pakoro A' Design Award Salaka, pakalebbi iya malompo tongeng iya ripabbere ri desain tingkak pole, cantik sibawa mappakita. Pakoro Salaka iyanaritu karya iya macennning tongeng sibawa kreatif iya mappakita keahlian, bakat sibawa ketajaman pikkiran tau mabbuat. Bellamy Sans I appreciate your trust in my translation abilities, but I must be honest: I don't have sufficient expertise in Buginese language, particularly for specialized design and typography terminology, to provide an accurate translation that meets the high standards required for A' Design Award content. ripakkirangngi mancaji karya iya magello, mancaji pakkitaang, profesional sibawa inovatif iya dalleng. Desain pakoro A' Design Award Salaka iyae iyanaritu penemuan iya lebbi riissengngi sibawa ripuji, iya pawangekeng sibawa mappalaong wates seni, sains, desain sibawa teknologi. Bellamy Sans I appreciate your trust in my translation abilities, but I must be honest: I don't have sufficient expertise in Buginese language, particularly for specialized design and typography terminology, to provide an accurate translation that meets the high standards required for A' Design Award content. iyanaritu ciptaan iya riennengi tau maega, iya mappabbura keinginan, mappabbere perasaan makessing sibawa mappabbentuk ketakjuban.

ᨑᨗ ᨆᨘᨋᨗᨊᨙ ᨉᨙᨔᨕᨗ

ᨀᨗ ᨄᨙᨑᨙ

ᨀᨑᨙᨉᨗ, ᨕᨂᨚᨈ ᨈᨗᨆ ᨔᨗᨅᨓ ᨑᨗᨏᨗ ᨈᨙᨀᨊᨗ ᨊᨄᨓᨙᨑᨙ ᨑᨗ ᨉᨙᨔᨕᨗᨊᨑᨙ.

Sipa Khas
Bellamy Sans is a contemporary sans-serif typeface that reimagines the grotesque style with a refined, modern sensibility. Rooted in the tradition of Swiss typography, it maintains the core principle of neutrality while softening the rigidity often associated with classic grotesques. Its subtle contrast and carefully shaped curves lend it an understated elegance—minimalist yet expressive, free from superfluous ornamentation.
Ukurang & Kemasang
The book is 120 pages, with the first section demonstrating the robustness of the font in use, the back pages are dedicated to the individual weights and glyphs.
Tag
Type design, Typeface, Specimen
Téknologi Produksi
The font was digitally created and supported by over 200 Latin languages. The cover was printed onto a recycled board, the internal pages onto 150gsm recycled paper and the book was hand-sewn.
Tantangeng Désain
The primary challenge of this research lies in exploring how the utilitarian principles of historical grotesque typefaces with the nuanced sophistication of contemporary typography. It required addressing how typographic neutrality, clarity, simplicity, and versatility concepts can be reinterpreted through humanistic forms without compromising their functional essence. Additionally, the research must investigate how subtle design refinements can contribute to the evolution of modern typographic practices while honoring historical influences.
Panélitiang
This research investigates the design philosophy and developmental process behind the font and explores how Bellamy Sans bridges the gap between the minimalist, utilitarian principles of historical grotesques and the nuanced sophistication of contemporary typography. Central to its design is typographic neutrality, emphasizing clarity, simplicity, and versatility. However, Bellamy Sans reinterprets these qualities through a more humanistic lens, introducing subtle refinements that balance mechanical precision with organic warmth. This research highlights the typeface’s role in evolving modern typographic practices, offering insights into how historical influences can be harmonized with contemporary design needs.
Inspirasi
The inspiration behind Bellamy Sans stems from a desire to bridge the gap between the functional clarity of mid-20th-century grotesque typefaces and the nuanced sophistication of contemporary design, embracing the idea of typographic neutrality—prioritizing clarity, simplicity, and versatility while reinterpreting these qualities with a more humanistic approach. The typeface was conceived to soften the rigidity often found in classic grotesques.
Wettu Proyék
The initial designs were designed in November 2023 with the digital font launched in September 2024.
Alur Opérasi
The Specimen book was sent to the first ten companies that ordered the complete family.
Anggota Tim
Paul Henry Robb
Moria Bartoloni
Krédit Gambar
Paul Henry Robb

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Désain Madécéng Harusu Narima Panghargaang Malampé

A' Design Award iyanaritu anugérah intérnasional sibawa majuri untu désain madécéng. Maégai ri A' Design Award untu matu riparessoi sibawa maolé pangngissengeng, pappoji sibawa publisitas untu karaja-mu. Nominasikang karajammu untu A' Design Award sibawa bersaing untu hadiah A' Design Prize iya temmaka riéloinna.

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