Interviews with Colin Heston

I wanted to make a difference in the world and I believe that through good design, I am able to have a lasting effect on this world.

When designing, my priorities center around three core principles: sustainability, functionality, and intentional aesthetics. I believe that great design starts with purpose—every detail must serve a clear function, reflect a conscious material choice, and contribute to a lasting product experience. Ultimately, my approach is about creating products that are honest, efficient, and forward-thinking—designed not just to be used, but to be valued.

When I’m designing, I experience a mix of emotions—each tied to a different stage in the process. It’s a dynamic and personal journey that blends curiosity, frustration, excitement, and flow. Design, for me, is emotional because it’s an act of intention. You’re creating something from nothing—with the hope it will serve someone else meaningfully. That’s a powerful motivator.

My formal training in industrial design taught me how to approach problems from a human-centered perspective. I learned how to think critically about form, function, and usability. Growing up with a deep appreciation for the outdoors instilled in me a respect for the environment. That connection made me aware of how design impacts the world around us. Together, these influences shaped my approach: practical, intentional, forward-thinking, and always grounded in solving real-world problems through smart, sustainable design.

My growth path as a designer is focused on deepening my impact at the intersection of sustainability, advanced manufacturing, and intentional design. I’m committed to pushing the boundaries of what’s possible with new technologies like 3D knitting, automation, and localized production—while staying grounded in human-centered design principles. Ultimately, my goal is to use design as a tool for systemic change—creating high-performance products that are better for people and the planet, while inspiring the industry to shift toward smarter, more sustainable models.

Be curious, learn to make things, be patient with the process, don't wait for permission, be humble, find your mission...most of all keep learning, stay hands-on, and never stop building. The best designers are lifelong students and relentless problem-solvers.

n the end, whether you're building a chair, a sneaker, a skyline, or a system—design is about care. Care for the user, the planet, the process, and the people it touches. Keep leading with that, and your work will matter.

My day-to-day is a careful balancing act between work, family, and creative pursuit. I work a full-time 9 to 5 job, so most of my design work happens during the early mornings, late evenings, or weekends—any window of free time I can carve out between family responsibilities.

It’s not always easy, but I’ve learned to be intentional with my time. Whether I’m sketching concepts, prototyping, or researching materials, I work in focused bursts. I treat my design practice like a long-term investment—progress over perfection. Every hour I put in outside of my day job is part of building something meaningful.

Juggling these responsibilities keeps me grounded, but also fuels my creativity. Being a parent and working full time forces me to be efficient, resourceful, and deeply motivated. It’s a reminder that good design isn’t about unlimited time or resources—it’s about clarity of vision and commitment to the process.

I keep up with the latest design trends by regularly engaging with a mix of sources: design blogs, industry publications, social media channels like Instagram and LinkedIn, and by attending webinars or virtual talks whenever possible. I also follow innovative designers and studios whose work I respect to see how they’re pushing boundaries.

However, while I stay informed, I don’t chase trends blindly. Design trends can offer valuable inspiration and reflect shifts in culture or technology, but they shouldn’t dictate the core of your work. For me, trends matter only insofar as they align with a product’s purpose and user needs. The best designs balance timeless functionality with thoughtful, subtle nods to what’s current—so they feel fresh without becoming quickly outdated.

Ultimately, I believe in designing with intention and longevity. Trends come and go, but strong design built on clear values and real-world problem-solving endures.

I know a product or project is well designed when it effectively solves a real problem while feeling intuitive, functional, and meaningful to the user. Good design isn’t just about aesthetics—it’s about function meeting form in a way that makes life easier, better, or more enjoyable.

To me, good design is problem-solving made visible. It addresses a clear need or pain point with thoughtful solutions, considering everything from usability and materials to sustainability and emotional connection. When a design works seamlessly without unnecessary complexity, respects resources, and delights the user, that’s when I call it truly good design.

In essence, if a product solves its intended problem elegantly and stands the test of time—both functionally and culturally—it’s a success.

I know a design is ready when it effectively solves the core problem and performs reliably through testing. The details are refined, every element is purposeful, and user feedback confirms it works beyond my own perspective. It also needs to be technically feasible within realistic production constraints.

While no design is ever perfect, readiness comes when further changes offer little improvement and the product is polished enough to move forward confidently. There’s always room for iteration but there comes a point where further refinement yields diminishing returns.

This is it!

Marc Newson...I admire how he blends organic forms with cutting-edge technology, creating pieces that feel both futuristic and timeless. His ability to design across such diverse fields—from furniture to transportation—while maintaining a strong, recognizable aesthetic is remarkable. Newson’s work embodies the perfect balance of innovation, craftsmanship, and emotion, which is something I strive for in my own design journey.

I’m an American with a deep connection to both culture and nature. Spiritually, I find a lot of grounding and inspiration from being outdoors—it’s where I recharge and connect with something bigger than myself. As an avid fly fisherman and conservationist, I’m passionate about protecting natural environments and promoting sustainability in every aspect of life, including my design work.

This lifestyle shapes how I approach creativity: with mindfulness, respect for resources, and a desire to create things that last. Balancing a modern design practice with a love for nature keeps me centered and fuels my commitment to purposeful, responsible design.

My work culture centers on collaboration, integrity, and continuous learning. I believe great design happens when diverse perspectives come together in an open, respectful environment where ideas can flow freely. I prioritize clear communication and a solutions-oriented mindset, making sure every project moves forward efficiently without sacrificing creativity.

