Ang disenyo nga Nue Buhat nga Litrato ni Fukuma umi usa ka labihan ka tinahod nga mananaog sa prestihiyosong 2020 A' Design Award nga Puthaw sa Kategoriya sa Kompetisyon sa Disenyo sa Potograpiya ug Pagmaniobra sa Litrato.

PuthawPotograpiya· 2020

Nue Buhat nga Litrato

ni Fukuma umi

Kliyente: Fukumaumi

Mananaog sa A' Design Award nga Puthaw sa Kategoriya sa Potograpiya

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Mga Kolor

Ang Disenyo

Bahin sa Nue Buhat nga Litrato

Ang Nue usa ka buhat nga litrato nga nagpakita sa ihalas nga sagbot nga nagatubo sa palibot sa siyudad. Ang hulagway gihimo isip inkjet print sa cotton paper, nga may gilapdon nga 1456 milimetro ug gitas-on nga 1030 milimetro. Ang digital nga litrato maampingong gikontrolar sa kolor ug tono, mao nga ang resulta nagbarog taliwala sa photography ug graphic art. Ang sagbot gipili isip subject tungod kay kini nabuhi sa mga dapit nga grabeng naapektuhan sa kalihokan sa tawo. Ang ilang dili patas nga porma gipakita isip repleksyon sa kinabuhi sa tawo. Ang titulo naghisgot sa usa ka leyendaryong linalang sa kagabhion gikan sa Japan.

Ang Pag-ila

Bahin sa A' Design Award nga Puthaw

Nue Buhat nga Litrato usa ka mananaog sa A' Design Award nga Puthaw, usa ka dungganon nga pag-ila nga gihatag sa maayong mga disenyo nga nakatagbo sa propesyonal ug industriyal nga mga gikinahanglan nga gipaabot gikan sa maayo ang pagkadisenyo nga mga paglalang. Ang mga mananaog sa Puthaw nagpakita og dakong kahanas, taas nga espesyalisasyon, eksperto nga pagsabot, ug mamugnaon nga abilidad sa ilang mga tiglalang. Gilauman nga ang Nue Buhat nga Litrato mahimong gipabilhan, gihangaan, ug gihigugma nga paglalang nga praktikal ug bag-o. Kini nga disenyo nga nakadaog og A' Design Award nga Puthaw naghiusa sa labing maayong mga praktis sa industriya ug adunay hanas nga teknikal nga mga kinaiya nga nalambigit sa kahibalo ug talento. Nue Buhat nga Litrato gitahod tungod sa pagkamaabtik niini ug gidisenyo aron maghatag og mga pagpaayo sa kalidad sa kinabuhi nga makatabang sa paghimo sa kalibutan nga mas maayong dapit.

Luyo sa Disenyo

Press Kit

Mga kredito, mga miyembro sa team ug teknikal nga mga detalye nga gihatag sa tigdisenyo.

Talagsaong mga Kinaiya: This work is a digital photograph, but what is reflected is a virtual image.
It can be regarded as a new age expression by digital processing, but it is a work that pursues spirituality and is a work that draws on the flow of existential expression after the 1960s.
Gidak-on ug Pakete: Width 1456mm x Height 1030mm
Inkjet print on cotton paper
Mga Tag: newnature, Suburbs, artificial, photo, graphic, photographic, fine art, urban art
Teknolohiya sa Produksyon: The subject tree is weeds.
It has grown over a long period of time, and has often been slaughtered and withered by heavy rain and strong winds.
Although these weeds do not academically represent any particular taxa, they often share common ecological characteristics in that they are habitat in a space that is strongly disturbed by human activity. In turn, it is used as a metaphor as a strong, unsophisticated, or worse, reluctant entity.
What makes this work unique is that it can be regarded as a strong criticism of modern society through the existence of weeds, but it can also be regarded as a thesis for modern people.
Hagit sa Disenyo: This work is very often misunderstood.
It seems that human beings have a tendency to logicalize all preconceptions as they are more knowledgeable. Therefore, this work is easily judged as a photography by preconception, but this work is a photo graphic.
It is a made photo and a pictorial photo.
Some critics may not appreciate this work very much. But they are misunderstanding because they see it only as a picture.
Dark, dirty, too digital, a common term, but completely prejudiced.
All the colors on the screen are very controlled and you have to work hard to see them, but once you get used to it, the darkness doesn't bother you.
Dirty is also a preconception. What is dirty? It will be understandable considering the current situation of a society polluted by corona.
As for digital processing, most of the images we see are digitally processed, and even if the image is clear, it is impossible for the photoreceptor of the camera to keep receiving the signal.
Whether inside the camera or on Photoshop, PC, monitor
Images are managed and processed on all devices.
Panukiduki: “Nue” is suggest for way of lives that "Not how do you live, what does live expect from you".

" Was hier not tut, ist eine Wendung in der ganzen Fragestellung nach dem Sinn des Lebens: Wir mussen lernen und die verzweifelnden Menschen lehren, das es eigentlich nie und nimmer darauf ankommt, was wir vom Leben noch zu erwarten haben, vielmehr lediglich darauf: was das Leben von uns erwartet! Zunftig philosophisch gesprochen konnte man sagen, das es hier also um eine Art kopernikanische Wende geht, so zwar, das wir nicht mehr einfach nach dem Sinn des Lebens fragen, sondern das wir uns selbst als die Befragten erleben, als diejenigen, an die das Leben taglich und stundlich Fragen stellt ? Fragen, die wir zu beantworten haben, indem wir nicht durch ein Grubeln oder Reden, sondern nur durch ein Handeln, ein rightiges Verhalten, die rechte Antwort geben. Leben heist letzlich eben nichts anderes als: Verantwortung tragen fur die rechte Beantwortung der Lebensfragen, fur die Erfullung der Aufgaben, die jedem einzelnen das Leben stellt, fur die Erfullung der Forderung der Stunde.."(trotzdem Ja zum Leben sagen: Ein Psychologe erlebt das Konzentrationslager V.E.Frankl)
Inspirasyon: "Nue" is a legendary Japanese bird that appears at night.The face was a monkey, the body was a tiger, the tail was a snake, and the voice was very creepy and lonely.However, the entity was just a sparrow.
Today it is also used as a metaphor for strange people and things.
The trees I shoot are also unseen.It is a tree that is nothing if you study it academically.However, it is uncertain when it has been there, and has a dubious presence.
Humans, including me, are also unsophisticated like Nue. Weird, suspicious and lonely, yet just human.
Gidugayon sa Proyekto: The project started in December 2015 in Tokyo and around and is still ongoing.
Daloy sa Operasyon: Unlike beautiful flowers grown in the garden, weeds grown wild have an ugly shape.
Because he could only live that way.
It don't know that what is ashamed and courteous.
But it's very simple to live.

In this work, weeds are photographed, but they capture human heart.
Mga Patente: Copyrights
Image 1: Umi Fukuma, 2020
Image 2: Umi Fukuma, 2020
Image 3: Umi Fukuma, 2020
Image 4: Umi Fukuma, 2020
Image 5: Umi Fukuma, 2020
Mga Miyembro sa Team: fukuma umi
Mga Credit sa Imahen: Image 1: Photographer Fukuma umi, 2020
Image 2: Photographer Fukuma umi, 2020
Image 3: Photographer Fukuma umi, 2020
Image 4: Photographer Fukuma umi, 2020
Image 5: Photographer Fukuma umi, 2020