The Birth of a Book Llyfr gan Urszula Giren

Mae The Birth of a Book Llyfr gan Urszula Giren yn enillydd uchel ei barch o'r 2020 Gwobr Aur A' Design Award mawreddog iawn yng Nghategori Cystadleuaeth Print.

AurPrint· 2020

The Birth of a Book Llyfr

gan Urszula Giren

Cleient: Urszula Gireń

Enillydd Gwobr Aur A' Design Award yn y Categori Print

80,127

Enillydd Gwobr Wedi'i Wirio

Gwirio Statws Gwobr ar gyfer #97144

Ymweld â'r Wefan Gweld yn A' Design Award Datganiad i'r Wasg Bathodyn Gwobr

Lliwiau

Y Dyluniad

Am The Birth of a Book Llyfr

Mae Genedigaeth Llyfr yn gyhoeddiad printiedig am ddylunio llyfrau yng Ngwlad Pwyl yn yr 16eg ganrif. Mae'r llyfr yn cyflwyno hen brintiau yn eu maint gwirioneddol, fel y gall darllenwyr weld y fformatau gwreiddiol. Mae'r siaced lwch yn dangos y dull gosodiad tudalennau a ddefnyddiwyd ar gyfer yr hen fformat octavo. Mae rhuban nod tudalen yn nodi uchderau llyfrau ffolio, cwarto ac octavo. Mae'r torluniau pren ar y tudalennau teitl wedi'u printio mewn gwrthdroad lliw, gan ddwyn i gof fatricsau wedi'u gorchuddio ag inc du. Mae'r fformat yn 256 wrth 320 milimetr, gyda 560 o dudalennau a thua 1200 o ddarluniau. Y nod yw esbonio dulliau printio'r Dadeni i ddarllenwyr eang.

Y Gydnabyddiaeth

Am y Gwobr Aur A' Design Award

Mae The Birth of a Book Llyfr yn enillydd Gwobr Aur A' Design Award, cydnabyddiaeth aruthrol o fawreddog a roddir i ddyluniadau o'r radd flaenaf, rhyfeddol a rhagorol. Mae enillwyr Aur yn greadigaethau hynod arloesol, gweledigaethol a disglair o ysblennydd sydd yn adlewyrchu athrylith, doethineb a medrusrwydd eu dylunwyr. Disgwylir i The Birth of a Book Llyfr fod yn ddyfais hynod glodfawr, arloesol a chofadwy sydd yn cyflwyno gwerth digynsail. Mae'r dyluniad buddugol hwn o Wobr Aur A' Design Award yn brosiect ysblennydd a pharchus sydd yn elwa yn fawr ac yn symud ymlaen ffiniau celf, gwyddoniaeth, dylunio a thechnoleg. Mae The Birth of a Book Llyfr yn creu teimladau dwys o ddyhead, yn cynhyrfu angerdd, yn annog creadigrwydd ac yn ein cyfareddu.

Y Tu Ôl i'r Dyluniad

Pecyn i'r Wasg

Credydau, aelodau tîm a manylion technegol a ddarparwyd gan y dylunydd.

Priodweddau Unigryw: The designed structure of publications presents the old prints in real size and the method of their production in additional elements like a dust jacket which show printing sheet, typographic composition at 1:1 scale. The woodcuts in color inversion on the title pages refer to matrices covered with black ink. The compositions of this pages were plotted on a scheme invented by Villard de Honnecourt, 13th century artist, and refer to the proportions of columns, margins used in the 16th century.
Dimensiynau a Phecynnu: Format:
256 x 320 mm in a 1.25 ratio, 560 pages, the page format allowed the calculation of a multi-level grid for the composition of individual elements, including 1200 illustrations.
Tagiau: renaissance book, first roman typefaces, old prints, typography
Technoleg Cynhyrchu: The work was digitally printed and a hardback, paper binding, thermo-gluing was used. The covering is made of black beater-dyed paper. There are also a dust jacket reflecting an imposition method for the old octavo book format, as well as a ribbon - bookmark, depicting the folio, quarto and octavo heights. Covering: Geltex Negro Antracita 191 Embossing LS 115 g (beater-dyed paper), silver color - screen printing, binder's board: spine board 2 mm, base case 3 mm, Dust Jacket: Color Style Black Smooth 120 g (beater-dyed paper) silver color - screen printing, Endpaper: Geltex Negro Antracita 191 Embossing LS 130 g (beater-dyed paper), Book-block: Pergraphica Natural Smooth 120 g, CMYK - digital printing, HP Indigo, printing according to fiber direction, PUR glue, Headband: Black, Ribbon bookmark: Black, silver color
Her Dylunio: The biggest challenge was complicated structure of the text - a lot of auxiliary and descriptive texts, an unusually large number of various illustrations - 1274. Organizing the appropriate grid required several verifications. I based the project largely on mathematical calculations related to the content of the publication. The divisions and colors used resulted entirely from the content and the assumption of the best possible exposure of illustrations and text. By learning the methodology of 16th-century typographers, you can see frequent references to numbers that have always been present in nature. The search for systematization the surrounding world by the renaissance artists was huge inspiration. Each element in the world has its place and meaning, nothing is accidental, everything is connected with each other and interacts with each other. I also wanted to build a relationship system in the design of my publication, where the smallest part would result from the structure of the whole.
Ymchwil: The first part of book contains basic information about printing, introduces the reader to the general principles of Renaissance design. In the second part of the publication, printing in Poland was discussed in more detail. This part was divided into 5 chapters, four of which have been assigned specific cities. The choice of places was justified by the pioneering activity of the printing houses, which opened there, their size, as well as the quality of the publications they produced.
Ysbrydoliaeth: The main inspirations were the general principles of Renaissance design. The first stage of the project included gathering graphic material necessary to conduct research on the old European, Polish books. The study covered individual elements, starting from the materials from which books were created: papers, binding materials, typefaces, ornaments, graphics. Information was also collected on the most well-known Polish and European publishers, typographers and punchcutters.
Hyd y Prosiect: The project started in May 2017 in Bialystok and finished in February 2019 in Katowice, Poland
Llif Gweithrediad: All the elements in the book have been designed to familiarize the reader with the methodology of creating books in the 16th century. Starting from the format of the book showing real formats of old prints, to the dust jacket presenting the printing imposition, or the ribbon indicating the height of old books - folio, quarto, otavo.
Cydnabyddiaeth Delweddau: Urszula Gireń / 2019