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Disainilahendus Changes Cycles and Shapes Digitaalkunst, autor Yuko Suzuki

Disainilahendus Changes Cycles and Shapes Digitaalkunst, mille autor on Yuko Suzuki, on kõrgelt hinnatud 2025 auhinna Kuldauhind A' Design Award võitja konkursi kategoorias Generatiivse, algoritmilise, parameetrilise ja tehisintellektiga abistatud disain.


KuldGeneratiivne· 2025

Changes Cycles and Shapes Digitaalkunst

disainer: Yuko Suzuki

Klient: Feral File

Auhind Kuldauhind A' Design Award kategoorias Generatiivne

210,079

Värvid

Disain

Teosest Changes Cycles and Shapes Digitaalkunst

See töö uurib küsimust "Mis on maal?", väljendades visuaalsete väljenduste ringlemist. Mondriani maalide üleminekutest inspireerituna põhineb see maali komponentdiagrammil, kus vorm liigub figuratiivse ja abstraktse vahel ning müra ja lineaarsuse vahel – idee, mida rakendatakse värvi puhul. Töö esile toob digitaalse materiaalsuse muutuvat olekut, rõhutades, et muutuste vahepealsed vormid on olemus. Bareniga trükitud tekstuuride lisamisega peegeldab see kunstniku identiteeti graafikuna digitaalses vormis.

Tunnustus

Auhinnast Kuldauhind A' Design Award

Changes Cycles and Shapes Digitaalkunst on Kuldauhinna A' Design Award võitja, ülimalt prestiižikas tunnustus, mis antakse esmaklassilistele, imelistele ja silmapaistvatele disainidele. Kuldvõitjad on ülimalt uuenduslikud, visioonilised ja glamuurselt pimestavad looming, mis peegeldab oma disainerite geniaalsust, tarkust ja oskusi. Changes Cycles and Shapes Digitaalkunst peaks olema kõrgelt kiidetud, suundi seadev ja monumentaalne leiutis, mis pakub enneolematut väärtust. See Kuldauhinna A' Design Award võidudisain on suurejooneline, lugupeetud projekt, mis toob suurt kasu ning nihutab kunsti, teaduse, disaini ja tehnoloogia piire. Changes Cycles and Shapes Digitaalkunst tekitab intensiivset soovi, äratab kirge, julgustab loovust ja lummab meid.

Disaini taustal

Pressimaterjalid

Disaineri esitatud autorid, meeskonnaliikmed ja tehnilised andmed.

Unikaalsed omadused
Based on the question, What is painting?, this work expresses the circulation of multiple visual expressions, evoking the shifting state of digital materiality, oscillating between the concrete and the abstract. In it, it also expresses the idea that forms in between changes are the essence, and we live in a moment in change.
Furthermore, by incorporating textures printed with a baren, the artist's identity as a printmaker is incorporated in a digital form.
Mõõtmed ja pakend
1920×1080 px / 3840×2160 px, 25 seconds, 65 works
Sildid
Generative Art, Coding
Tootmistehnoloogia
This work was created entirely in a programming language called Processing.
It is made up of animations that change from one shape to the next.
Disainiülesanne
The theme of the exhibition was the inheritance of the experimental aesthetics of Hiroshi Kawano, a pioneer of Japanese computer art, so I researched Hiroshi Kawano and the history of past computer art.
I had repeated conversations with this great artist of the past to find out how to connect Kawano's work with my own experiments, and it took me a long time to dig deep into my theme and digest it.
Uurimistöö
This design study aims to explore how print textures can be incorporated into paintings. The researcher delved into the historical background of Hiroshi Kawano and Mondrian to explore how their style and techniques can be reflected in his own work. In terms of methodology, he took an experimental approach and researched the archives of past painters to evolve the expression of his work by combining different materials and textures.
As a result, the work is a reflection of the history of painting, and the influences of Hiroshi Kawano and Mondrian are beautifully integrated. This study proposed a new way of expression that goes beyond the boundaries of print and painting, and offered a new perspective on contemporary art. In terms of business, it made us reconsider the commercial value of art and its potential as design, and in terms of society, it allowed us to delve deeper into the historical and cultural meaning of art.
Inspiratsioon
In painting, shape has an axis of figurative - abstract and an axis of noise - linear, while color also has an axis of noise - linear. Based on the component diagram of painting constructed from this idea, I developed a means of cycling through multiple visual idioms at once, with the work expressing the cycle itself. This work was also inspired by the transitions in Mondrian's paintings.
Projekti kestus
This work was exhibited at Patterns of Flow held at NEORT++ in Tokyo from September 24th to October 6th, 2024.
This exhibition was a collaboration with Right Click Save and Massage Magazine, and the works were sold on Feral File, an NFT platform.
Tööprotsess
In this animation, objects transform over time, oscillating between figurative and abstract, noise and linear. Designed to create a continuous flow of visual changes, the animation's timing and speed are adjusted to create a visually pleasing rhythm. By silently observing these changes, viewers can relate to their own lives and experiences, evoking deep empathy and emotional responses.
Piltide autorid
Image #3: NEORT++, Changes, Cycles, and Shapes in Between, 2024.

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