My business philosophy is rooted in purpose-driven design—creating products that not only look and perform well but also contribute positively to society and the environment. I’m committed to transparency, ethical manufacturing, and pushing for innovation that reduces waste and improves quality of life. At the core, I see design as a responsibility, not just a craft, and I strive to build partnerships and products that reflect that ethos.

As a designer, artist, and architect, I view philanthropy as an essential part of my responsibility to society. I contribute by focusing my work on sustainability and ethical practices, aiming to reduce environmental impact and promote conscious consumption. Beyond my projects, I support initiatives that advance education and accessibility in design, helping emerging creatives gain access to tools and knowledge.

I also engage with community programs that encourage environmental conservation and cultural preservation, often volunteering time or expertise to causes aligned with those values. Ultimately, I believe giving back means using design not just to create products, but to foster positive change that benefits people and the planet.

Receiving recognition for my work felt validating, not just personally but as a signal that sustainable, technology-driven design is gaining global attention. I hope for this exposure to open doors to new collaborations and spark fresh motivation to continue pushing the limits of what’s possible. This experience has been a powerful reminder of the impact thoughtful design can have.

My main focus in designing this backpack was to merge sustainability with performance by rethinking how everyday gear is made. I wanted to achieve a product that not only looks modern and functions exceptionally well, but is also made in a way that drastically reduces waste and labor impact.

My future plan is to ultimately bring this product to market either through the launch of my own label, licensing, or collaboration with an existing brand. I also plan to expand upon this concept with a line of additional carry accessories and to use this platform to advocate for cleaner, smarter manufacturing practices in the soft goods industry, proving that sustainability and performance can evolve together.

This design took over five years of prototyping and constant iteration before coming to fruition. I had to learn all about 3D knitting from the ground up, diving into machine programming, materials, and construction techniques. It was a long process of trial, error, and refinement.

This design was a personal pursuit of passion and inspiration. I created it out of a deep interest in sustainability, emerging technology, and everyday carry gear. After witnessing the waste in traditional manufacturing during a trip to China, I felt compelled to explore a better way. This project became a long-term exploration of how design and tech can come together to create meaningful, responsible products.

This is not currently being produced by myself or any other company. I plan to launch and sell this under my own private brand, but also like to keep a very open mind when it comes to future possibilities, and would be open to selling or leasing production/patent rights.

I designed this backpack because I saw an opportunity to solve real problems—wasteful production, outdated manufacturing methods, overstretched supply chains, and the lack of sustainable options in everyday carry gear. As someone passionate about design, nature, and functional gear, I wanted to create something that reflected my values while pushing the boundaries of how soft goods are made. The combination of emerging 3D knitting technology and a desire for more sustainable, high-performance products is what drove this work from concept to reality.

Yes, several key influences shaped this project—especially from the world of streetwear, fashion, and footwear design. As a self-proclaimed sneakerhead, I’ve always been inspired by the innovation and style found in performance sneakers. Nike’s Flyknit and Adidas Primeknit technologies were major inspirations, showing how knit construction could be used to reduce waste while enhancing fit and function. These groundbreaking designs opened my eyes to the potential of knit structures beyond footwear, and sparked the idea of applying similar methods to soft goods like backpacks. I wanted to create something that felt both technical and wearable, merging sustainability with a bold, modern aesthetic.

The target customer for this design is primarily the everyday carry (EDC) enthusiast—someone who values practical, high-performance gear for daily use. This includes commuters, urban explorers, and professionals who rely on their backpacks for both functionality and style. Additionally, this design speaks to the conscious consumer—individuals who are deeply aware of the environmental and social impact of the products they purchase. These customers prioritize sustainability, ethical manufacturing, and innovation, seeking products that align with their values while also offering top-tier performance and design.

What sets this design apart is the integration of 3D knitting technology to create a zero-waste, seamless construction. Unlike traditional backpacks that rely on cut-and-sew methods, this design eliminates excess material, reduces labor, and enhances durability. It blends emerging tech with minimalist fashion, offering a sleek, ergonomic design that stands out in the EDC market for both its innovative production process, environmental consciousness, and unique aesthetic.

In my opinion, this is always the hardest part of any design project... The name of this design was inspired by the loom, one of the oldest and most fundamental tools in the textile industry. As I wanted the name to reflect both the heritage of textiles and the innovative approach behind the design, we played off the idea of the loom as a symbol of craftsmanship, weaving, and the foundation of fabric creation. The name connects the product to its roots in traditional textile manufacturing while emphasizing the modern, high-tech, and sustainable nature of the design. It encapsulates the fusion of old-world techniques with new-age technology in a way that speaks to both innovation and history.

Throughout this project, I used a wide range of design tools—starting with traditional methods and evolving into advanced digital techniques as the concept developed. The early stages relied heavily on hand sketching, flat pattern design, rough paper mock-ups, and sewing rough prototypes to quickly explore form, function, and proportions. As the concept matured, I transitioned to computer rendering and 3D modeling to refine the design and visualize it in detail. A key part of the process was learning and using Stoll M1 Plus, a specialized knit CAD software, which allowed me to program and simulate complex 3D-knit structures for production. This combination of hands-on experimentation and cutting-edge digital tools was essential in bringing the backpack from concept to reality.

The most unique aspect of this design is its seamless, zero-waste 3D-knit construction. Unlike traditional backpacks that rely on multiple cut-and-sew components, this design is knit in one continuous process using advanced CAD software and 3D knitting technology. This not only reduces material waste and labor but also enables precise shaping, enhanced ergonomics, and a sleek modern aesthetic. It’s a rare fusion of textile innovation, sustainable manufacturing, and high-performance EDC functionality—something that sets it apart in both the fashion and gear industries.

