Disainilahendus Clay Moulded Teatri sisekujundus, autor Marius Mateika

Disainilahendus Clay Moulded Teatri sisekujundus, mille autor on Marius Mateika, on kõrgelt hinnatud 2025 auhinna Kuldauhind A' Design Award võitja konkursi kategoorias Siseruumide ja näitusedisain.

KuldInterjöör· 2025

Clay Moulded Teatri sisekujundus

disainer: Marius Mateika

Klient: Mama architects

Auhind Kuldauhind A' Design Award kategoorias Interjöör

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Värvid

Disain

Teosest Clay Moulded Teatri sisekujundus

Clay Moulded on muusikateatri sisekujundus Klaipedas, Leedus. Savi katab seinu ja lagesid ning üle 30 tonni materjali kanti peale käsitsi. Peasaali muster on katkematu ja kulgeb ruumi ühest otsast teise. Projekti jaoks töötati välja seitsmeetapiline katmisprotsess, mis hõlmab pihustamist, mustri loomist, kuivatamist, harjamist, glasuurimist ja konserveerimist. Seinad ja laed saavad avaneda ja sulguda, et juhtida helipeegeldusi, nii et ruum kohandub kontsertide, etenduste ja koosolekutega. Saalis on 700 istekohta.

Tunnustus

Auhinnast Kuldauhind A' Design Award

Clay Moulded Teatri sisekujundus on Kuldauhinna A' Design Award võitja, ülimalt prestiižikas tunnustus, mis antakse esmaklassilistele, imelistele ja silmapaistvatele disainidele. Kuldvõitjad on ülimalt uuenduslikud, visioonilised ja glamuurselt pimestavad looming, mis peegeldab oma disainerite geniaalsust, tarkust ja oskusi. Clay Moulded Teatri sisekujundus peaks olema kõrgelt kiidetud, suundi seadev ja monumentaalne leiutis, mis pakub enneolematut väärtust. See Kuldauhinna A' Design Award võidudisain on suurejooneline, lugupeetud projekt, mis toob suurt kasu ning nihutab kunsti, teaduse, disaini ja tehnoloogia piire. Clay Moulded Teatri sisekujundus tekitab intensiivset soovi, äratab kirge, julgustab loovust ja lummab meid.

Disaini taustal

Pressimaterjalid

Disaineri esitatud autorid, meeskonnaliikmed ja tehnilised andmed.

Unikaalsed omadused: For the interior décor, we chose an archaic material - clay. It is probably the largest interior in the world made of natural clay. The pattern and technology of the hall is unique and continuous throughout the space, created by one artist Mantas Petravičius. All planes are in motion. They open and close (as you can see in photo 3) depending on the nature of the concert and the acoustics required. And that's what makes this space even more unique.
Mõõtmed ja pakend: The whole theater is 10 000m2 size. The auditorium has seating capacity of 700 people. We used over 30 tonnes of clay for wall decor.
Sildid: Klaipėdos muzikinis teatras, Klaipėda state musical theatre, MAMA architects
Tootmistehnoloogia: We used over 30 tonnes of clay for the walls and ceilings of the entire interior. This work took nine months to complete using unique tools created exclusively for this work and was carried out by the hands. The clay coating process is also unique, developed exclusively for this theatre.The process itself consists of 7 stages (clay spraying, patterning, drying, scrubbing, re-spraying, glazing, conservation). It takes about 3 weeks to complete all the steps. The whole process was implemented on the construction site.
Disainiülesanne: The decor of the main hall is a continuous pattern starting at one end of the hall and ending at the other. Meanwhile, the process required major interruptions and took 9 months. The hardest part was to bring everything together into a coherent picture. The rest of the public spaces (lobbies, passages, staircases) are also made of clay. Here, the pattern is different, but also handmade.
Uurimistöö: Clay was used for wall and ceiling decor.
The whole process was done by hand in stages:
1.) First, the clay is sprayed, then swiped with special tools made just for this object to form waves.
2.) Waiting for everything to dry. Then the sharp corners are scrubbed.
3.) Repeat the spraying with a thinner layer. After spraying, the clay shall be brushed to distribute the clay evenly and to form a soft surface.
4.) Wait for everything to dry.
5.) Everything is impregnated and preserved.
Inspiratsioon: The city of Klaipėda, where the theatre is located, is by the sea. We were inspired by the sandy coastline of the sea and the shores shaped by the waves. Klaipėda is an old city dominated by red clay brick buildings. For us, the sea and the clay became the basis for the idea. As this is a theatre, clay seemed to us to be the right material to create a dramatic mood.
Projekti kestus: The project lasted 5 years. The clay decoration alone took 9 months. The theatre is realized in Klaipeda, Lithuania.
Tööprotsess: This theatre has transformable walls and ceilings.
They open up. This controls sound reflections. The space adapts to the event. (Depending on whether it's a concert, a play, an meeting event).
Meeskonnaliikmed: Architects: Marius Mateika
Piltide autorid: Photographer: Leonas Garbačauskas