Disainilahendus The Armor Teatrikostüüm, autor Samantha Chijona Garcia and Vladimir Cuenca

Disainilahendus The Armor Teatrikostüüm, mille autor on Samantha Chijona Garcia and Vladimir Cuenca, on kõrgelt hinnatud 2020 auhinna Hõbeauhind A' Design Award võitja konkursi kategoorias Etenduskunstide, lava, stiili ja dekoratsioonide disain.

HõbeEtenduskunstid· 2020

The Armor Teatrikostüüm

disainer: Samantha Chijona Garcia and Vladimir Cuenca

Klient: Jazz Martinez Gamboa

Auhind Hõbeauhind A' Design Award kategoorias Etenduskunstid

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Värvid

Disain

Teosest The Armor Teatrikostüüm

Turvis on teatrikostüüm, mis loodi Richard III tegelaskuju jaoks ühes Shakespeare'i näidendi lavastuses. Kostüüm on valmistatud taaskasutatud ja kasutuseta materjalidest. Toimjakile on õmmeldud metallribad, samal ajal kui kattuvad nahksäärised moodustavad eraldi struktuuri, mis on ühendatud nahkrihmade ja pannaldega. Ahelrõngastest kinnas sulgeb varruka ning metallribadega vooderdatud sametmüts toimib kiivrina. Kuue osa saab lisada või eemaldada vastavalt tegelaskuju muutumisele näidendi jooksul. Disain peegeldab nii kuningat kui ka tema sees peituvat haavatavat inimest.

Tunnustus

Auhinnast Hõbeauhind A' Design Award

The Armor Teatrikostüüm on Hõbeauhinna A' Design Award võitja, ülimalt prestiižikas tunnustus, mis antakse tipptasemel, suurepärastele ja muljetavaldavatele disainidele. Hõbevõitjad on ülimalt säravad ja erakordselt loovad tööd, mis illustreerivad oma disainerite silmapaistvat kogemust, annet ja teravmeelsust. The Armor Teatrikostüüm peaks olema imeline, eeskujulik töö, mis on märkimisväärselt professionaalne ja sügavalt uuenduslik. See Hõbeauhinna A' Design Award võidudisain on väga tähelepanuväärne, imetletud leiutis, mis toob kasu ning nihutab kunsti, teaduse, disaini ja tehnoloogia piire. The Armor Teatrikostüüm on laialdaselt kadestatud looming, mis äratab soove, tekitab positiivseid tundeid ning süütab hämmastust ja imestust.

Disaini taustal

Pressimaterjalid

Disaineri esitatud autorid, meeskonnaliikmed ja tehnilised andmed.

Unikaalsed omadused: This armor, made with fully recycled materials, mixes metallic corset nerves referring to the classic western armor, topped by a butcher's chainmail glove that evokes the bloodthirsty of the character with leather leggings overlapping layers denoting the various faces assumed by the character during the plot. From a modernist vision in terms of fabric, overlapping and weaving of pieces the structure refers to the vulnerability of the King and the man who lives at the same time in Richard III.
Mõõtmed ja pakend: Armor- 45cmx30cmx55cm
Helmet- diameter:57cm High: 23cm
Sildid: Costume design, Shakespeare, Richard III, Armor, theater, cuban designer, Samantha Chijona Design, schijonag.
Tootmistehnoloogia: The armor is compound by 6 pieces. 1: The metal structure, it is metal lines sewn on a twill weave jerkin jacket, 2: the leather armor, leather gaiters overlapping forms an independent structure that joins the rest of the set with leather straps closed by buckles, 3: The metal glove, a chainmail glove closes the cuff to give the sleeve a shot, 4: The helmet,
a velvet hat lined with metal strips works as an armor helmet 5: The pants, a black twill pants and finally 6: Black leather boots to the knees.
Disainiülesanne: The development of the piece became a challenge, I wanted to do something great for the character but working in Cuba is always difficult due to the lack of resources, so while researching, I also located materials. Looking in an antique warehouse I found these old pieces of unused corsets bones and leather leggings and decided to use them. With only one month to prepare the entire theater play with more than 16 characters we were detained in this armor for a week, assembling, testing and sewing piece by piece in search of achieving an attractive but useful result.
Uurimistöö: My research flew over two essential aspects, the historical and the technical. After having studied for years Western and Japanese armors, the challenge of creating one was wonderful. I had to solve how I should use the historical engineering structures in those garments with the modern materials I had in hand. I read and compiled images and information, of the western armor, I appropriated the metal and the order of the parts while from the Japanese I took overlays of leather pieces sewn with cord. The result was a very visual and modern armor that keeps its basic function, protection.
Inspiratsioon: Having studied for years structures that we use when dressing and that have protected and distancing ourselves from the real world I choose one of my favorite, the armor. I took advantage of the study of Western and Japanese war pieces and modernized it with the use of materials and disused pieces. The text of Shakespeare's play emphasizes the two faces and the physical problem of the character I used it as inspiration to separate and show the two parts of Richard III.
Projekti kestus: The project started in June 2018 in Havana, Cuba and ended in September 2018 in Havana, Cuba.
Tööprotsess: The piece is compound by 6 small parts, the main three, armor jacket, pant and boots are easy to put, also it has another leather structure which should be placed with buckles while the hat and the glove are closed by an elastic piece. the interaction between the actor and the piece is determined for the modular form of the main piece, the person can take off the leather part, the helmet, the glove and keep only the base jacket, pants and boots, in the same way he can add more pieces throught the evolution of the character inside the theater play.
Patendid: Copyrights belong to Chijona, Samantha, 2018
Meeskonnaliikmed: Designer and Creative Director: Samantha Chijona
Designer: Vladimir Cuenca
Piltide autorid: Image 1,2,3,4,5: Samantha Chijona Photographer/ Samantha Chijona Designer /Richard III/ The Armor /Model: Maria Gabriela Sanchez, 2018