Yuko Suzuki diseinatzailearen Changes Cycles and Shapes Arte Digitala

Yuko Suzuki diseinatzailearen Changes Cycles and Shapes Arte Digitala lana 2025 Urrezko Saria A' Design Award sari ospetsuaren irabazle bikaina da Diseinu Sortzaile, Algoritmiko, Parametriko eta AA Lagundua Lehiaketa Kategorian.

UrreDiseinu Sortzailea· 2025

Changes Cycles and Shapes Arte Digitala

diseinatzailea: Yuko Suzuki

Bezeroa: Feral File

Urrezko Saria A' Design Award Irabazlea Diseinu Sortzailea Kategorian

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Changes Cycles and Shapes Arte Digitala Diseinuari Buruz

Lan honek "Zer da margolana?" galdera aztertzen du adierazpen bisualaren zirkulazioa adieraziz. Mondrianaren margolanen trantsizioetatik inspiratuta, margolaren osagaien diagrama batean oinarritzen da, non forma figuratiboaren eta abstraktuaren artean, eta zarataaren eta lerrokartasunaren artean mugitzen den - ideia hau koloreari aplikatuta. Lanak materialitate digitalaren egoera aldakorra iradokitzen du, aldaketen arteko formak direla funtsa azpimarratuz. Baren batekin inprimatutako testurak barneratuz, artistaren nortasuna grabatzaile gisa forma digitalean islatzen du.

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Urrezko Saria A' Design Award Sariari Buruz

Changes Cycles and Shapes Arte Digitala Urrezko Saria A' Design Award irabazlea da, lehen mailako, zoragarriak eta nabarmenak diren diseinuei ematen zaien aitorpen izugarri prestijiotsua. Urre-mailako irabazleak berrikuntzaz beteriko, ikuspegi handiko eta distiraz liluragarriak diren sorkuntzak dira, beren diseinatzaileen genioa, jakituria eta trebetasuna islatzen dutenak. Changes Cycles and Shapes Arte Digitala oso goraipatua, joera-markatzailea eta monumentala den asmakizuna izatea espero da, balio aurrekaririk gabea eskaintzen duena. Urrezko Saria A' Design Award irabazi duen diseinu hau proiektu ikusgarri eta errespetatua da, artearen, zientziaren, diseinuaren eta teknologiaren mugak oso onuragarriro zabaltzen dituena. Changes Cycles and Shapes Arte Digitala desira-sentimendu biziak sortzen dituen, grina pizten duen, sormena bultzatzen duen eta liluratzen gaituen lana da.

Diseinuaren Atzean

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Diseinatzaileak emandako kredituak, taldekideak eta xehetasun teknikoak.

Propietate Bereziak: Based on the question, What is painting?, this work expresses the circulation of multiple visual expressions, evoking the shifting state of digital materiality, oscillating between the concrete and the abstract. In it, it also expresses the idea that forms in between changes are the essence, and we live in a moment in change.
Furthermore, by incorporating textures printed with a baren, the artist's identity as a printmaker is incorporated in a digital form.
Neurriak eta Ontziratzea: 1920×1080 px / 3840×2160 px, 25 seconds, 65 works
Etiketak: Generative Art, Coding
Produkzio Teknologia: This work was created entirely in a programming language called Processing.
It is made up of animations that change from one shape to the next.
Diseinu Erronka: The theme of the exhibition was the inheritance of the experimental aesthetics of Hiroshi Kawano, a pioneer of Japanese computer art, so I researched Hiroshi Kawano and the history of past computer art.
I had repeated conversations with this great artist of the past to find out how to connect Kawano's work with my own experiments, and it took me a long time to dig deep into my theme and digest it.
Ikerketa: This design study aims to explore how print textures can be incorporated into paintings. The researcher delved into the historical background of Hiroshi Kawano and Mondrian to explore how their style and techniques can be reflected in his own work. In terms of methodology, he took an experimental approach and researched the archives of past painters to evolve the expression of his work by combining different materials and textures.
As a result, the work is a reflection of the history of painting, and the influences of Hiroshi Kawano and Mondrian are beautifully integrated. This study proposed a new way of expression that goes beyond the boundaries of print and painting, and offered a new perspective on contemporary art. In terms of business, it made us reconsider the commercial value of art and its potential as design, and in terms of society, it allowed us to delve deeper into the historical and cultural meaning of art.
Inspirazioa: In painting, shape has an axis of figurative - abstract and an axis of noise - linear, while color also has an axis of noise - linear. Based on the component diagram of painting constructed from this idea, I developed a means of cycling through multiple visual idioms at once, with the work expressing the cycle itself. This work was also inspired by the transitions in Mondrian's paintings.
Proiektuaren Iraupena: This work was exhibited at Patterns of Flow held at NEORT++ in Tokyo from September 24th to October 6th, 2024.
This exhibition was a collaboration with Right Click Save and Massage Magazine, and the works were sold on Feral File, an NFT platform.
Eragiketa Fluxua: In this animation, objects transform over time, oscillating between figurative and abstract, noise and linear. Designed to create a continuous flow of visual changes, the animation's timing and speed are adjusted to create a visually pleasing rhythm. By silently observing these changes, viewers can relate to their own lives and experiences, evoking deep empathy and emotional responses.
Irudi Kredituak: Image #3: NEORT++, Changes, Cycles, and Shapes in Between, 2024.