For this project, my main collaborator was Innovaknits, a company based in North Carolina that specializes in advanced 3D knitting. They were instrumental in bringing the design to life, generously providing access to their wide range of industrial knitting machines, which are typically not available to the general public or independent designers like myself. Because 3D knitting is a highly technical and specialized process, their expertise and support were essential in helping me navigate the complexities of machine programming, yarn selection, and structural optimization. This collaboration allowed me to bridge the gap between creative design and advanced textile manufacturing, making the project possible at a level of quality and precision that would otherwise be out of reach.

Technology plays a central role in this design, shaping both its form and function. The entire backpack is built around 3D knitting technology, which allows for seamless, precision-engineered construction using digital patterns. This eliminates the need for traditional cut-and-sew methods, dramatically reducing material waste and enabling features like targeted stretch, breathability, and reinforcement exactly where they’re needed. Tools like Stoll M1 Plus knit CAD software were critical in designing and programming the knit structures, while 3D modeling helped visualize the final product and refine its shape and fit. In short, technology wasn’t just a tool—it was the foundation of the design, making it possible to merge sustainability, performance, and modern aesthetics in a way that traditional methods couldn’t achieve.

Yes, this design was influenced by both analytical research and hands-on material testing. I conducted extensive research into the environmental impact of traditional soft goods manufacturing, including data on textile waste, labor intensity, and carbon emissions. This helped shape my decision to pursue 3D knitting as a more sustainable alternative. I also studied user behavior and needs within the everyday carry (EDC) community—looking at what people carry daily, how they use their gear, and common pain points like durability, comfort, and organization. Prototyping played a huge role in gathering feedback through user testing and evaluating everything from fit and flexibility to material performance. Combining that quantitative data with qualitative user insights helped guide everything from construction choices to feature placement—ensuring the final product not only looks good but functions intuitively and responsibly in real-world use.

One of the biggest challenges in realizing this concept was the barrier to entry for working with 3D knitting technology. Unlike more accessible design methods, industrial knitting machines and the software needed to operate them—like Stoll M1 Plus—are typically reserved for large-scale manufacturers. As an independent designer, gaining access to these tools required finding the right partnerships, convincing them to work with me, and navigating a steep technical learning curve. Another major hurdle was the cost associated with developing a product this advanced. From prototyping with specialized machines to sourcing performance yarns, every step involved significant investment—both financially and in terms of time and skill-building. Balancing creative vision with technical constraints and resource limitations was also a constant challenge, but ultimately made the final outcome more meaningful and rewarding. It pushed me to be more resourceful, patient, and intentional with every design decision.

After years of development, learning, and hands-on experimentation, I felt this project had grown into something truly unique—both in its technical execution and its message of sustainable innovation. Submitting it to an international design competition was a natural next step to validate the concept on a global stage, share it with a wider audience, and connect with others who value forward-thinking design. I wanted to show that independent designers can challenge the status quo, even when working with complex, high-barrier technologies like 3D knitting. More than anything, entering the competition was a way to celebrate the journey, highlight the potential of responsible design, and hopefully inspire others to push the boundaries of what’s possible in soft goods.

Designing this backpack was a transformative experience that pushed me to grow in multiple ways—technically, creatively, and personally. I learned how to work with complex, industry-grade tools and software, which required a deep dive into machine programming, knit structures, and textile behavior. I also developed greater patience and resilience through years of prototyping and iteration, learning to embrace failure as a vital part of the process. This project sharpened my ability to balance form and function, while staying rooted in core values like sustainability, innovation, and purpose-driven design. Most importantly, I came away with a stronger belief in the power of independent creativity—that with enough persistence, it’s possible to navigate high-barrier technologies and create something meaningful, even without massive resources behind you.

I can't wait to see what the future holds.

What motivates me to design is the opportunity to solve real problems in meaningful ways. I’ve always been drawn to the intersection of creativity, utility, and human experience—where design isn’t just about how something looks, but how it works, feels, and impacts the world.

I chose this path.

I design soft goods, with a focus on bags, backpacks, and everyday carry (EDC) gear—products that blend functionality, durability, and thoughtful aesthetics. I’m especially drawn to pieces that are used daily, where small design choices make a big difference in performance and user experience.

I'll tell you when I get there.

Good designers meet expectations. Great designers challenge assumptions, ask better questions, and uncover deeper problems worth solving.

A really good design goes beyond just looking great or functioning well—it creates a seamless connection between the user, the product, and the context in which it’s used.

The value of good design goes far beyond aesthetics; it influences functionality, user experience, efficiency, and even sustainability.

My only greater obsession outside of design is fly fishing. I would love to work with brands like Orvis on next generation fishing gear.

You'll have to stay tuned to find out.

My secret ingredient to success in design is balance—specifically, the balance between creativity, functionality, and empathy.

Marc Newson...I admire how he blends organic forms with cutting-edge technology, creating pieces that feel both futuristic and timeless. His ability to design across such diverse fields—from furniture to transportation—while maintaining a strong, recognizable aesthetic is remarkable. Newson’s work embodies the perfect balance of innovation, craftsmanship, and emotion, which is something I strive for in my own design journey.

Douglas Davidson from The Brown Buffalo who design the Conceal Pack which is one of my favorite backpacks.

