Marius Mateika diseinatzailearen Clay Moulded Antzokiaren Barruko Diseinua

Marius Mateika diseinatzailearen Clay Moulded Antzokiaren Barruko Diseinua lana 2025 Urrezko Saria A' Design Award sari ospetsuaren irabazle bikaina da Barruko Espazioa eta Erakusketa Diseinua Lehiaketa Kategorian.

UrreBarrualdea· 2025

Clay Moulded Antzokiaren Barruko Diseinua

diseinatzailea: Marius Mateika

Bezeroa: Mama architects

Urrezko Saria A' Design Award Irabazlea Barrualdea Kategorian

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Clay Moulded Antzokiaren Barruko Diseinua Diseinuari Buruz

Clay Moulded Klaipedan (Lituania) dagoen musika-antzoki baten barruko diseinua da. Buztinak hormak eta sabaiak estaltzen ditu, eta 30 tona material baino gehiago eskuz aplikatu ziren. Areto nagusiko eredua etengabea da eta espazioaren mutur batetik bestera doa. Proiekturako zazpi faseko estaldura-prozesu bat garatu zen, besteak beste, ihinztaketa, eredugintza, lehortzea, igurztea, beiraztatzea eta kontserbazioa barne. Hormak eta sabaiak ireki eta itxi daitezke soinu-islapenak kontrolatzeko, eta horrela espazioa kontzertuetara, antzezlanetara eta bileretara egokitzen da. Aretoak 700 pertsonarentzako eserlekuak ditu.

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Urrezko Saria A' Design Award Sariari Buruz

Clay Moulded Antzokiaren Barruko Diseinua Urrezko Saria A' Design Award irabazlea da, lehen mailako, zoragarriak eta nabarmenak diren diseinuei ematen zaien aitorpen izugarri prestijiotsua. Urre-mailako irabazleak berrikuntzaz beteriko, ikuspegi handiko eta distiraz liluragarriak diren sorkuntzak dira, beren diseinatzaileen genioa, jakituria eta trebetasuna islatzen dutenak. Clay Moulded Antzokiaren Barruko Diseinua oso goraipatua, joera-markatzailea eta monumentala den asmakizuna izatea espero da, balio aurrekaririk gabea eskaintzen duena. Urrezko Saria A' Design Award irabazi duen diseinu hau proiektu ikusgarri eta errespetatua da, artearen, zientziaren, diseinuaren eta teknologiaren mugak oso onuragarriro zabaltzen dituena. Clay Moulded Antzokiaren Barruko Diseinua desira-sentimendu biziak sortzen dituen, grina pizten duen, sormena bultzatzen duen eta liluratzen gaituen lana da.

Diseinuaren Atzean

Prentsa-kita

Diseinatzaileak emandako kredituak, taldekideak eta xehetasun teknikoak.

Propietate Bereziak: For the interior décor, we chose an archaic material - clay. It is probably the largest interior in the world made of natural clay. The pattern and technology of the hall is unique and continuous throughout the space, created by one artist Mantas Petravičius. All planes are in motion. They open and close (as you can see in photo 3) depending on the nature of the concert and the acoustics required. And that's what makes this space even more unique.
Neurriak eta Ontziratzea: The whole theater is 10 000m2 size. The auditorium has seating capacity of 700 people. We used over 30 tonnes of clay for wall decor.
Etiketak: Klaipėdos muzikinis teatras, Klaipėda state musical theatre, MAMA architects
Produkzio Teknologia: We used over 30 tonnes of clay for the walls and ceilings of the entire interior. This work took nine months to complete using unique tools created exclusively for this work and was carried out by the hands. The clay coating process is also unique, developed exclusively for this theatre.The process itself consists of 7 stages (clay spraying, patterning, drying, scrubbing, re-spraying, glazing, conservation). It takes about 3 weeks to complete all the steps. The whole process was implemented on the construction site.
Diseinu Erronka: The decor of the main hall is a continuous pattern starting at one end of the hall and ending at the other. Meanwhile, the process required major interruptions and took 9 months. The hardest part was to bring everything together into a coherent picture. The rest of the public spaces (lobbies, passages, staircases) are also made of clay. Here, the pattern is different, but also handmade.
Ikerketa: Clay was used for wall and ceiling decor.
The whole process was done by hand in stages:
1.) First, the clay is sprayed, then swiped with special tools made just for this object to form waves.
2.) Waiting for everything to dry. Then the sharp corners are scrubbed.
3.) Repeat the spraying with a thinner layer. After spraying, the clay shall be brushed to distribute the clay evenly and to form a soft surface.
4.) Wait for everything to dry.
5.) Everything is impregnated and preserved.
Inspirazioa: The city of Klaipėda, where the theatre is located, is by the sea. We were inspired by the sandy coastline of the sea and the shores shaped by the waves. Klaipėda is an old city dominated by red clay brick buildings. For us, the sea and the clay became the basis for the idea. As this is a theatre, clay seemed to us to be the right material to create a dramatic mood.
Proiektuaren Iraupena: The project lasted 5 years. The clay decoration alone took 9 months. The theatre is realized in Klaipeda, Lithuania.
Eragiketa Fluxua: This theatre has transformable walls and ceilings.
They open up. This controls sound reflections. The space adapts to the event. (Depending on whether it's a concert, a play, an meeting event).
Taldekideak: Architects: Marius Mateika
Irudi Kredituak: Photographer: Leonas Garbačauskas