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Disainilahendus Light Up 13 Layer Remains Arhitektuurne valgustusdisain, autor Chou Lien - YI.ng Lighting Design

Disainilahendus Light Up 13 Layer Remains Arhitektuurne valgustusdisain, mille autor on Chou Lien - YI.ng Lighting Design, on kõrgelt hinnatud 2021 auhinna Rauaauhind A' Design Award võitja konkursi kategoorias Kultuuripärandi ja kultuuritööstuse disain.


RaudKultuuripärand· 2021

Light Up 13 Layer Remains Arhitektuurne valgustusdisain

disainer: Chou Lien - YI.ng Lighting Design

Klient: Taiwan Power Company

Auhind Rauaauhind A' Design Award kategoorias Kultuuripärand

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Värvid

Disain

Teosest Light Up 13 Layer Remains Arhitektuurne valgustusdisain

„Light Up 13 Layer Remains" on avaliku ruumi kunstivalgustuse projekt endise vasesulatustehase jaoks Põhja-Taiwanis. Kaevanduskompleks suleti 1973. aastal ning selle põhikonstruktsioon on säilinud. Rajatise välispinna sobitamiseks valiti värvustemperatuur 2100K. Merevaigukarva valgus sisemuses meenutab sulatamisel kasutatud tuld. Heledus suureneb iga tasandiga – 1 nitist alusel kuni 6 nitini ülemistel tasanditel –, mistõttu kihid on selgelt eristatavad. Läheduses paiknev taimestik on valgustatud 3000K juures. Kokku paigaldati 365 valgustit 15 erineva nurga ja võimsusega.

Tunnustus

Auhinnast Rauaauhind A' Design Award

Light Up 13 Layer Remains Arhitektuurne valgustusdisain on Rauaauhinna A' Design Award võitja, prestiižikas tunnustus, mis antakse headele disainidele, mis vastavad professionaalsetele ja tööstuslikele nõuetele, mida oodatakse hästi disainitud töödelt. Raudvõitjad näitavad oma loojate suurt oskust, kõrget spetsialiseerumist, asjatundlikku mõistmist ja loomingulist võimekust. Light Up 13 Layer Remains Arhitektuurne valgustusdisain peaks olema kõrgelt hinnatud, imetletud ja armastatud looming, mis on praktiline ja uuenduslik. See Rauaauhinna A' Design Award võidudisain ühendab tööstuse parimaid tavasid ning tal on pädevad tehnilised omadused, mis on seotud oskusteabe ja andega. Light Up 13 Layer Remains Arhitektuurne valgustusdisain on austatud oma põhjalikkuse eest ning on loodud pakkuma elukvaliteedi parandusi, mis aitavad teha maailma paremaks paigaks.

Disaini taustal

Pressimaterjalid

Disaineri esitatud autorid, meeskonnaliikmed ja tehnilised andmed.

Unikaalsed omadused
Taiwan Power Company integrated its arts and cultural assets in the "Shua Jin Jiu" area. Through art, they tried to subvert the "Shau Nan Dong Refinery" , which is classified as a pollution control site. At the same time, combining many good causes with people who care about this land and have aspirations. Also, the company has appointed international lighting masters Lien Chou along with YI.ng Lighting Design Consultants working together to launch the "13 Layer Remains" lighting project.
Mõõtmed ja pakend
The luminance was devised in such a way that it went up in accord with the rise of each level. Thus the foundation of the structure was lit up with 1 Nit luminance and the higher levels with 6 Nits, presenting and highlighting the quality of "layer" . Low color temperature was employed to highlight the architectural landscape while outlining the silhouette of the refinery. We used 3000K burnishing to bring out the strength of the vegetation there. The entire project use of 15 different angles and wattage, with 365 sets of luminaire in total, in accordance with the topological features.
Sildid
Refinery, Lighting Design, Shau Nan Dong, 13-Layer Remains, Taiwan, Taipei, Chou Lien
Tootmistehnoloogia
From the outset, we has wished to rejuvenate the site as our Mother Earth and would be all encompassing and incorporated with its neighboring villages. In view of this, 2100K color temperature was chosen to go with the outer crust of the structure. Amber light was also adopted as internal lighting for the structure to represent a setting of using fire during the refining process.
Disainiülesanne
At night, the light not only perpetuates the human spirit of the site but also awakens people's understanding of the golden age of Shau Nan Dong area; the light revitalizes the cultural artistry of the area, such as the combination of performing arts and cultural landscapes, the prototype of the 2020 Bright Sea Island Festival...etc.
Uurimistöö
The reuse of historical architectural space is not only a direct way to involve commercial activities, but also a large-scale public art project to revitalize cultural assets and polluted land, which not only attracts people to see the magnificent nighttime beauty of the "13 Layer Remains", but also becomes a venue to nurture arts and cultural activities.
Inspiratsioon
The mining site is no longer in use since 1973 due to the exhaustion of copper and gold. The basic structure is retained and it preserves the traces of mining for a hundred years. It had been sealed for over 30 years before the rejuvenation. From the outset, we has wished to rejuvenate the site as our Mother Earth and would be all-encompassing and incorporated with its neighboring villages. In view of this, 2100K color temperature was chosen to go with the outer crust of the structure.
Projekti kestus
"Light up 13 Layer Remains" Public Art Lighting Project was officially lit on the night of the Moon Festival on September 13, 2019, and 90 seconds of dynamic lighting was planned in response to the lighting ceremony. However, the lighting design team does not want the light movement changes to be meaningless. Even with dynamic lighting, they still want it to be in line with the original design concept, expressing the inclusive power of nature.
Tööprotsess
The luminance was devised in such a way that it went up in accord with the rise of each level. Thus the foundation of the structure was lit up with 1 Nit luminance and the higher levels with 6 Nits , presenting and highlighting the quality of "layer".
Patendid
Taiwan Power Company Public Art
Meeskonnaliikmed
Client: Taiwan Power Company
Lighting Design: Chou Lien, Wen Ying Chu, Ping Yi Liu, Joyce Ho
Manufacturers: Luxmen Technical Lighting
Products: Grand Canyon LED Lighting Systems
Photographer: Yu Chen Cha
Piltide autorid
Photographer: Yu Chen Cha

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