The Luma backpack...it represents the perfect intersection of function, sustainability, and personal expression. It’s a product that’s deeply woven into our everyday lives—something we carry with us, depend on, and often overlook. That made it the ideal canvas to explore innovative construction methods like 3D knitting and to challenge traditional manufacturing norms.

What makes this backpack special to me is how it embodies everything I care about as a designer: responsible material use, advanced technology, minimalist aesthetics, and lasting utility. It’s not just a bag—it’s a statement about how we can rethink everyday objects to be better for people and the planet.

To become a better designer, people need to commit to continuous learning, curiosity, and self-awareness. Ultimately, becoming a better designer is about being intentional, open-minded, and always hungry to improve—not just your craft, but your impact.

I would've been a fisherman.

For me, design is the intentional act of solving problems with purpose, empathy, and creativity. It’s not just about how something looks—it’s about how it works, how it’s made, and how it makes people feel. Design is the bridge between ideas and reality; it's where function meets emotion, and where innovation meets human need.

At its core, design is a tool for improving lives. Whether it’s a product, system, or experience, good design makes the complex feel simple and the ordinary feel meaningful. It’s a way of thinking, a lens through which I see the world—constantly asking how things could be better, more efficient, more sustainable, or more beautiful.

My family and friends.

What helped me become a stronger designer wasn’t just talent—it was a combination of persistence, curiosity, and a deep commitment to learning. I constantly pushed myself to explore new techniques, take risks, and step outside my comfort zone. Being open to critique and failure was essential—it taught me to refine my thinking and elevate my work.

My background, especially in hands-on prototyping and emerging technology like 3D knitting, helped me build a unique perspective. But more importantly, my passion for problem-solving, sustainability, and purposeful design kept me focused on creating work that matters.

What truly made the difference was always asking questions, staying inspired by the world around me, and never settling for "good enough." That mindset continues to fuel my growth every day.

I faced several key obstacles—many of which shaped who I am as a designer today.

One of the biggest was limited access to advanced tools and technology, especially in the early stages of developing my 3D knit backpack. Industrial knitting machines and specialized software aren't readily available to independent designers, and navigating that barrier required persistence, resourcefulness, and building strong relationships with industry partners.

Another major challenge was balancing time—working a full-time job, raising a family, and still carving out space for design work. That constraint forced me to be highly disciplined and focused during the limited time I had to create.

I also faced the internal obstacle of self-doubt—questioning whether my ideas were valid, especially when working on unconventional or experimental concepts. But over time, through prototyping, iteration, and feedback, I learned to trust my process and believe in my vision.

These obstacles weren’t setbacks—they were part of the journey that helped me grow more resilient, intentional, and innovative as a designer.

Unapologetically and as much as possible.

My next design project builds on everything I’ve learned so far—focusing even more on sustainable, tech-enabled soft goods. I’m currently exploring ways to expand the 3D knitting process into a broader product ecosystem, including modular accessories and travel gear that reduce waste and require minimal labor. The goal is to push automation and domestic manufacturing forward, helping bring production back to the U.S. in a responsible and scalable way.

You can expect future work that’s clean, functional, and environmentally conscious—but also bold in its innovation. I’m especially interested in collaborating with like-minded brands to create products that blend design, utility, and ethics in meaningful ways.

My ultimate goal as a designer is to create work that has a lasting, positive impact on both people and the planet. I want to redefine how products are made—prioritizing sustainability, ethical production, and technological innovation—while still delivering meaningful, functional, and beautifully crafted design.

I aim to bridge the gap between craftsmanship and automation, helping shift manufacturing practices toward more local, waste-free, and socially responsible systems. At the same time, I want to inspire a new generation of designers to think beyond aesthetics and embrace their role as problem-solvers and changemakers.

In the end, I’m not just trying to make great products—I’m trying to contribute to a better, smarter, and more conscious design future.

Thoughtful, innovative solutions that are both aesthetically compelling and socially responsible—design that solves real problems and set a higher standard.

Design helps create a better society by solving real-world problems, improving quality of life, and promoting sustainability and equity. It shapes the way we interact with the world—making products, systems, and environments more accessible, efficient, and meaningful. Good design can reduce waste, support ethical manufacturing, enhance education, and empower communities. At its best, design is a tool for positive social and environmental change.

I’m currently refining and expanding my 3D knit backpack design along with additional product offerings, which continues to be one of the most exciting projects I’ve worked on. After years of prototyping and winning a design award, I’m now focused on developing a scalable version that could move into small-batch production. What excites me most is pushing the boundaries of zero-waste, automated manufacturing—bringing this concept closer to real-world impact, while showcasing what’s possible when technology, sustainability, and good design intersect.

The 3D knit backpack project has given me the most satisfaction. It’s the culmination of years of learning, experimentation, and passion for sustainable design and emerging technology. Seeing the concept evolve from a simple idea into an award-winning, functional product that challenges traditional manufacturing methods has been incredibly rewarding. It represents not just a design achievement, but a meaningful step toward more responsible, innovative production.

I’d love to see the design industry embrace more sustainable practices, transparency, and ethical manufacturing as standard—not the exception. Greater adoption of automation and advanced technologies can help reduce waste and bring production closer to local communities, and creating fairer labor conditions.

I believe the design field is moving toward greater integration of technology, sustainability, and personalization. Advances like 3D knitting, AI-driven design tools, and smart materials will enable more efficient, waste-free production and innovative forms. At the same time, consumers increasingly demand transparency and eco-consciousness, pushing designers to create products that are both ethical and functional. I see a future where design is more collaborative, data-informed, and purpose-driven, focused on creating meaningful experiences while respecting people and the planet.

