National Gallery Athens Museum af Parmenidis Longuepee Mari Team

National Gallery Athens Museum af Parmenidis Longuepee Mari Team er en højt anset vinder af den meget prestigefyldte 2022 A' Design Award i Guld i konkurrencekategorien Indretning og Udstillingsdesign.

GuldIndretning· 2022

National Gallery Athens Museum

af Parmenidis Longuepee Mari Team

Klient: National Gallery of Greece

Vinder af A' Design Award i Guld i kategorien Indretning

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Verificeret Prisvinder

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Se på A' Design Award Pressemeddelelse Prisemblem

Farver

Designet

Om National Gallery Athens Museum

I 60'ernes moderne bygning på National Gallery i Athen er udstillingsrummene designet som en promenade i åbent rum. Interiøret er designet som en sekvens af træforede overgangsområder til information og hvide udstillingslokaler med specialdesignede nedhængte lofter til hver udstillingsfunktion. Ved at kontrollere blikretningerne, dybden af synsfeltet i rummene og mod byen, den generelle belysning i relation til det ydre lys, og ved at afdæmpe materialerne og de tekniske detaljer for at fremhæve kunstværkerne, giver rummet en fornemmelse af frit valg.

Anerkendelsen

Om A' Design Award i Guld

National Gallery Athens Museum er vinder af A' Design Award i Guld, en uhyre prestigefyldt anerkendelse, der tildeles førsteklasses, vidunderlige og fremragende designs. Guldvinderne er yderst innovative, højt visionære og glamourøst blændende skabelser, der afspejler deres designeres geni, visdom og dygtighed. National Gallery Athens Museum forventes at være en højt rost, trendsættende og monumental opfindelse, der leverer hidtil uset værdi. Dette design, der har vundet A' Design Award i Guld, er et spektakulært, respekteret projekt, som i høj grad gavner og flytter grænserne for kunst, videnskab, design og teknologi. National Gallery Athens Museum skaber intense følelser af begær, vækker passion, opmuntrer kreativitet og fascinerer os.

Bag Designet

Pressemappe

Credits, teammedlemmer og tekniske detaljer leveret af designeren.

Unikke Egenskaber: Interior design, museography of the accessible spaces of the visitors:
Permanent exhibition areas, with large exhibition panels and suspended ceilings function as lighting mechanisms. Areas for alternating exhibitions, with suspended ceilings to support panels, lighting, projectors. Entrance area and circulation junctions covered with wooden panels for orientation and division of space.
Excerpts from the city are visible in a two-way relationship between the work of art and the city.
Dimensioner & Emballage: Total area accessible of the visitors 8.500 sm, distributed over 6 floors.
Tags: museography, interior space, gaze, minimalism
Produktionsteknologi: The materials in the exhibition and entrance areas are mainly metallic frames covered with panels of gypsum or wood, for the walls, or with Stretched Ceiling translucent diffusor films. The materials are subdued to highlight the works of art: wood without strong veins, matte marble on the floor, grey coloured exhibition walls.
Designudfordring: The hardest part was the coordination of the large number of the constructors and engineers of the building and the museography, of the supervisors of the Ministry of Culture (as we are talking about the National Gallery), of the curators and conservators of the Gallery, of the consultants of the sponsors.
Forskning: Our team has a long experience of over 50 similar studies and constructions, on art exhibitions. In the specific project, we combined the given structure of the building with the museology study of the National Gallery and with the free flow of the visitor of the exhibition, checking the results through the navigation in detailed 3d maquettes.
Inspiration: The design of a permanent and alternating exhibition of the Greek art of 19-20th c., with material and geometric spatial indexes for the gaze that give the sense of free choice to the movement of the visitors (panels facing the incoming visitor permitting the maximum depth of the field of view), in a continuous open-air feeling due to the general indirect lighting that follows the incoming view of the excerpts of the city. Minimalism and materials that are subdued to highlight the works of art.
Projektvarighed: The study of the project started in 2017 and finished in 2020 in Athens. The construction started in 2020 and finished in 2021.
Driftsflow: The visitor can have information general or specific for the art works in each exhibition room, or for the projects of the museum, or for the orientation in the building by 60 interactive screens placed in the entrance and the circulation knots.
Teammedlemmer: architect: George Parmenidis
architect: Christine Longuepee
architect: Ifigenia Mari
Billedkreditering: All photos own to the team.