Neidio i'r cynnwys
Ceramics Extension Gosod gan Tairan Hao and Shan Xu

Mae Ceramics Extension Gosod gan Tairan Hao and Shan Xu yn enillydd uchel ei barch o'r 2020 Gwobr Efydd A' Design Award mawreddog iawn yng Nghategori Cystadleuaeth Celfyddyd Gain.


EfyddCelfyddyd Gain· 2020

Ceramics Extension Gosod

gan Tairan Hao and Shan Xu

Cleient: Tairan Hao

Enillydd Gwobr Efydd A' Design Award yn y Categori Celfyddyd Gain

18,499

Enillydd Gwobr Wedi'i Wirio

Gwirio Statws Gwobr ar gyfer #104079

Lliwiau

Y Dyluniad

Am Ceramics Extension Gosod

Mae'r gosodiad yn cael ei ffurfio gan gerfluniau cerameg traddodiadol wedi'u gwneud â llaw a cherfluniau plastig printiedig 3D. Mae'r celf a'r dyluniad yn ceisio cyfleu teimlad cryf i'r cynulleidfaoedd bod pob gwrthrych, pawb, popeth yn cael ei ymestyn yn anfeidrol. Gyda phresenoldeb cerflunwaith, mae'n cyfathrebu rhan o'r gwrthrychau maen nhw'n eu gweld yn real, ond y gwrthrychau eraill yw'r adlewyrchiad gan y drychau, sy'n afreal. Mae'r rhyngweithio yn gwneud i bobl feddwl eu bod yn camu i fyd ffantasi sy'n cael ei greu ganddyn nhw eu hunain.

Y Gydnabyddiaeth

Am y Gwobr Efydd A' Design Award

Mae Ceramics Extension Gosod yn enillydd Gwobr Efydd A' Design Award, cydnabyddiaeth hynod fawreddog a roddir i ddyluniadau rhagorol sydd yn nodedig am greadigrwydd, dyfeisgarwch a chraffter. Mae enillwyr Efydd yn arteffactau medrus iawn a thrawiadol o greadigol sydd yn dilysu profiad helaeth, dychymyg a dyfeisgarwch eu dylunwyr. Disgwylir i Ceramics Extension Gosod fod yn wrthrych uchel ei fri, a edmygir ac a anwylir, sydd yn nodedig o broffesiynol ac arloesol. Mae'r dyluniad buddugol hwn o Wobr Efydd A' Design Award yn ymgorffori arferion gorau mewn celf, gwyddoniaeth, dylunio a thechnoleg, ac yn rhagorol am ei sylw i fanylion. Mae Ceramics Extension Gosod yn bodloni anghenion yn odidog, yn cyffwrdd â dyheadau, yn swyno teimladau ac yn apelio at chwilfrydedd.

Y Tu Ôl i'r Dyluniad

Pecyn i'r Wasg

Credydau, aelodau tîm a manylion technegol a ddarparwyd gan y dylunydd.

Priodweddau Unigryw
The installation is formed by traditional handmade ceramics sculptures and 3D printed plastic sculptures. There is a total of 130 pieces of sculptures in the installation space. The installation is designed to display in a space surrounded by reflected glass mirrors, with 5 LED lights that give the audience a fantasy and futuristic feeling. The meaning of the installation design is trying to show the communication between the future and the past, modern technology and traditional handicraft, the real world and the virtual world.
Dimensiynau a Phecynnu
half of the sculptures in the installation are 3D printed, dimension variable; the other half of the sculptures are handmade, dimension variable as well. the dimension of the space is a box, 15m*15m*15m
Tagiau
Installation, Art, 3D Printing, Ceramics, Sculpture
Technoleg Cynhyrchu
3D printing; Plastic; aluminum mirrors; porcelain, LED lights
Her Dylunio
The arrangement of the sculptures was one of the challenges in the design process. Some of the ceramics were too heavy to use ropes to hold and connect it with the roof. Therefore, most of the sculptures are remade and reprinted by the 3D printer, using lighter materials then sprayed by the glazed-look white color to the surface.
Ymchwil
The reflective material was the key to this design. Different materials combine with LED lights have different visual effects. Glass, Acrylic, and mirrors cannot demonstrate a good visual effect because of the reflection range are limited, as well as when the light is being reflected, the feeling wasn't satisfied. The installation took lots of tests in order to see if the fantasy feeling can be presented. The optimal result is shown in the final design, which is to use aluminum mirrors as the main materials.
Ysbrydoliaeth
The relationship between the virtual world and the real world generates the form of this installation design, as well as the traditional method of crafting versus what can be crafted with contemporary technologies. The development of civilization proceeds as time goes on. Therefore, the mirror reflection in the interior space of the installation shows the infinite possibility of what time can change. Technology allows humans to define what is real and what is virtual and all the connections.
Hyd y Prosiect
The project started in 2016 in Beijing and finished in 2017. It was exhibited in Beijing Today Art Museum in 2017.
Llif Gweithrediad
When the audiences step into the installation space, they will sense a feeling of visual infinity. The visual interaction generates a strong feeling to the audiences that every object, everyone, everything is being extended infinitely. With the presence of sculpture, it is communicating part of the objects they see are real, but the other objects are the reflection by the mirrors, which is unreal. The interaction makes people think that they are stepping into a fantasy world that is created by themselves.
Patentau
Copyrights belong to Shan Xu and Tairan Hao, 2017
Aelodau'r Tîm
Designer: Shan Xu
Artist: Tairan Hao
Cydnabyddiaeth Delweddau
Image #1: Photographer Tairan Hao, 2017
Image #2: Photographer Tairan Hao, 2017
Image #3: Photographer Tairan Hao, 2017
Image #4: Photographer Tairan Hao, 2017
Image #5: Photographer Tairan Hao, 2017

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