The time it takes to finalize a design project really varies depending on its complexity and scope. Some projects come together quickly, while others—like my 3D knit backpack—can take years of prototyping and iteration. I focus on balancing thorough testing and refinement with practical deadlines to ensure the design is both polished and ready for production without unnecessary delays.

When starting a new design project, I begin with research and inspiration—understanding the problem, the users, and the context. I gather insights from the environment, technology, and cultural trends, then sketch out initial ideas to explore possibilities. Early prototyping and feedback help me quickly test concepts before diving deeper into refinement and technical development. It’s all about building a strong foundation rooted in real needs and creative exploration.

Design with purpose, create with passion, and always think beyond.

I believe design sets trends by shaping what’s possible and inspiring new ideas—true innovation leads the way, not the other way around.

Technology is a key enabler in my design process. It allows me to explore new materials, streamline prototyping, and create more sustainable, precise solutions that wouldn’t be possible with traditional methods alone. Technology helps push boundaries while maintaining efficiency and quality.

I use a mix of tools depending on the project. Adobe Creative Suite is essential for visualization and presentation. For 3D modeling, I rely on software like SolidWorks to develop detailed digital prototypes. On the technical side, I work with specialized knitting software to program complex 3D knit patterns. This combination helps me move smoothly from concept to production-ready designs.

Color sets tone and influences mood, guiding how people feel and interact with a product or space. Materials determine durability, texture, and sustainability, directly impacting usability and environmental impact. Together, they turn ideas into meaningful, memorable realities.

About the sustainability and technology behind my designs, how I balance innovation with responsibility, and what stories or problems inspired the work. Questions that go beyond surface aesthetics and explore the deeper purpose, process, and impact really resonate with me.

When I see a great new design or product, I immediately think about the problem it’s solving and how thoughtfully it’s been executed. I consider what makes it stand out—whether it’s innovation, functionality, sustainability, or emotional connection. I also reflect on the designer’s process and how the design fits into broader trends or challenges. Great design always sparks curiosity and inspiration.

My ideal design partner is someone who shares a passion for innovation, sustainability, and purposeful design—a brand or collaborator that’s open-minded, values quality, and isn’t afraid to push boundaries. I absolutely believe in co-design because collaboration brings fresh perspectives, accelerates learning, and leads to stronger, more meaningful outcomes. I’m open to working with a variety of brands that align with these values and want to create something impactful together.

Douglas Davidson had the most influence on my design journey. He taught me the fundamentals of backpack construction, helping me understand the technical and functional aspects that are critical to creating durable, practical designs. His guidance gave me a strong foundation to build upon and inspired me to push the boundaries of what’s possible in soft goods design.

It wasn't a design book at all. The book Extreme Ownership had a big impact on my design approach. Its lessons on taking full responsibility, being disciplined, and leading with clarity helped me develop a stronger mindset—not just in design but in managing projects and collaborations. It taught me the importance of accountability and resilience, which are crucial for turning ideas into successful, meaningful products.

I developed my skills as a master designer through a mix of continuous learning, hands-on experimentation, and embracing challenges. Years of prototyping, especially with emerging technologies like 3D knitting, pushed me to deepen both my technical knowledge and creative problem-solving. I sought feedback actively, studied other designers’ work, and stayed curious about new materials and methods. Most importantly, I combined passion with persistence—never settling and always striving to improve.

Irrespective of time and space, I’d want to meet Nikola Tesla. His visionary mind and groundbreaking innovations in technology and energy continue to inspire me. Talking with him about creativity, invention, and the future of design and technology would be an incredible experience—he was truly ahead of his time.

I appreciate the recognition I’ve received so far, but I’m not quite at the level of fame yet. Awards are meaningful—they validate the hard work and push me to keep improving—but my focus remains on the craft and impact of my designs rather than fame itself. True success, for me, is about creating work that matters, regardless of the spotlight.

Green, The Adirondack Mountains, Steak, Spring, Fishing, Arcteryx.

One funny memory from my design journey was getting completely lost in Germany during a design exhibition. I was so focused on soaking in all the inspiration that I didn’t pay enough attention to directions—and suddenly found myself wandering the streets far from the venue, trying to communicate with locals in my very limited German. It was a humbling reminder that sometimes, even designers need a little GPS help—and that curiosity can lead to unexpected adventures!

A great day as a designer is when I make real progress—whether that’s nailing a tricky prototype, discovering a new material, or simply having a breakthrough idea. Seeing my concepts come to life and knowing they could make a positive impact keeps me motivated. I also stay inspired by surrounding myself with nature, staying curious, and remembering why I started designing in the first place: to create meaningful, lasting solutions.

No, it wasn’t obvious when I was a child that I’d become a designer. In fact, I struggled to focus in school and wasn’t always sure what path I wanted to take. Over time, my curiosity and passion for creativity helped me find my way, turning those early challenges into a drive to explore and create.

In a thousand years, I imagine design and technology will be deeply intertwined with every aspect of life—seamlessly blending the digital and physical worlds. We might see fully sustainable, self-healing materials, and manufacturing powered by advanced automation and AI, with minimal environmental impact. People could live in adaptable, responsive environments that evolve with their needs. I hope humanity will have learned to balance innovation with respect for the planet, creating a future that’s both exciting and responsible.

I want my fans to know that my design work is driven by a deep passion for sustainability, innovation, and meaningful impact. I believe design isn’t just about how things look, but how they function and affect the world around us. I’m constantly learning, experimenting, and pushing boundaries to create products that are thoughtful, responsible, and forward-thinking. Above all, I’m grateful for the support and excited to keep sharing this journey—there’s so much more to come!

