The Opposite Strickwaren-Kollektion von Yishu Yan

Das Design The Opposite Strickwaren-Kollektion von Yishu Yan ist ein hoch angesehener Gewinner des sehr prestigeträchtigen 2024 A' Design Award in Silber in der Wettbewerbskategorie Mode-, Bekleidungs- und Kleiderdesign.

SilberMode· 2024

The Opposite Strickwaren-Kollektion

von Yishu Yan

Gewinner des A' Design Award in Silber in der Kategorie Mode

664,173

Verifizierter Preisträger

Auszeichnungsstatus für #157237 verifizieren

Website besuchen Beim A' Design Award ansehen Pressemitteilung Award-Badge

Farben

Das Design

Über The Opposite Strickwaren-Kollektion

The Opposite ist eine Unisex-Strickwaren-Kollektion, die so gestaltet ist, dass sie auf vielfältige Weise getragen werden kann. Die Kollektion wird mit Zero-Cut- und Zero-Waste-Methoden gefertigt, sodass kein Stoff verschwendet wird. Digitales Stricken wird eingesetzt, um flexible dreidimensionale Strukturen und wandelbare Kleidungskonstruktionen zu formen. Die Teile der beiden Outfits können untereinander ausgetauscht und in verschiedenen Kombinationen zusammengestellt werden, wodurch jede Trägerin und jeder Träger einen persönlichen Stil kreieren kann. Das Einheitsgrößen-Design passt den meisten Menschen mit durchschnittlicher Statur. The Opposite hinterfragt gängige Vorstellungen von Herren- und Damenmode.

Die Auszeichnung

Über den A' Design Award in Silber

The Opposite Strickwaren-Kollektion ist Gewinner des A' Design Award in Silber, einer enorm prestigeträchtigen Anerkennung für erstklassige, großartige und beeindruckende Spitzendesigns. Silber-Gewinner sind ungemein brillante und äußerst kreative Werke, die die herausragende Expertise, das Talent und den Scharfsinn ihrer Designer veranschaulichen. Von The Opposite Strickwaren-Kollektion wird erwartet, dass es ein wunderbares Vorzeigewerk ist, das bemerkenswert professionell und zutiefst innovativ ist. Dieses mit dem A' Design Award in Silber prämierte Design ist eine höchst bemerkenswerte, bewunderte Erfindung, die den Grenzen von Kunst, Wissenschaft, Design und Technologie zugutekommt und sie voranbringt. The Opposite Strickwaren-Kollektion ist eine vielbeneidete Schöpfung, die Wünsche weckt, positive Gefühle vermittelt und Staunen und Verwunderung entfacht.

Hinter dem Design

Pressemappe

Danksagungen, Teammitglieder und technische Details, bereitgestellt vom Designer.

Einzigartige Eigenschaften: "The Opposite", a unisex fashion knitwear collection, aims to create a new concept of modern garments with multiple wearing methods. It features the zero-cut, zero-waste, highly adaptable, flexible wearability and longevity of the design through highlighting sustainable design thinking and digital design attributes. The stylish items in the two outfits can be easily interchanged and matched. Rather than focusing on providing a figurative silhouette or identity, the collection is more concerned with the inclusion of the product to the user. It intends to explore the process of confrontation and cooperation between contradictory elements through the development of flexible knitted structures and changeable garment constructions, questioning the common notions of men's and women's wear, and Eastern and Western clothing.
Abmessungen & Verpackung: This garment is an all-size design and will fit most people of average build.
Schlagwörter: Fashion Design, Knitwear, Multiple Wearing Methods, Unisex Design, Digital Knitting, Sustainable Design, Zero-waste, Zero-cut, Adaptative Design
Produktionstechnologie: This project was essentially completed in Hong Kong, China in 2019. Relevant research for design development has been published in Science Citation Index journals and obtained a China Utility Model Patent. The collection has been exhibited at the Asian Art Museum, in San Francisco, USA. Research related to the design project is being continued.
Designherausforderung: The special three-dimensional knitted structure shows a unique surface texture effect and deformation ability, but it also creates a problem for the composition and relative stability of the garment structure. This is both a challenge and an opportunity. This flexible and versatile nature provides unlimited possibilities for the continuous development of this design.
Forschung: This design research is exploratory and practice-led in nature. The proposed design offers a new approach to innovative fashion that integrates surface design and construction design through a digital knitting process, which bridges the gap between modern knitting technology and fashion design. Textile structural research-led design allows clothing design to be no longer limited by the inherent framework, i.e., gender, identity, etc., but rather to look back at the matter of wearing itself, i.e. the interaction between clothing and the body. Both objective and subjective evaluation were involved. The results of a series of performance tests have evolved into serval formulas and a design database that provide quantifiable and predicate criteria for upcoming designs.
Inspiration: The inspiration comes from the visiting experience of the AUDIO ARCHITECTURE exhibition at 21_21 Design Sight in Tokyo, Japan. There was one unique exhibit in the exhibition a special song. The song's lyrics present various contradictory words, such as structure and surface, chaos and order, sound and silence, to discuss the dynamic relationship between audio and architecture. It inspires me that, many items seem the opposite, such as artificial and natural, body and soul, or, knit and purl, however, are they opposites? Or are they an ultimate whole? As a Chinese idiom says "Seek common ground while reserving differences". This point of view may offer one possible approach for global humanity to face the contemporary dilemma of the post-epidemic era.
Projektdauer: This project was essentially completed in Hong Kong, China in 2019. Relevant research for design development has been published in Science Citation Index journals and obtained a China Utility Model Patent. The collection has been exhibited at the Asian Art Museum, in San Francisco, USA.
Betriebsablauf: The identity of both the designer and the user in this design is fluid. The designer plays as also a researcher and an engineer, involved in all aspects of design, development, and production. Meanwhile, the stylish items of the collection can be easily interchanged and re-matched, thus the user is encouraged to re-generate his/her style continuously. The essential concept determines the interaction of this design is always in a dynamic process of development and innovation.
Teammitglieder: Academic adviser: Kinor Jiang & Jinyun Zhou
Bildnachweise: Image #1-5: Photographer: Joseph, Raysee Media/ Model: Sofia Korobova