Pierre De Ronsard Bageri-interiørdesign af Yang Su

Pierre De Ronsard Bageri-interiørdesign af Yang Su er en højt anset vinder af den meget prestigefyldte 2020 A' Design Award i Guld i konkurrencekategorien Indretning og Udstillingsdesign.

GuldIndretning· 2020

Pierre De Ronsard Bageri-interiørdesign

af Yang Su

Klient: Nonezone Design

Vinder af A' Design Award i Guld i kategorien Indretning

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Designet

Om Pierre De Ronsard Bageri-interiørdesign

Pierre De Ronsard er et bageri-interiør på 110 kvadratmeter. Designet fremviser bageprocessen og desserterne i ét åbent butiksrum. Det bærende koncept er en flydende grænse mellem butikken og indkøbscentrets indre gade. En perforeret buet væg malet i elfenben står nær hovedindgangen, og afstanden mellem hullerne ændrer sig gradvist. Laminerede metalplader i forskellige højder fungerer som displayenheder og som en interaktiv installation. Massive blokke erstatter faste skillevægge, så inde og ude forbindes.

Anerkendelsen

Om A' Design Award i Guld

Pierre De Ronsard Bageri-interiørdesign er vinder af A' Design Award i Guld, en uhyre prestigefyldt anerkendelse, der tildeles førsteklasses, vidunderlige og fremragende designs. Guldvinderne er yderst innovative, højt visionære og glamourøst blændende skabelser, der afspejler deres designeres geni, visdom og dygtighed. Pierre De Ronsard Bageri-interiørdesign forventes at være en højt rost, trendsættende og monumental opfindelse, der leverer hidtil uset værdi. Dette design, der har vundet A' Design Award i Guld, er et spektakulært, respekteret projekt, som i høj grad gavner og flytter grænserne for kunst, videnskab, design og teknologi. Pierre De Ronsard Bageri-interiørdesign skaber intense følelser af begær, vækker passion, opmuntrer kreativitet og fascinerer os.

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Pressemappe

Credits, teammedlemmer og tekniske detaljer leveret af designeren.

Unikke Egenskaber: As a retail shop mainly for displaying the baking process and desserts, this project is designed to create a spatial feature with the concept, and establish the special atmosphere, so as to extend the possibility of the shop design. The relationship of mutual penetration endows the space with openness to some extent, and connects the internal and external space with the physical dissolution and fusion.
Dimensioner & Emballage: The project covers a total of 110 square meters.
Tags: Interior, Commercial, Baking Shop, Boundary, Modern, Elegant, Simple, Intervention
Produktionsteknologi: The laminated metal sheets with various heights play roles of displaying and interactive installation with customers.
Designudfordring: One side of the site faces the inner street of the shopping mall, and therefore starting from the thought of the boundary, a block is used to replace the interface, to obtain an ambiguous boundary of space by the minimalist design.
Forskning: As Martin Heidegger said, the boundary is not the stop of something, but the appearance of something new. As the case is located in an inner street facing shopping malls, designers take the boundary thinking as the starting point, replace the interface with body blocks, and blur the boundary of space through subtraction design.
Inspiration: Pierre de ronsard represents the well-known Eden Rosegem, and also the name of a modern French poet, who was widely spread for his description of human beings with a metaphor of flowers. It is selected for the name of a shop by the owner, as an extension of romantic meaning.
Projektvarighed: The project started in July 2018 in Wuxi and finished in November 2010 in Wuxi.
Driftsflow: Centered on the concept of ambiguous boundary, the perforated curved wall with ivory paint near the main entrance responds with the gradually varied spacing of holes.
Patenter: Copyrights belong to Yang Su, 2018.
Teammedlemmer: Yang Su
Fengshuai Zhang
Daoxiang Gong
Hai Wang
Billedkreditering: Image #1: Photographer Ming Chen, Display Rack, 2018.
Image #2: Photographer Ming Chen, Bar Counter, 2018.
Image #3: Photographer Ming Chen, Seat, 2018.
Image #4: Photographer Ming Chen, Display Rack, 2018.
Image #5: Photographer Ming Chen, Entrance, 2018.