Aqua Continuum Sikko Perhiasang naébbu Anurag Sapkota

Aqua Continuum Sikko Perhiasang naébbu Anurag Sapkota iyanaritu pammènangngé iya temmaka riéloinna ri 2026 A' Design Award Tambaga ri Katégori Kompétisi Desain Perhiasan.

TambagaPerhiasan· 2026

Aqua Continuum Sikko Perhiasang

ᨑᨗ Anurag Sapkota

ᨀᨒᨗᨕᨙ: Elysign Digital LLP

Pammènangngé A' Design Award Tambaga ri Katégori Perhiasan

9,675

Pammènangngé Anugérah Naparessoi

Paressoi Status Anugérah untu #180109

ᨈᨗᨈ ᨑᨗ A' Design Award ᨔᨗᨕᨑ ᨄᨙᨑᨙ ᨅᨙᨍᨗ ᨄᨂᨑᨁ

ᨓᨑᨊ

ᨉᨙᨔᨕᨗᨊᨙ

ᨄᨙᨑᨗᨖᨒ Aqua Continuum Sikko Perhiasang

Aqua Continuum iyanaritu sikko perhiasang iya makomposs-i liontin, sipasang anting-anting, na cincing, iya ripancaji sibawa pakkégunaang permukaang iya malle', mabbéngko duakkali na rilipa untu' mappésangka kasinambungang na pakkullé iya rikontrolo' ri laleng géométri tellunna dimensina. Riié topaz biru iya ricukku' modélé émérálé ri tungke'-tungke' bagiang. Ria batu tu ripilé nasaba warna biruna na assosiasingna mata sibawa wae. Batu mulia pappénunjang malaingengngi rupanna na riatoro' sibawa prinsip pengemasang lingkarang. Pangatorong iyaé mappancaji corak parametrik iya mappabbuttiwi padang kepadatan iya makkasiwi na sibawa keseimbangang mata ri permukaang perhiasangngé.

ᨄᨂᨑᨁᨙ

ᨄᨙᨑᨗᨖᨒ A' Design Award Tambaga

Aqua Continuum Sikko Perhiasang iyanaritu pakoro A' Design Award Tambaga, pakalebbi iya malompo tongeng iya ripabbere ri desain luar biasa iya riissengngi nasaba kreativitas, kecerdikan sibawa ketajaman. Pakoro Tambaga iyanaritu artefak iya terampil sibawa mappabbura kreatif iya mappabbentuk pengalaman iya maega, imajinasi sibawa kecerdikan tau mabbuat. Aqua Continuum Sikko Perhiasang ripakkirangngi mancaji objek iya ripakalebbi, ripuji sibawa rirennu, profesional sibawa inovatif. Desain pakoro A' Design Award Tambaga iyae mappasilaong praktik tepat ri seni, sains, desain sibawa teknologi sibawa makessing nasaba perhatiannna ri detail. Aqua Continuum Sikko Perhiasang mappabbura kebutuhan makessing, mappakkela keinginan, mappabbentuk perasaan sibawa mappabbura rasa penasaran.

ᨑᨗ ᨆᨘᨋᨗᨊᨙ ᨉᨙᨔᨕᨗ

ᨀᨗ ᨄᨙᨑᨙ

ᨀᨑᨙᨉᨗ, ᨕᨂᨚᨈ ᨈᨗᨆ ᨔᨗᨅᨓ ᨑᨗᨏᨗ ᨈᨙᨀᨊᨗ ᨊᨄᨓᨙᨑᨙ ᨑᨗ ᨉᨙᨔᨕᨗᨊᨑᨙ.

Sipa Khas: Aqua Continuum is a jewellery set composed of a pendant, earrings and a ring, developed through fluid, doubly curved and seamlessly folded forms to express continuity and movement. Emerald-cut blue topaz is used to evoke the visual coolness and calm of water. Supporting gemstones vary significantly in size and are organized using circle-packing principles, creating an organic field of density and rhythm.
Ukurang & Kemasang: Jewellery set consisting of a ring od size US 6, the Earrings are 44mm in length and the Pendant is 50mm in length
Tag: Jewellery, Earrings, Pendant, Ring
Téknologi Produksi: The designs were developed using advanced surface modelling and parametric workflows to generate continuous doubly curved geometry and controlled folding. Circle-packing algorithms were applied to define gemstone positions and size variation. Final forms were refined for manufacturability with precise stone-setting tolerances and structural thickness control. The pieces are intended for production in precious metal alloys using high-resolution resin 3D printing for master patterns, followed by investment casting, precision pre-polishing and micro-pavé and prong setting for the blue topaz and supporting gemstones.
Tantangeng Désain: The main challenge was translating the softness and continuity of fluid motion into stable, wearable jewellery without losing structural integrity or comfort. Balancing expressive doubly curved surfaces with real stone-setting constraints, minimum metal thickness and casting limitations required multiple design iterations. Another difficulty was achieving visually natural gemstone clustering while maintaining secure settings and clear assembly logic. Limited references for computational gemstone distribution in contemporary jewellery and the need to align advanced digital modelling with existing manufacturing processes further increased the complexity of development and validation.
Panélitiang: This project is based on practice-led design research focused on translating the visual and sensory qualities of water into wearable jewellery. The study explored how doubly curved surfaces, seamless folding and controlled variation in gemstone size can communicate fluid movement and visual calm. Iterative digital modelling and parametric distribution tools were used to generate and evaluate multiple ring, pendant and earring prototypes. Circle-packing logic was applied to organise gemstones as a continuous spatial field rather than decorative placement. The results demonstrate improved visual rhythm, surface continuity and perceived lightness of form. The research shows how structured generative methods can support contemporary jewellery design, strengthen brand differentiation and enable more meaningful, experience-driven luxury products.
Inspirasi: The project is inspired by the natural behavior of water and by design theories that describe form as a continuous and evolving system rather than a fixed composition. The primary motivation was to translate fluid motion, surface continuity and spatial balance into wearable objects using doubly curved geometry and folding logic. Research into visual perception of color and spatial distribution guided the use of blue topaz for its cooling sensory effect and circle packing principles.
Wettu Proyék: The work for the project began in October 2025 and was finished in January of 2026 at Gangtok, Sikkim, India.
Alur Opérasi: The jewellery is worn and experienced through gentle movement and changing viewpoints. The pendant and earrings allow the gemstone to move freely, creating soft motion with the wearer’s natural gestures, while the ring holds the stone within a continuous flowing form. As the pieces move and catch light, the surfaces reveal different curves and reflections, enhancing the feeling of fluidity. The varied gemstone sizes create a natural visual rhythm that feels balanced from every angle. This interaction produces a calmer, more immersive visual experience than static or highly symmetrical jewellery designs.
Anggota Tim: Anurag Sapkota