Optics and Chromatics Poster Arddangosfa gan Timea Andoka

Mae Optics and Chromatics Poster Arddangosfa gan Timea Andoka yn enillydd uchel ei barch o'r 2018 Gwobr Arian A' Design Award mawreddog iawn yng Nghategori Cystadleuaeth Graffeg.

ArianGraffeg· 2018

Optics and Chromatics Poster Arddangosfa

gan Timea Andoka

Cleient: Timea Andorka

Enillydd Gwobr Arian A' Design Award yn y Categori Graffeg

66,192

Enillydd Gwobr Wedi'i Wirio

Gwirio Statws Gwobr ar gyfer #58492

Darganfod Nawr Ymweld â'r Wefan Gweld yn A' Design Award Datganiad i'r Wasg Bathodyn Gwobr

Lliwiau

Y Dyluniad

Am Optics and Chromatics Poster Arddangosfa

Mae'r teitl Opteg a Chromatig yn cyfeirio at y ddadl rhwng Goethe a Newton ar natur lliwiau. Cynrychiolir y ddadl hon gan wrthdaro’r ddau gyfansoddiad ar ffurf llythyren: mae un yn cael ei gyfrifo, yn geometrig, gyda chyfuchliniau miniog, a’r llall yn dibynnu ar chwarae argraffiadol cysgodion lliwgar. Yn 2014 roedd y dyluniad hwn yn glawr ar gyfer Gorchuddion Artist Cyfres Pantone Plus.

Y Gydnabyddiaeth

Am y Gwobr Arian A' Design Award

Mae Optics and Chromatics Poster Arddangosfa yn enillydd Gwobr Arian A' Design Award, cydnabyddiaeth hynod fawreddog a roddir i ddyluniadau o'r radd uchaf, hardd a thrawiadol. Mae enillwyr Arian yn weithiau tra disglair a hynod greadigol sydd yn darlunio arbenigedd, dawn a chraffter rhagorol eu dylunwyr. Disgwylir i Optics and Chromatics Poster Arddangosfa fod yn waith gwych ac esiampl, yn nodedig o broffesiynol ac yn ddwfn arloesol. Mae'r dyluniad buddugol hwn o Wobr Arian A' Design Award yn ddyfais hynod nodedig a edmygir sydd yn elwa ac yn symud ymlaen ffiniau celf, gwyddoniaeth, dylunio a thechnoleg. Mae Optics and Chromatics Poster Arddangosfa yn greadigaeth y cenfigennir wrthi yn eang, sydd yn deffro dyheadau, yn cyflwyno teimladau cadarnhaol ac yn cynnau rhyfeddod a syndod.

Y Tu Ôl i'r Dyluniad

Pecyn i'r Wasg

Credydau, aelodau tîm a manylion technegol a ddarparwyd gan y dylunydd.

Priodweddau Unigryw: The title Optics and Chromatics refers to the debate between Goethe and Newton on the nature of colours. This debate is represented by the clash of the two letterform compositions, one is calculated, geometric, with sharp contours, the other relies on the impressionistic play of colourful shadows. In 2014 this design served as the cover for Pantone Plus Series Artist Covers. The Pantone Formula Guide and Pantone Solid Chips feature covers showcasing works of art from my project, Optics and Chromatics. (creative manager and designer at Pantone by Timothy Heyer, director of creative marketing at Pantone by Karen Lantelme)
Dimensiynau a Phecynnu: original poster size: 70×100 cm
Tagiau: chromatics, optics, Goethe, light, colour, shadow, experimental typography, crafts
Technoleg Cynhyrchu: paper, coloured plastic sheet, light, shadow
Her Dylunio: Two new font-designs had to be invented to express the nature of the polemy on colour theory. The two types of letter consist of different materials and form: one is made of paper and shadow, the other is of coloured foil and light. The symmetrical, geometric shapes of the white paper and the sharp shadows in the hard light make the word ’optics’ legible. The word ’cromatics’ is built from coloured foil sheets that create colourful, intertangled beams in different angles of light.
Ymchwil: It is essential to know in detail the polemy on colour theory between Newton and Goethe when analyzing the relationship between light, shadow and colour. I consider Goethe’s Theory of Colours as one of the basic pieces of work when studying colour experience: it highlights the fact that the colour vision is a greatly changeful, resilient and impressionistic factor, thus not possible to give a description by some exact mathematical formulas – at least not in an adequate manner. The poster enters this several-century-long scientific debate with the resources of contemporary experimental typography. The project’s afterlife shows the timeliness of this inspection: Pantone published its first Limited-edition Artist Covers with this piece of work in 2014.
Ysbrydoliaeth: Goethe's Theory of Colours appeared in 1810. On the occasion of the bicentennial anniversary of the book the Society of Hungarian Graphic Designers and Typographers announces an international design competition entitled Goetheorie. The title of poster Optics and Chromatics refers to a place where Goethe points out that unlike Newton he is not so much interested in the science of sight (Optics) but rather in the theory of colours (Chromatics). He wants to demonstrate the way we actually experience colours, and not the way we are supposed to experience them according to the laws of mathematics.
Hyd y Prosiect: The poster was made at Budapest, Hungary, 2010.
It was exhibited at Design Terminal, Budapest, Hungary, 05 November 2010 – 09 January 2011, Donau Buro, Ulm, Germany, 04 July – 13 July 2014 and The World Paper Products, Jeonju, South Korea, 20 – 28 February 2017
Llif Gweithrediad: Numerous photos have been taken of the two letterform compositions for the project. Changing the perspective and the light conditions meant plenty of possibilities for the visualization. The two pictures that were finally chosen for the poster are the ones which – complementing each other – accentuate the most the difference between the two colour theories.
Aelodau'r Tîm: Art director, graphic design, type design and paper craft: Tímea Andorka