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Disainilahendus Daxi Daxi Kohalik Kultuurifestival, autor BIAS Architects and Associates

Disainilahendus Daxi Daxi Kohalik Kultuurifestival, mille autor on BIAS Architects and Associates, on kõrgelt hinnatud 2021 auhinna Hõbeauhind A' Design Award võitja konkursi kategoorias Sündmuste ja ürituste disain.


HõbeSündmus· 2021

Daxi Daxi Kohalik Kultuurifestival

disainer: BIAS Architects and Associates

Klient: Taoyuan City Government, Department of Cultural Affairs, & Daxi Ecomuseum

Auhind Hõbeauhind A' Design Award kategoorias Sündmus

46,694

Värvid

Disain

Teosest Daxi Daxi Kohalik Kultuurifestival

Alates 2018. aastast on BIAS välja töötanud ja ellu viinud linnafestivali, et aidata Daxi linnal valmistuda selle koha peamiseks religioosseks tseremooniaks. Tavaliselt on Taiwani tseremooniad konservatiivsed ja põhinevad maaelu traditsioonidel, mis dikteerivad ranged reeglid. Et jagada rahvauskumuste võlu linnarahvaga, vahendas BIAS traditsioone strateegilise disaini sekkumiste ja tegevuste kogumiga, mis annavad üritusele popkultuurihõngu. Eelkõige tegutses BIAS kuraatorina ja kutsus erinevaid noori kunstnikke ja disainereid tegema koostööd vanade traditsioonide säilitajatega.

Tunnustus

Auhinnast Hõbeauhind A' Design Award

Daxi Daxi Kohalik Kultuurifestival on Hõbeauhinna A' Design Award võitja, ülimalt prestiižikas tunnustus, mis antakse tipptasemel, suurepärastele ja muljetavaldavatele disainidele. Hõbevõitjad on ülimalt säravad ja erakordselt loovad tööd, mis illustreerivad oma disainerite silmapaistvat kogemust, annet ja teravmeelsust. Daxi Daxi Kohalik Kultuurifestival peaks olema imeline, eeskujulik töö, mis on märkimisväärselt professionaalne ja sügavalt uuenduslik. See Hõbeauhinna A' Design Award võidudisain on väga tähelepanuväärne, imetletud leiutis, mis toob kasu ning nihutab kunsti, teaduse, disaini ja tehnoloogia piire. Daxi Daxi Kohalik Kultuurifestival on laialdaselt kadestatud looming, mis äratab soove, tekitab positiivseid tundeid ning süütab hämmastust ja imestust.

Disaini taustal

Pressimaterjalid

Disaineri esitatud autorid, meeskonnaliikmed ja tehnilised andmed.

Unikaalsed omadused
Lord Guan's birthday celebration is an important traditional event held in the rural outskirts of Taipei. The local people call it "the second Chinese New Year for Daxi," and everyone in the township of Daxi uses to put significant effort into the preparations. Tasked to preserve and promote the event, since 2018, BIAS has developed and implemented an urban festival to help the township preparing for the celebration. The festival has been named "Daxi Daxi," i.e., a play of words that means "Good Luck Daxi." In particular, in 2020, the third installment of "Daxi Daxi," the "Lord Guan Online" concept was implemented, i.e., a creative offline and online approach that 'allows the god's blessings to spread far away' through the new media. This festival strengthened the local community's identity, but the last installment attracted more than 100,000 people to the township. Besides this, an exhibition focused on the "backstage" of the religious event and a show mixing modern and traditional arts were implemented. By this, BIAS hopes that the traditional culture can intertwine with the urban one and, thanks to this, get enough momentum to be preserved for the future.
Mõõtmed ja pakend
Total event area: 121,000 sqm
Sildid
festival, traditional rural culture, urban pop culture, religion, parade, design as mediation, curating
Tootmistehnoloogia
The main concept of Daxi Daxi is to combine traditions and pop culture so as to both rejuvenate the audience of Taiwanese religious festivals and deepen the understanding of these by the young generations. In order to achieve this, a curatorial approach was adopted, focused on selecting a series of young artists and designers that could cooperate with those holding the traditions. Most importantly, the artists, designers, and the holders of traditions were supported by BIAS that mediated their cooperation so as to ease their efforts and bring it to a good end. That is to say, BIAS initiated their encounter and acted as a facilitator and translator of their different point of view.
Disainiülesanne
The key challenge of the project was at the curatorial level. In particular, it was the selection of third-party artists and designers that could dialogue with those today bringing forward the ancient traditions. Not only but also, it was to create proper occasions for the encounter of these seemingly opposite actors.
Uurimistöö
The research was developed on various aspects, including the following. First of all, it was developed a deep understanding of ancient rituals and those people that carry on the traditions today. Then, it was developed curatorial research on a set of artists and designers that could develop a dialogue and thus intervene in the strategic renewal of traditions. Finally, mediatory research was implemented in order to help the community and the designers collaborate for the good end.
Inspiratsioon
Usually, Taiwanese religious ceremonies are conservative and based on rural traditions that strictly dictate parade rules. To share the charm of the folk beliefs with the urban public, BIAS tried to mediate the ancient traditions by a strategic set of design interventions and educational activities that could provide a contemporary pop culture vibe to the festival.
Projekti kestus
The event starts in mid-July and finishes in mid-August each year since 2018 in Daxi, Taiwan. The last installment was held in 2020.
Tööprotsess
The key aspects of the festival are to be found in the mixing of various aspects of the traditional parade rules and preparations with popo-culture and aesthetics. In particular, while the traditional aspects were not obliterated or negated in their functionality, touches of a new aesthetics were added and communicated to the large public as the product of a new pride of the local community.
Meeskonnaliikmed
Main Curator: BIAS Architects & Associates
Piltide autorid
Image #1: Photographer Yu Dong, 2019
Image #2: Photographer Yu Dong, 2020
Image #3: Photographer Jia-Ying Yang, 2019
Image #4: Photographer Yu Dong, 2018
Image #5: Photographer Jia-Ying Yang, 2018

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