Changes Cycles and Shapes Art Numérique par Yuko Suzuki

Le design Changes Cycles and Shapes Art Numérique par Yuko Suzuki est un lauréat très estimé du prestigieux 2025 A' Design Award d'Or dans la catégorie Génératif.

OrGénératif· 2025

Changes Cycles and Shapes Art Numérique

par Yuko Suzuki

Client : Feral File

Lauréat du A' Design Award d'Or dans la catégorie Génératif

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Couleurs

Le Design

À propos de Changes Cycles and Shapes Art Numérique

Cette œuvre explore la question « Qu'est-ce que la peinture ? » en exprimant la circulation des expressions visuelles. Inspirée par les transitions dans les peintures de Mondrian, elle repose sur un diagramme compositionnel de la peinture, où la forme se déplace entre le figuratif et l'abstrait, et entre le bruit et la linéarité - une idée appliquée à la couleur. L'œuvre évoque l'état changeant de la matérialité numérique, soulignant que les formes intermédiaires sont l'essence même. En incorporant des textures imprimées avec un baren, elle reflète l'identité de l'artiste en tant que graveur sous forme numérique.

La Reconnaissance

À propos du A' Design Award d'Or

Changes Cycles and Shapes Art Numérique est lauréat de l'A' Design Award d'Or, une reconnaissance immensément prestigieuse décernée à des designs de premier ordre, merveilleux et remarquables. Les lauréats Or sont des créations extrêmement innovantes, visionnaires et d'un éclat glamour éblouissant, qui reflètent le génie, la sagesse et la maîtrise de leurs concepteurs. Changes Cycles and Shapes Art Numérique est censé être une invention très louée, avant-gardiste et monumentale, qui apporte une valeur sans précédent. Ce design lauréat de l'A' Design Award d'Or est un projet spectaculaire et respecté qui sert grandement l'art, la science, le design et la technologie et en repousse les limites. Changes Cycles and Shapes Art Numérique crée de vifs sentiments de désir, éveille la passion, encourage la créativité et nous fascine.

Les coulisses du design

Dossier de presse

Crédits, membres de l'équipe et détails techniques fournis par le designer.

Propriétés Uniques: Based on the question, What is painting?, this work expresses the circulation of multiple visual expressions, evoking the shifting state of digital materiality, oscillating between the concrete and the abstract. In it, it also expresses the idea that forms in between changes are the essence, and we live in a moment in change.
Furthermore, by incorporating textures printed with a baren, the artist's identity as a printmaker is incorporated in a digital form.
Dimensions & Emballage: 1920×1080 px / 3840×2160 px, 25 seconds, 65 works
Mots-Clés: Generative Art, Coding
Technologie de Production: This work was created entirely in a programming language called Processing.
It is made up of animations that change from one shape to the next.
Défi de Conception: The theme of the exhibition was the inheritance of the experimental aesthetics of Hiroshi Kawano, a pioneer of Japanese computer art, so I researched Hiroshi Kawano and the history of past computer art.
I had repeated conversations with this great artist of the past to find out how to connect Kawano's work with my own experiments, and it took me a long time to dig deep into my theme and digest it.
Recherche: This design study aims to explore how print textures can be incorporated into paintings. The researcher delved into the historical background of Hiroshi Kawano and Mondrian to explore how their style and techniques can be reflected in his own work. In terms of methodology, he took an experimental approach and researched the archives of past painters to evolve the expression of his work by combining different materials and textures.
As a result, the work is a reflection of the history of painting, and the influences of Hiroshi Kawano and Mondrian are beautifully integrated. This study proposed a new way of expression that goes beyond the boundaries of print and painting, and offered a new perspective on contemporary art. In terms of business, it made us reconsider the commercial value of art and its potential as design, and in terms of society, it allowed us to delve deeper into the historical and cultural meaning of art.
Inspiration: In painting, shape has an axis of figurative - abstract and an axis of noise - linear, while color also has an axis of noise - linear. Based on the component diagram of painting constructed from this idea, I developed a means of cycling through multiple visual idioms at once, with the work expressing the cycle itself. This work was also inspired by the transitions in Mondrian's paintings.
Durée du Projet: This work was exhibited at Patterns of Flow held at NEORT++ in Tokyo from September 24th to October 6th, 2024.
This exhibition was a collaboration with Right Click Save and Massage Magazine, and the works were sold on Feral File, an NFT platform.
Flux Opérationnel: In this animation, objects transform over time, oscillating between figurative and abstract, noise and linear. Designed to create a continuous flow of visual changes, the animation's timing and speed are adjusted to create a visually pleasing rhythm. By silently observing these changes, viewers can relate to their own lives and experiences, evoking deep empathy and emotional responses.
Crédits Images: Image #3: NEORT++, Changes, Cycles, and Shapes in Between, 2024.