We are focused on creating innovative, sustainable products that blend advanced technology with thoughtful craftsmanship. We specialize in exploring emerging manufacturing methods—like 3D knitting—to reduce waste and push the boundaries of what’s possible in soft goods and accessories. Our philosophy centers on purposeful design: every piece aims to solve real problems while respecting the environment and the people who use them. We’re passionate about bringing manufacturing back to the USA through automation and labor reduction, creating quality products with a smaller footprint.

Design, for me, is the art of solving problems through creativity and purpose. It’s about shaping ideas into tangible solutions that improve lives, connect with people emotionally, and respect the world around us. Good design balances function, aesthetics, and sustainability—making everyday experiences better while inspiring innovation and responsibility.

I’m most passionate about designing products that blend technology, sustainability, and everyday functionality—things that people use daily and that make a positive impact. I especially enjoy working on soft goods and accessories, like backpacks, where innovative materials and manufacturing can transform how we think about durability, waste, and style. Creating purposeful, forward-thinking designs that solve real problems motivates me the most.

My favorite design is definitely my 3D knit backpack. It represents years of passion, experimentation, and innovation. What makes it special is how it combines sustainability with advanced manufacturing—using zero-waste 3D knitting to eliminate material waste and reduce labor. The backpack’s minimalist aesthetic, functionality, and thoughtful construction reflect my values as a designer. It’s more than just a product; it’s a statement about responsible design and the future of manufacturing.

I started off designing environments, stage design, and tradeshow booths in my early professional design life.

My favorite technology is 3D knitting because it merges innovation with sustainability in a powerful way. It allows for seamless, zero-waste construction and opens up new possibilities for design complexity and durability. This platform lets me experiment with form and function while minimizing environmental impact—making it a perfect fit for the future of responsible product design.

I feel most creative when I’m immersed in nature or working hands-on with materials—those moments spark fresh ideas and new perspectives. Early mornings or quiet late nights, when distractions fade and my mind can wander freely, are also prime creative times. Being curious and open to experimentation fuels my best work.

During design, I focus most on functionality, sustainability, and user experience. I want the product to solve real problems efficiently while minimizing environmental impact. At the same time, the design needs to feel intentional and intuitive for the user. Balancing these aspects with clean aesthetics and durable construction guides my process from concept to final product. Constant iteration is also key. I think to be successful, you must be constantly iterating, prototyping, and collecting feedback to further inform your design.

When I design, I feel a mix of excitement, curiosity, and sometimes frustration. Excitement comes from exploring new ideas and seeing concepts take shape. Curiosity drives me to experiment and learn constantly. Frustration pops up during challenges or when things don’t work as planned—but that’s part of the process, pushing me to problem-solve and improve. Overall, designing feels like a rewarding journey of discovery and creation.

When my designs are realized, I feel a deep sense of fulfillment and pride—seeing an idea transform from concept to tangible product is incredibly rewarding. There’s also excitement and gratitude, knowing that the hard work, iterations, and challenges have paid off. It’s a moment that fuels my passion to keep pushing boundaries and creating meaningful work.

A design is successful when it solves a real problem effectively, meets the needs of its users, and does so with thoughtful aesthetics and sustainability in mind. It should feel intuitive, durable, and add value without unnecessary complexity. Success also means the design respects its environmental and social impact, standing the test of time both functionally and emotionally.

When judging a design, I first consider how well it solves the problem it’s meant to address. Functionality and usability come before anything else. Next, I look at how efficiently it uses materials and resources, reflecting sustainability. Finally, I assess the aesthetic clarity and emotional connection—does it feel intentional, meaningful, and well-crafted?

To create products that are not detrimental to society or the environment. I still believe that being an "designer" is the most dangerous and toxic profession on earth, as everything we make will eventually die in a landfill somewhere. Designers have a critical responsibility to create solutions that benefit society and minimize environmental impact. This means designing products that are sustainable, ethical, and accessible—considering the full lifecycle from materials sourcing to disposal. Designers should also raise awareness about social and environmental issues through their work and push industries toward more responsible practices. Ultimately, good design should improve lives without compromising the planet or future generations.

The design field is evolving rapidly, driven by advancements in technology, sustainability, and shifting consumer values. We’re moving toward more integrated, data-informed, and environmentally conscious design—where digital tools like AI and 3D manufacturing enable personalized, zero-waste products. The future of design will focus on creating meaningful, responsible solutions that balance innovation with ethics, emphasizing circularity, accessibility, and emotional connection. Designers will become problem-solvers and stewards of both society and the planet.

I haven’t had a formal exhibition yet, but it’s something I’m excited to pursue in the future. When the time is right, I’d love to showcase my work—especially the 3D knit backpack and upcoming product offerings—in a setting that highlights innovation, sustainability, and craftsmanship. Hopefully, my next exhibition will bring together like-minded creatives and conscious consumers who appreciate thoughtful design.

Mostly nature. I love outdoor activities like fly fishing and rock climbing. These activities free my mind more than anything else. My design inspiration comes largely from the outdoors—nature’s forms, textures, and cycles constantly fuel my creativity. Spending time in natural environments helps me see how things are built to be efficient, durable, and sustainable. I also draw inspiration from emerging technologies, fashion, and everyday objects that blend function with style. To feed my creativity, I stay curious, experiment often, and give myself space to observe, reflect, and explore new ideas.

