Radiance of Nature with Urushi Belysning af Yu Watanabe er en højt anset vinder af den meget prestigefyldte 2024 A' Design Award i Sølv i konkurrencekategorien Belysningsprodukter og Armaturdesign.
SølvBelysning· 2024
Radiance of Nature with Urushi Belysning
af Yu Watanabe
Klient: Yu Watanabe
Vinder af A' Design Award i Sølv i kategorien Belysning
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Om Radiance of Nature with Urushi Belysning
Udvundet fra bæredygtigt høstet naturlig saft i Japan, påføres Urushi-lak på bambus og skaber et fordybende rum blandt trælignende former. I modsætning til vestlig kultur, hvor man fjerner skygger fra rummet, skaber dette projekt bevidst skygger som en del af den æstetiske skønhed. Urushi-søjlerne kan reflektere et stearinlyslignende lys i et mørkt rum og afgive en luminøs glød, der giver en fornemmelse af mørkets dybde. De unikke egenskaber ved form og lys skaber et fortryllende samspil af lysrefleksioner og skygger, der fremkalder et mikrokosmisk rum, der minder om naturen.
Anerkendelsen
Om A' Design Award i Sølv
Radiance of Nature with Urushi Belysning er vinder af A' Design Award i Sølv, en usædvanligt prestigefyldt anerkendelse, der tildeles designs i topklasse, som er pragtfulde og imponerende. Sølvvinderne er enormt geniale og overordentlig kreative værker, der illustrerer deres designeres fremragende ekspertise, talent og skarpsindighed. Radiance of Nature with Urushi Belysning forventes at være et vidunderligt udstillingsværk, der er bemærkelsesværdigt professionelt og dybt innovativt. Dette design, der har vundet A' Design Award i Sølv, er en højst bemærkelsesværdig, beundret opfindelse, som gavner og flytter grænserne for kunst, videnskab, design og teknologi. Radiance of Nature with Urushi Belysning er en skabelse, som mange misunder, og som vækker begær, bringer positive følelser og antænder forundring og undren.
Bag Designet
Pressemappe
Credits, teammedlemmer og tekniske detaljer leveret af designeren.
- Unikke Egenskaber
- Urushi lacquer is produced from natural sap sustainably harvested in Japan. Unfortunately, the traditional craft of Urushi is in decline due to the emergence of alternative materials. This project aims to revitalise this craft and create a space that connects people with nature. Urushi also has qualities that reflect even the smallest light. Through the arrangement of tree-like shapes, the play of light and shadows can immerse people in a microcosmic space reminiscent of nature.
- Dimensioner & Emballage
- The object consists of 16 cylindrical lights. Diameter: 11 cm to 14 cm. It comes in four sizes: size S 60 cm, size M 90 cm, size L 128 cm, and size XL 167 cm.
Urushi lacquer is applied on the bamboo by hand by Urushi craftsmen.
The bamboo is cut by artisans who cut the bamboo vertically, revealing the cut section on a dare. - Tags
- Lighting, Sustainable, Traditional, Revitalising, Cultural, Meditative, Darkness, Space, Installation, Product,
- Produktionsteknologi
- Urushi is extracted from trees in small amounts, applied to natural materials such as bamboo. Although highly durable, Urushi products can be returned to nature when disposed of breaking down naturally under UV light. Crafted by hand by skilled artisans, each product is created in respect of the slow, yet continuous production of natural material. This circular design has the potential to restore the relationship between nature and people contrasting the modern reliance on single-use plastics.
- Designudfordring
- Why can’t everyday objects also be an opportunity for people to connect with nature? Urushi, a fully repairable, biodegradable, and naturally produced lacquer, allows people to create products embodying the cycle of nature. This ancient Japanese craft founded in principles of sustainability is revitalized through a modern design in this project
- Forskning
- Design research was conducted through hands-on experiments, thesis research, and collaboration with experts such as craftsmen, harvesters, and product designers. Hands-on experiments involved experimenting with more than 20 natural materials in combination with lacquer, while on the theoretical side, we investigated the relationship between how traditional Japanese lighting and space are perceived, and the relationship between Japanese gardens, modernism, and minimalism.
- Inspiration
- Unlike the West, where people often remove shadows from space, the Japanese embrace shadows as a part of aesthetic beauty. In Junichiro Tanizaki's In Praise of Shadows, he mentions the true value of lacquerware is that it reflects a candle-like light in a dark room, giving off a luminous glow that gives a sense of the depth of darkness and invites one into a meditative space. Through this project, Urushi is used to reflect a small flickering light while embracing shadows.
- Projektvarighed
- The project started in August 2022 in London and Japan, and finished in June 2023 in London, and was exhibited in Saint Central Martins in London.
- Driftsflow
- Through the arrangement of tree-like shapes, the project seeks to evoke a sense of being in a forest. The play of light and shadows allows viewers to immerse themselves in a microcosmic space reminiscent of nature. This project not only explores the fascination of materials but also encourages the viewer to look at the materials through the lense of their backgrounds, narratives and connections with nature.
- Billedkreditering
- ALL Images: Yu Watanabe, 2023
Sound in Video: Kevin MacLeod (incompetech.com) Ambiment, Licensed under Creative Commons: By Attribution 3.0 License
http://creativecommons.org/licenses/by/3.0/
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