The Armor Teaterkostume af Samantha Chijona Garcia and Vladimir Cuenca er en højt anset vinder af den meget prestigefyldte 2020 A' Design Award i Sølv i konkurrencekategorien Scenekunst, Scene, Stil og Scenografidesign.
SølvScenekunst· 2020
The Armor Teaterkostume
af Samantha Chijona Garcia and Vladimir Cuenca
Klient: Jazz Martinez Gamboa
Vinder af A' Design Award i Sølv i kategorien Scenekunst
Verificeret Prisvinder
Verificer Prisstatus for #102743Designet
Om The Armor Teaterkostume
Rustningen er et teaterkostume skabt til karakteren Richard III i en teateropsætning af et Shakespeare-stykke. Kostumet er fremstillet af genbrugte og kasserede materialer. Metallinjer er syet på en kipret jakke, mens overlappende læderegamacher danner en separat struktur, der er samlet med lædderemme og spænder. En ringbrynjehandske lukker ærmet, og en fløjlshat foret med metalstrimler fungerer som en hjelm. De seks dele kan tilføjes eller fjernes, efterhånden som karakteren forandrer sig i løbet af stykket. Designet afspejler både kongen og det sårbare menneske i ham.
Anerkendelsen
Om A' Design Award i Sølv
The Armor Teaterkostume er vinder af A' Design Award i Sølv, en usædvanligt prestigefyldt anerkendelse, der tildeles designs i topklasse, som er pragtfulde og imponerende. Sølvvinderne er enormt geniale og overordentlig kreative værker, der illustrerer deres designeres fremragende ekspertise, talent og skarpsindighed. The Armor Teaterkostume forventes at være et vidunderligt udstillingsværk, der er bemærkelsesværdigt professionelt og dybt innovativt. Dette design, der har vundet A' Design Award i Sølv, er en højst bemærkelsesværdig, beundret opfindelse, som gavner og flytter grænserne for kunst, videnskab, design og teknologi. The Armor Teaterkostume er en skabelse, som mange misunder, og som vækker begær, bringer positive følelser og antænder forundring og undren.
Bag Designet
Pressemappe
Credits, teammedlemmer og tekniske detaljer leveret af designeren.
- Unikke Egenskaber
- This armor, made with fully recycled materials, mixes metallic corset nerves referring to the classic western armor, topped by a butcher's chainmail glove that evokes the bloodthirsty of the character with leather leggings overlapping layers denoting the various faces assumed by the character during the plot. From a modernist vision in terms of fabric, overlapping and weaving of pieces the structure refers to the vulnerability of the King and the man who lives at the same time in Richard III.
- Dimensioner & Emballage
- Armor- 45cmx30cmx55cm
Helmet- diameter:57cm High: 23cm - Tags
- Costume design, Shakespeare, Richard III, Armor, theater, cuban designer, Samantha Chijona Design, schijonag.
- Produktionsteknologi
- The armor is compound by 6 pieces. 1: The metal structure, it is metal lines sewn on a twill weave jerkin jacket, 2: the leather armor, leather gaiters overlapping forms an independent structure that joins the rest of the set with leather straps closed by buckles, 3: The metal glove, a chainmail glove closes the cuff to give the sleeve a shot, 4: The helmet,
a velvet hat lined with metal strips works as an armor helmet 5: The pants, a black twill pants and finally 6: Black leather boots to the knees. - Designudfordring
- The development of the piece became a challenge, I wanted to do something great for the character but working in Cuba is always difficult due to the lack of resources, so while researching, I also located materials. Looking in an antique warehouse I found these old pieces of unused corsets bones and leather leggings and decided to use them. With only one month to prepare the entire theater play with more than 16 characters we were detained in this armor for a week, assembling, testing and sewing piece by piece in search of achieving an attractive but useful result.
- Forskning
- My research flew over two essential aspects, the historical and the technical. After having studied for years Western and Japanese armors, the challenge of creating one was wonderful. I had to solve how I should use the historical engineering structures in those garments with the modern materials I had in hand. I read and compiled images and information, of the western armor, I appropriated the metal and the order of the parts while from the Japanese I took overlays of leather pieces sewn with cord. The result was a very visual and modern armor that keeps its basic function, protection.
- Inspiration
- Having studied for years structures that we use when dressing and that have protected and distancing ourselves from the real world I choose one of my favorite, the armor. I took advantage of the study of Western and Japanese war pieces and modernized it with the use of materials and disused pieces. The text of Shakespeare's play emphasizes the two faces and the physical problem of the character I used it as inspiration to separate and show the two parts of Richard III.
- Projektvarighed
- The project started in June 2018 in Havana, Cuba and ended in September 2018 in Havana, Cuba.
- Driftsflow
- The piece is compound by 6 small parts, the main three, armor jacket, pant and boots are easy to put, also it has another leather structure which should be placed with buckles while the hat and the glove are closed by an elastic piece. the interaction between the actor and the piece is determined for the modular form of the main piece, the person can take off the leather part, the helmet, the glove and keep only the base jacket, pants and boots, in the same way he can add more pieces throught the evolution of the character inside the theater play.
- Patenter
- Copyrights belong to Chijona, Samantha, 2018
- Teammedlemmer
- Designer and Creative Director: Samantha Chijona
Designer: Vladimir Cuenca - Billedkreditering
- Image 1,2,3,4,5: Samantha Chijona Photographer/ Samantha Chijona Designer /Richard III/ The Armor /Model: Maria Gabriela Sanchez, 2018
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