Léim go dtí an t-ábhar
Pinnannousu Taibhiú Dealbhóireachta Oighir Róbataigh le Jussi Angesleva

Is buaiteoir an-mheasúil den ghradam fíor-ardghradamach 2024 Duais Óir A' Design Award sa Chatagóir Comórtais Dearadh Suiteála é an dearadh Pinnannousu Taibhiú Dealbhóireachta Oighir Róbataigh le Jussi Angesleva.


ÓrSuiteáil· 2024

Pinnannousu Taibhiú Dealbhóireachta Oighir Róbataigh

le Jussi Angesleva

Buaiteoir an ghradaim Duais Óir A' Design Award sa Chatagóir Suiteáil

194,655

Buaiteoir Gradaim Fíoraithe

Fíoraigh Stádas Gradaim do #158890

Dathanna

An Dearadh

Maidir le Pinnannousu Taibhiú Dealbhóireachta Oighir Róbataigh

Taibhiú dealbhóireachta ag leá go mall, áit a snoíonn róbat tionsclaíoch bloc mór oighir ina lionsa ríomhaireachtúil a atraíonn an spotsholas go grafaicí ar an mballa, ag litriú móide dhá chéim Celsius, rabhadh bagarthach faoi ardú teochta domhanda. Cuireann an saothar ealaíne dóchas na hardteicneolaíochta taobh le taobh le dúshláin dhomhanda shealadacha gan teorainn. Ní dhéanann an idirghabháil ach an próiseas a luathú.

An Aitheantas

Maidir leis an Duais Óir A' Design Award

Bhuaigh an dearadh Pinnannousu Taibhiú Dealbhóireachta Oighir Róbataigh Duais Óir A' Design Award, aitheantas thar a bheith clúiteach a bhronntar ar dhearaí den chéad scoth, iontacha agus sármhaithe. Is cruthuithe an-nuálacha, fíorasacha agus drithleacha iad buaiteoirí Óir a léiríonn géiniais, eagna agus máistreacht a ndearthóirí. Táthar ag súil go mbeidh an dearadh Pinnannousu Taibhiú Dealbhóireachta Oighir Róbataigh ina aireagán a mholtar go mór, ceannródaíoch agus séadchomharthach a sholáthraíonn luach nach bhfacthas riamh cheana. Is tionscadal iontach, measúil é an dearadh seo a bhuaigh Duais Óir A' Design Award a dhéanann sárleas do theorainneacha na healaíne, na heolaíochta, an deartha agus na teicneolaíochta agus a chuireann chun cinn iad. Cruthaíonn an dearadh Pinnannousu Taibhiú Dealbhóireachta Oighir Róbataigh mothúcháin dhian mhianta, músclaíonn sé paisean, spreagann sé cruthaitheacht agus cuireann sé draíocht orainn.

Taobh Thiar den Dearadh

Pacáiste Preasa

Creidiúintí, baill foirne agus sonraí teicniúla curtha ar fáil ag an dearthóir.

Airíonna Uathúla
A slowly melting sculpture performance, where an industrial robot carves a large ice block to a computational lens that refracts spotlight to graphics on the wall, spelling “+2℃”, an ominous warning of global temperature rise. The artwork juxtaposes the high tech optimism with transient global challenges that know no bounds. The intervention only speeds up the process.
Toisí & Pacáistiú
Universal Robots UR5 robotic arm
High power LED flashlights
100 x 50 x 25 cm clear ice blocks.
Raspberry pi 5 timelapse capture and projection display.
Clibeanna
performance, computational design, robotics, new media, caustics, sculpture
Teicneolaíocht Táirgthe
An industrial robot equipped with a drill and a flashlight alternates between carving the ice block and illuminating it from different angles. The target geometry for the CNC milling is design algorithmically so that when the spotlight is placed on a specific location, the ice refracts lightrays to a predefined caustic image: “+2℃” on the wall. A timelapse camera records the few weeks of melting, and the slowly unfolding morph.
Dúshlán Deartha
Where the artwork was inherently a physical and material process, the team was distributed across the world. Working virtually with experimental physical research posed a major challenge. Also, when the work was unfolding, capturing it on film was also a challenge: every moment was unique, and there was no way of replaying anything due to the living material.
Taighde
Where the intent of the artwork was to leverage the innate qualities of melting ice as the messenger, it was challenging to find a balance between the "idealised" use of technology with this amorphous material. The computational design of the lens geometry expects perfect planar surfaces, but melting ice is never planar, and the carved surface keeps changing. Loosing control, and embracing the accidental lead to the elegant result.
Inspioráid
I use advanced technologies to design bespoke experiences, in this case industrial robot and computational design. The aesthetics and the urgent metaphorical meaning of melting ice embodies the qualities I wanted to communicate with the work. I try to celebrate the beauty of nature, but also the human ingenuity in art that makes people think. The spectacular high tech performance, and the resulting melting sculpture should stop us to think where we stand together in facing the near future.
Fad an Tionscadail
The project was developed and exhibited at Sapporo International Art Festival between January 20 and February 11 in the Snow Storage of the Glass Pyramid at Moerenuma Park, Sapporo, Japan.
Sreabhadh Oibríochta
The artwork unfolds in two stages: First, a robotic performance carves the block of ice, occasionally illuminating the block from different angles with the flashlight. After completion, the block slowly melts, and is captured with a timelapse camera.
Paitinní
Computational Caustics: Rayform & EPFL Geometric Computing Laboratory
Robotics: AATB
Technical Planning: Arsaffix
Supported by: Sapporo International Art Festival 2024
Research support: Part of the research Project “A Third Hand – Creative Applications for Robotics”, ECAL/University of Art and Design Lausanne, Switzerland
Funding Support: ProHelvetia
Ice Field recording: Jonna Jinton
Creidiúintí Íomhá
IMAGE CREDITS:
Image #1: ©Sapporo International Art Festival 2024, Photo by KUSUMI Erika
Image #2: ©Sapporo International Art Festival 2024, Photo by KUSUMI Erika
Image #3: ©Sapporo International Art Festival 2024, Photo by KUSUMI Erika
Image #4: ©Sapporo International Art Festival 2024, Photo by KUSUMI Erika
Image #5: ©Sapporo International Art Festival 2024, Photo by KUSUMI Erika
Video Credits: ©Sapporo International Art Festival 2024,

PATENTS/COPYRIGHTS:
Computational Caustics: Rayform & EPFL Geometric Computing Laboratory
Robotics: AATB
Technical Planning: Arsaffix
Supported by: Sapporo International Art Festival 2024
Research support: Part of the research Project “A Third Hand – Creative Applications for Robotics”, ECAL/University of Art and Design Lausanne, Switzerland
Funding Support: ProHelvetia
Ice Field recording: Jonna Jinton

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