Forest Heart Stampa Di Lignu da Mohamadali Vadood

U designu Forest Heart Stampa Di Lignu da Mohamadali Vadood hè un vincitore altamente stimatu di u prestigiosu premiu 2020 A' Design Award di Ferru in a Categuria di Cumpetizione Belle Arti.

FerruBelle Arti· 2020

Forest Heart Stampa Di Lignu

da Mohamadali Vadood

Cliente: Gerdayesh

Vincitore di u premiu A' Design Award di Ferru in a Categuria Belle Arti

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Vincitore di Premiu Verificatu

Verificà u Statu di u Premiu per #86837

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Culori

U Cuncepimentu

À propositu di Forest Heart Stampa Di Lignu

Forest Heart hè un travagliu cum'è un prughjettu in Naqshbandi, un metudu per fà a marqueteria chì pretendia esse l'implementazione di un novu periodu in a storia di sta arte di u legnu. Inizialmente, rappresenta a figura di un uccello, ogni pezzu di u so corpu da u legnu di un arburu forestale. U puntu rimarchevuli, però, ùn hè micca solu di mantene i culori originali di u boscu, cume hè generalmente fattu in tutte e opere di marchetteria, ancu salvà modelli, ondulazioni d'ombra, è texture. Un mondu di scuperte innamuosu chì ogni pezzu hà ancu cun un aspettu di lente, cusì i so telespettatori ponu tuccà e fortezza naturali di u legnu.

U Ricunnoscimentu

À propositu di u A' Design Award di Ferru

Forest Heart Stampa Di Lignu hè un vincitore di u premiu A' Design Award di Ferru, una ricunniscenza prestigiosa attribuita à i boni disegni chì rispondenu à i requisiti prufessiunali è industriali aspettati da creazioni ben cuncipite. I vincitori di Ferru dimustranu una grande abilità, una alta specializazione, una cumpresa esperta è a capacità creativa di i so creatori. Si aspetta chì Forest Heart Stampa Di Lignu sia una creazione assai apprezzata, ammirata è cara chì hè pratica è innuvatrice. Stu disegnu vincitore di u premiu A' Design Award di Ferru integra e migliori pratiche di u settore è hà caratteristiche tecniche cumpetenti ligate à u sapè fà è à u talentu. Forest Heart Stampa Di Lignu hè rispettatu per a so meticulosità è hè cuncipitu per furnisce miglioramenti di a qualità di a vita chì aiutanu à fà di u mondu un locu megliu.

Daretu à u Cuncepimentu

Kit Stampa

Crediti, membri di a squadra è dettagli tecnici furniti da u cuncettore.

Pruprietà Uniche: This art project tries to fulfill three intended purposes:
1. Taking a fresh look at wood to explore a new perception in it and to harmonize with its pure nature as well, so we can come up with original ideas to create real art.
2. Applying an innovative technique in working with wood and also in using common tools so we could achieve adequate quality in our performance.
3. Discovering, creating and defining new ways to gain desired images by tracing natural patterns in pieces of wood and making a synthesis between them.
Dimensioni è Imballaghju: The size is 35 in 60 cm.
The thickness of wood sheets were 4 mm.
The number of pieces are 47.
The weight is 700 gr.
All the colours and shades are chosen carefully to seize the natural fortuities in the woods.
Etichette: naqshbandi, wood pattern tracing, marquetry, wood pattern, double cut, wood texture, wood cut, coping saw, wood character, wood art
Tecnulugia di Pruduzzione: Defining a geometrical table based on cutting angles plus a method of cutting for even 1 mm pieces, and trying to have desired wood patterns and spots by restoring in perfect conditions like natural moisture percentage, etc. to benefit from bacteria activity were the main production phases.
The types of wood, they were haloxylon for the body and the head, barberry for the tail, fig for the feet, tree of heaven for the nose and the leaves, acer monspessulanum (keykom) for the leaves again, jujube for the beak, European ash for the background and wenge for the margin.
The tools were coping saw, plane, sanding paper, nail and hammer.
Sfida di Designu: Defining geometrical patterns of cuts so that pieces of wood could save their original patterns, overcoming the thickness of cutline without using primer, and coming up with the idea of what I call Double-cut at the time of sanding to prevent the destruction of sub-patterns and sub-textures and save the main image are the parts of this work that ended up being its challenges.
Ricerca: Naqshbandi is a new method or attitude which is used to create this piece and aims to benefit from connecting lines, expanding textures from one piece to another, and deciding upon the true light shade, not just the colour contrast and various tonalities as it is usual in other works of marquetry. It requires the artist to make a full-hearted attempt to harmonize themselves with the nature of wood as much as possible, and help them grow a clear perception of their work and gain a direct inspiration from natural fortuities given by wood. So, the whole thing will finally sound the art of nature in the eye of beholder.
Ispirazione: Natural wood structure, consisting of a variety of colours, illusory lines, special texture and darkened and bright spots with special makeup during the growth of the tree, can broaden any individuals' horizon in many impossible to imagine ways. The cutting angle of the wood makes these motifs look even more varied on the surface of a piece, cut from the main wood. With this discovery of what the cutting angle leads to what l am thinking of, l came up with this idea that I would find a base for this to control the patterns, lines and colors of the wood to create an originally incredible image based on the nature of wood and not manual changes.
Durata di u Prugettu: This work was created, in Tehran, started and finished in 2010, and to find appropriate woods they were provided from different places.
It took 6 months to accomplish the project as it turned out to be time-consuming to find desired wood pieces.
Flussu Operativu: In this project-like work of art you can see a specific way of working with wood using the fewest pieces and mainly benefiting from the natural colour and also texture of the wood so you can build up a perfectly complete image, which actually cannot be repeated or copied as patterns in each piece are naturlly unique. Thus, it can be artistically used as a piece of decoration, specifically in wood-based decorated spaces on the wall or a shelf.
As for the transformation, it could be carried in a box of the same size and as it deos not weigh that much or take up much space, it does not matter a special transport.
Membri di a Squadra: the artist and the founding father of the method: Mohammad-ali Vadood