Jinglan Bay Art Centro de Ventas de Nic Lee

El diseño Jinglan Bay Art Centro de Ventas de Nic Lee es un ganador altamente estimado del prestigioso 2024 A' Design Award de Plata en la categoría de competición Diseño de Espacios Interiores y Exposiciones.

PlataInterior· 2024

Jinglan Bay Art Centro de Ventas

de Nic Lee

Cliente: China Resources Land South China Guangxi Co.

Ganador del A' Design Award de Plata en la Categoría Interior

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Ganador de Premio Verificado

Verificar Estado del Premio para #152974

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El Diseño

Acerca de Jinglan Bay Art Centro de Ventas

Jinglan Bay Art es el interior de un centro de ventas ubicado en Liuzhou, una zona montañosa surcada por aguas sinuosas. El interior abarca 1.705 metros cuadrados e incluye áreas de recepción, ventas, exposición, medios digitales y VIP. En lugar de reproducir el paisaje mediante formas, se recurre a la luz y a la sombra para evocar montañas elevadas y aguas profundas. El terrazo negro se pulió hasta lograr un acabado espejo, de modo que se reflejan el paisaje exterior y el movimiento de los visitantes. La piedra en bruto de la entrada crea la profundidad de un valle. Otros materiales empleados son el mármol cincelado, la pintura mineral, la madera negra y el roble.

El Reconocimiento

Acerca del A' Design Award de Plata

Jinglan Bay Art Centro de Ventas ha ganado el A' Design Award de Plata, un reconocimiento extraordinariamente prestigioso concedido a diseños de gama alta, magníficos e impresionantes. Los ganadores de Plata son obras tremendamente brillantes y sumamente creativas que ilustran la destacada experiencia, el talento y la agudeza de sus diseñadores. Se espera que Jinglan Bay Art Centro de Ventas sea una obra maravillosa y emblemática, notablemente profesional y profundamente innovadora. Este diseño ganador del A' Design Award de Plata es una invención muy notable y admirada que beneficia y hace avanzar las fronteras del arte, la ciencia, el diseño y la tecnología. Jinglan Bay Art Centro de Ventas es una creación enormemente envidiada que evoca deseos, aporta sentimientos positivos y despierta asombro y admiración.

Detrás del Diseño

Kit de Prensa

Créditos, miembros del equipo y detalles técnicos proporcionados por el diseñador.

Propiedades Únicas: The project is located in Liuzhou, a mountainous area with winding waters. Instead of simulating the landscape with shapes, we think it would be better to use light and shadow to create high mountains and deep water. The material facade is used to recreate the mental transitions of entering a deep forest, and to incorporate nature into the interior gestures.
Dimensiones y Embalaje: Location：Liuzhou
Area：1705 m2
Layout： Reception area. Sales area. Display area. Digital media area. VIP area. Office. Toilet
Material：polished terrazzo. chiseled marble. mineral paint. red paint. black wood. oak
Etiquetas: sales center, landscape, museum, indoor architecture, interior design
Tecnología de Producción: In addition to abstracting nature through volumetric forms, we also attempt to bring nature indoors from a different perspective. By polishing black terrazzo to a mirror-like finish, we create a deep and tranquil ambiance that constantly reflects the seasonal scenery and human movement outside the windows. Viewing from different heights within the space resembles the ever-changing landscapes experienced while hiking or walking in the mountains.
Desafío de Diseño: By inviting you to visit the landscape narrated by the architecture, and experience the white space and depth of the design grid, we hope that this site is like spreading a multi-view ink painting of a landscape, which synthesizes philosophy and poetry, and transcends the perception of the surface landscape to facilitate a pure feeling of the change in status and the state of mind fit.
Investigación: Liuzhou is famous for its wonderful stones, which include mountain stones, water stones, earth stones, cave stones, and rocks. Each of which has its own beauty. Taking this as our inspiration, we built the entrance with raw stones to create the depth of a valley. The deep cut stone surface of the counter is not only used as the facade of the building but also as a display of the mountain wall, transforming the natural stone gestures into an emotional turn when experiencing nature.
Inspiración: The focus of the landscape in paintings is expressions, but how does architecture become a narrative tool to record nature? We imagine that walking through the interior of the building is like a mountain climbing practice, passing through a tunnel covered by branches and leaves with the sky hidden behind boulders or looking up at the mountain peaks under the cliff, feeling the personal transformation of the mind and the tranquility of not clinging to material things.
Duración del Proyecto: The project started in November 2021 and finished in July 2022, and was exhibited in Liuzhou in August 2022.
Flujo de Operación: Giving up persistence, we withdraw ourselves from the environment to maintain the clarity of non-stagnation. Therefore, we do not simulate a figurative landscape, but reproduce the experience of people wandering in the mountains through the multi-directional views of people zigzagging, climbing, looking up, or looking down between structures, and even the real and imaginary contours of reflections on the floor.
Créditos de Imagen: Image #1: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.
Image #2: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.
Image #3: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.
Image #4: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.
Image #5: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.