The main characteristics of my style include streamlined silhouettes, technical construction methods, and a deep respect for sustainability and craftsmanship. I'm especially interested in how emerging technologies, like 3D knitting, can push boundaries and replace outdated, wasteful processes.

My approach to design is research-led and hands-on. I prototype constantly, learn through trial and error, and let materials and processes guide creative decisions. Every design starts with a problem, and my goal is to solve it as elegantly and efficiently as possible.

I live in the United States which is a melting pot of culture and ideas, for better or worse.

Whether contributing as a designer, consultant, or creative problem-solver, I’m hands-on and collaborative. I listen carefully, ask the right questions, and bring a fresh perspective. My goal is always to help companies push their product offering forward while staying grounded in purpose-driven design.

Start with shared values. Look for designers whose philosophy aligns with your company’s mission—whether that’s sustainability, innovation, or craftsmanship. Good design goes beyond visuals; it should reinforce your brand’s core purpose.

My design process is hands-on, iterative, and deeply research-driven. It always begins with understanding the problem—whether that’s a functional need, a sustainability challenge, or a gap in the market. I ask questions, study user behavior, and look closely at materials, manufacturing methods, and environmental impact.

From there, I move into sketching and rough prototyping—quick mock-ups, paper models, and material tests to explore form and function early. This helps me stay flexible and test ideas before committing to final directions.

As the concept evolves, I transition into digital development, including 3D modeling, rendering, and technical drafting. For complex soft goods like my 3D-knit backpack, I integrate pattern work, material trials, and machine programming to refine structure and performance.

Throughout the process, I iterate constantly—testing, failing, adjusting, and improving. I’m always balancing aesthetics with usability, and I let the limitations of materials and technology guide innovation, rather than fight against them.

Ultimately, my goal is to design with intention—making products that are not only visually strong but also functional, sustainable, and relevant to how people live today.

Honestly, I can't afford most of the design items that I would want in my home.

A typical day starts with a 9-to-5 job that keeps me grounded and focused. Outside of work, I dedicate my free time to designing—sketching ideas, researching materials, or working on prototypes—while balancing family responsibilities. I often find inspiration outdoors, whether it’s a quick walk or fly fishing trip, which helps clear my mind and spark creativity. Evenings are a blend of quiet focus and recharging, preparing me to keep pushing my design projects forward.

Find a good mentor. Fall in love with the process and no the outcome. Learn how things are made. Constantly stay curious.

Some positives of being a designer include the joy of creating meaningful solutions, constantly learning new skills, and the satisfaction of seeing ideas come to life. It’s a career that blends creativity with problem-solving, allowing for personal expression and impact.

On the flip side, challenges include dealing with tight deadlines, balancing creative freedom with client demands, and sometimes facing barriers like limited resources or access to advanced technology. It can also be tough to maintain focus and motivation, especially when juggling other responsibilities. But the rewards make it worthwhile.

Try to enjoy yourself or it's not worth it.

The most important skills for a designer are problem-solving, creativity, curiosity, research, communication, empathy, and strong communication. You need to understand user needs and translate them into functional, beautiful solutions. Technical skills like sketching, CAD, and prototyping are essential, but so is adaptability—being open to feedback and iteration. Lastly, having a good grasp of sustainability and material knowledge is increasingly crucial for responsible design.

My design toolbox is a mix of traditional and digital tools. On the software side, I use Adobe Creative Suite for visualization and graphics, 3D modeling software for detailed product development, and specialized knit design software to explore textile possibilities. I also rely on hand sketching and paper mock-ups to quickly iterate ideas.

Designing definitely takes time and focus, so managing it well is crucial. I set clear priorities and break projects into smaller, manageable tasks. Since I work a 9-to-5 and have family responsibilities, I dedicate specific pockets of free time—early mornings, evenings, or weekends—to design work. I try to minimize distractions during those periods and use tools like calendars and to-do lists to stay organized. Regular breaks and stepping back to recharge also help keep my creativity fresh and prevent burnout.

It really varies depending on the project’s complexity and scope. Some designs can take a few weeks, while others—like my 3D knit backpack—can take several years of prototyping, testing, and refining. The key is allowing enough time for iteration, learning new technologies, and ensuring the design truly solves the problem it’s meant to address. Rushing often compromises quality and innovation.

The most frequently asked question I get is usually: “Where do you get your inspiration from?” People are curious about what sparks ideas and how I keep creativity flowing. It’s a great question because inspiration can come from so many places—nature, technology, fashion—and it’s a big part of the design process.

My most important job experience has been developing the 3D knit backpack and securing a patent for it. This project pushed me to master new technologies, navigate complex prototyping, and deeply understand sustainable manufacturing. It was a pivotal moment that combined my passion, skills, and vision, and it continues to shape my approach to design and innovation.

I am an independent designer.

Soft goods, luggage, bags, and accessories. I love every part of the process. I enjoy designing products that blend innovation, sustainability, and everyday utility the most. Creating something that’s both functional and environmentally responsible feels rewarding. I’m drawn to projects like the 3D knit backpack because they challenge me to explore new technologies and materials while addressing real-world problems. It’s fulfilling to design pieces people can use daily that also have a positive impact.

My future plans center on expanding the reach of the 3D knit backpack and pushing the boundaries of sustainable manufacturing. I want to explore new materials and automation techniques to bring more products into local, eco-friendly production. Beyond that, I’m excited to collaborate with brands that share my values and continue innovating in both design and technology.

