King Boat Músaem Cultúrtha le Pingtung County Government and C.M.Chao

Is buaiteoir an-mheasúil den ghradam fíor-ardghradamach 2026 Duais Óir A' Design Award sa Chatagóir Comórtais Dearadh Ailtireachta, Foirgníochta agus Struchtúir é an dearadh King Boat Músaem Cultúrtha le Pingtung County Government and C.M.Chao.

ÓrAiltireacht· 2026

King Boat Músaem Cultúrtha

le Pingtung County Government and C.M.Chao

Cliant: C.M.Chao. Architect & Planners

Buaiteoir an ghradaim Duais Óir A' Design Award sa Chatagóir Ailtireacht

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Buaiteoir Gradaim Fíoraithe

Fíoraigh Stádas Gradaim do #174503

Féach ag A' Design Award Preasráiteas Suaitheantas Gradaim

Dathanna

An Dearadh

Maidir le King Boat Músaem Cultúrtha

Is músaem cultúrtha é King Boat atá tiomnaithe do Shearmanas an Bháid Rí, agus é lonnaithe in Donggang, an Téaváin. Tá aghaidh bhán ar an bhfoirgneamh cúig stór, suite os cionn bunsraithe atá cosúil le tonnta agus a chuireann an fharraige i gcuimhne. Tá an aghaidh cumhdaithe le coincréit threisithe le snáithín gloine, a roghnaíodh mar gheall ar a huigeacht agus a friotaíocht in aghaidh salainn agus taise. Treoraíonn línte fillte agus bealaí isteach cúlaithe chuig aitriam lárnach atá líneáilte le mogalra alúmanaim leathnaithe, a scagann solas agus fuaim. Tá macasamhail lánmhéide de Bhád an Rí ar taispeáint faoi sholas nádúrtha, agus tugann deic dín radhairc ar an gcuan.

An Aitheantas

Maidir leis an Duais Óir A' Design Award

Bhuaigh an dearadh King Boat Músaem Cultúrtha Duais Óir A' Design Award, aitheantas thar a bheith clúiteach a bhronntar ar dhearaí den chéad scoth, iontacha agus sármhaithe. Is cruthuithe an-nuálacha, fíorasacha agus drithleacha iad buaiteoirí Óir a léiríonn géiniais, eagna agus máistreacht a ndearthóirí. Táthar ag súil go mbeidh an dearadh King Boat Músaem Cultúrtha ina aireagán a mholtar go mór, ceannródaíoch agus séadchomharthach a sholáthraíonn luach nach bhfacthas riamh cheana. Is tionscadal iontach, measúil é an dearadh seo a bhuaigh Duais Óir A' Design Award a dhéanann sárleas do theorainneacha na healaíne, na heolaíochta, an deartha agus na teicneolaíochta agus a chuireann chun cinn iad. Cruthaíonn an dearadh King Boat Músaem Cultúrtha mothúcháin dhian mhianta, músclaíonn sé paisean, spreagann sé cruthaitheacht agus cuireann sé draíocht orainn.

Taobh Thiar den Dearadh

Pacáiste Preasa

Creidiúintí, baill foirne agus sonraí teicniúla curtha ar fáil ag an dearthóir.

Airíonna Uathúla: The building's form is inspired by a traditional king boat, with a five-story white facade atop a wave-like base symbolizing the sea. Folded lines and recessed entries mimic ocean swells, leading to a central atrium with aluminum mesh panels that ripple like waves. Inside, a 1:1 King Boat replica is displayed, bathed in natural light. The rooftop observatory offers views of Donggang Harbor. The museum's five exhibitions invite visitors to explore marine beliefs, parades, and boatbuilding rituals, celebrating Taiwanese folk religion.
Toisí & Pacáistiú: The five-story structure includes four levels of exhibition space arranged to follow the ceremonial procession of the King Boat Ceremony, with five permanent thematic galleries: Marine Beliefs, Divine Patrol, Regional Ceremonies, Sacred Boat Building, and The Donggang Festival. The third floor houses the museum's centerpiece 42-foot-long, 12-foot-wide King Boat replica, viewable from a 360-degree elevated viewing platform. The roof features a skylight and observation deck, reinforcing the building's vertical movement and layered storytelling.
Clibeanna: King Boat Culture, Donggang, Cultural Museum, Local Revitalization, King Boat Ceremony, Taiwanese Folk Ritual
Teicneolaíocht Táirgthe: The facade is clad in glass fiber reinforced concrete, chosen for its textured finish, durability, and resistance to salinity and humidity, ideal for a coastal climate. Its surface reflects sunlight like shimmering waves, resonating with the harbor context. The atrium is enveloped by expanded aluminum mesh, offering both acoustic and light-filtering functions. A predominantly white color palette, paired with natural materials and glass windows, allows natural light to interact with surfaces, emphasizing the building's temporal and spiritual dimensions.
Dúshlán Deartha: The biggest challenge was translating a deeply religious, ritual-based, and localized practice into an architectural language that modern audiences could understand and feel. The architect engaged in continuous dialogue with local elders and cultural scholars, extracting symbolic elements, such as the dragon's eye, wave lines, and procession routes, and converting them into spatial form and lighting gestures. The building had to be more than a container for culture; it had to be a bridge for cultural exchange, making that transformation the core design mission.
Taighde: The Pingtung King Boat Museum, Taiwan's first dedicated to the King Boat Ceremony, reinterprets maritime beliefs as a 'living museum.' Its exterior mimics a king's boat riding waves, with flowing walls and dragon-eye openings that tell spiritual stories day and night. The centerpiece is a 1:1 King Boat replica suspended in the atrium, bathed in natural light. The design blends light, materials, and acoustics with sustainable features like natural ventilation. It’s a cultural, educational, and tourism hub, honoring tradition while inspiring future heritage.
Inspioráid: The design begins with the traditional maritime faiths of Asia. Located in Donggang, the Pingtung King Boat Museum is Taiwan's first cultural center for the King Boat Ceremony. Inspired by the triennial ritual, the architecture transforms spiritual and oceanic imagery into a vessel of history and faith, linking local identity with future vision. Embracing the idea that 'life is culture, and culture is life,' the museum serves as a living space that bridges religion and daily life, sparking cultural renewal and community vitality.
Fad an Tionscadail: The project finished in December 2024 in Taiwan.
Sreabhadh Oibríochta: By transforming traditional culture into a modern space, the museum becomes a hub for education, community, and tourism. It welcomed over 200,000 visitors in its first month, becoming a Donggang landmark. Beyond exhibits, it preserves oral history, teaches traditional crafts, and trains festival guides, making culture tangible and engaging. More than design, it's a cultural movement, sparking heritage continuity and innovation rooted in place and tradition.
Baill Foirne: Pingtung County Government, C.M.Chao. Architect & Planners
Creidiúintí Íomhá: C.M.Chao. Architect & Planners