A key next step is launching a product line built around the same principles of sustainability, innovation, and functionality. This line will expand beyond backpacks to include complementary everyday carry gear designed with zero-waste 3D knitting and smart manufacturing techniques. The goal is to offer consumers a cohesive collection that supports conscious living without sacrificing style or performance.

Ultimately, my vision is to create thoughtful, impactful designs that resonate globally while promoting responsible production and consumption.

I work both ways—sometimes independently, sometimes as part of a team. Developing ideas on my own lets me explore personal vision and experiment freely. But collaboration is equally important, especially when projects require specialized skills or technical expertise. Working with a team brings fresh perspectives, accelerates problem-solving, and helps turn concepts into fully realized products. So, I value the balance between solo creativity and teamwork.

Yes! I’m currently focused on refining the 3D knit backpack along with additional product offerings, pushing its design and functionality even further. This work-in-progress involves experimenting with new sustainable materials and improving the manufacturing process to make it more efficient and scalable. It’s exciting to see how the concept continues to evolve, and I’m eager to share updates as it moves closer to launch.

colin.j.heston@gmail.com
https://www.hestongear.com/

The decision to embed sustainability into every stage of Luma Backpack’s development wasn’t just strategic, it was fundamental to the mission. We recognized early on that the outdoor gear industry often speaks to nature lovers while relying on processes that harm the very environment they’re designed for. That contradiction was the starting point. We simply asked, "What if performance gear didn’t have to come at the planet’s expense?"

The five-year development journey of the Luma Backpack was driven by relentless curiosity and a refusal to settle for conventional solutions. Over 20 distinct knit prototypes weren’t just about testing and aesthetics, they were a deep dive into the mechanics of performance, sustainability, and user experience, all woven into a single structure.

The seamless construction of the Luma Backpack isn’t just a visual or sustainable innovation, it’s a platform for embedding functional performance directly into the textile architecture. By leveraging advanced 3D knitting techniques, we’ve integrated features like low-stretch mesh zones and thermoforming yarns that meaningfully improve comfort, durability, and usability. One of the critical challenges in soft backpack design is maintaining shape under dynamic loads. Our custom low-stretch mesh structures are strategically knit into high-tension zones, like the main compartment and strap anchors. These zones resist deformation under weight, preventing the pack from sagging or shifting, improving weight distribution, posture support, and lessening fatigue during extended use.

The inspiration behind the Luma Backpack was born on the factory floors of China, where I witnessed mountains of textile waste cuttings, offcuts, and rejected parts piling up next to rows of workers operating in an outdated, extractive system. It was a stark realization: the way we manufacture today is broken, both environmentally and ethically.I didn’t just want to design a more sustainable product, I wanted to design a new manufacturing model. One that empowers localized, low-waste production and helps bring textile jobs and capabilities back to the U.S. Luma is that vision, brought to life.

The intersection of sustainability and durability is where real innovation happens. When we set out to create the Luma Backpack, our goal wasn’t just to reduce waste, it was to prove that a radically sustainable product could also outperform traditional gear in real-world conditions. But merging those two ideals, environmental responsibility and rugged durability, meant rethinking every assumption about materials, construction, and performance.

The distinctive look and feel of the Luma Backpack isn’t just a visual decision, it’s the direct result of our 3D knitting technology, which frees us from the rigid constraints of traditional cut-and-sew construction. This method enables a completely new approach to soft good design, where form, function, and visual identity are seamlessly integrated.In traditional backpack manufacturing, form is achieved by stitching together flat panels, which limits shape complexity and often requires bulky seams, reinforcements, and extra components. With 3D knitting, we’re able to shape the entire body as a continuous surface, curving naturally around the spine and shoulders without hard edges. This also gives us the ability to embed contours, recesses, and volume transitions directly into the fabric with no darts, folds, or glue needed.Perhaps most exciting is that Luma’s design is not just drawn, it’s coded. We design in 3D space using software that lets us control every stitch, every loop, every tension point. That level of control would be impossible in traditional manufacturing, where design is limited by the tools of sewing, cutting, and assembly. 3D knitting transforms the backpack from a product of assembly to a product of architecture. The result is an object that looks, feels, and performs like nothing else on the market, all while advancing a sustainable, zero-waste model of production.

Creating the Luma Backpack meant more than learning a new tool, it meant reprogramming how I thought about design altogether. Unlike traditional product development, where form follows fabrication, 3D knitting demanded that I design within the logic of the machine, working at the intersection of textiles, software, and spatial thinking. It challenged me to stop designing objects and start designing processes. It blurred the lines between digital and physical, craft and code. And in doing so, it enabled the creation of something truly new, a backpack that isn’t assembled, but grown.

The success of the Luma Backpack has proven that sustainability, technology, and high-end design don’t have to exist in separate lanes, they can and should be deeply integrated. More than just a backpack, Luma is a working prototype of what the next era of accessory manufacturing could look like. In short, Luma isn’t just influencing the future of bags, it’s influencing the future of how things are made.It challenges the industry to think smarter, waste less, and design from the ground up, with sustainability, intelligence, and beauty all woven together.

From the very beginning, the Luma Backpack wasn’t just about innovation for its own sake, it was about innovation that people can feel. We wanted to create a pack that disappears on the body, moves with you, and enhances comfort in ways that traditional backpacks simply can’t. That meant building ergonomics into the architecture, not adding it on after. In the end, every ergonomic feature of the Luma Backpack was designed with one goal: to feel like an extension of the user, not equipment strapped to them. By embedding comfort directly into the knit architecture, we eliminated bulk, reduced failure points, and created a pack that performs as beautifully as it looks.