Jaipur Cruinneachadh Àirneis le Sonal Tuli

Tha Jaipur Cruinneachadh Àirneis le Sonal Tuli na bhuannaiche air leth urramach anns an fharpais chliùitich 2023 Duais Òir A' Design Award ann an Roinn Farpais Dealbhadh Àirneis.

ÒrÀirneis· 2023

Jaipur Cruinneachadh Àirneis

le Sonal Tuli

Neach-ceannach: Within

Buannaiche Duais Òir A' Design Award ann an Roinn Àirneis

94,399

Buannaiche Duais Dearbhaichte

Dearbhaich Inbhe na Duaise airson #143733

Tadhail air an Làrach Seall aig A' Design Award Brath Naidheachd Suaicheantas Duaise

Dathan

An Dealbhadh

Mu dheidhinn Jaipur Cruinneachadh Àirneis

'S e cruinneachadh àirneis de sheachd pìosan a th' ann an Jaipur, air a bhrosnachadh le baile-mòr Jaipur anns na h-Innseachan. Tha an cruinneachadh a' gabhail a-steach consól, credenza, sgàthan, bòrd-taoibh, brat-ùrlair, coinnlear-crochte agus lampa-crochaidh. Tha na cumaidhean air an tarraing bho aghaidh cìr-mheala an Hawa Mahal, agus tha na pàtrain a' cur nar cuimhne ceàird a' chrèadhadaireachd ghuirm san sgìre. Tha marmor geal air a chur còmhla ri lapis lazuli tro leagadh-cloiche agus còmhdach-cloiche, dà cheàird thraidiseanta Innseanach a nithear le làimh. Faodar am bòrd-taoibh a thoirt às a chèile, agus tha gach cas ceangailte ris a' mhullach, rud a nì an còmhdhail nas fhasa.

An Aithneachadh

Mu dheidhinn Duais Òir A' Design Award

Tha Jaipur Cruinneachadh Àirneis air Duais Òir A' Design Award a bhuannachadh, aithneachadh anabarrach urramach a bheirear do dhealbhaidhean den chiad ìre, mìorbhaileach agus sònraichte. Tha buannaichean Òir nan cruthachaidhean anabarrach ùr-ghnàthach, làn lèirsinn agus drùidhteach a nochdas gèinidh, gliocas agus comas an luchd-dealbhaidh. Thathar an dùil gum bi Jaipur Cruinneachadh Àirneis na innleachd a gheibh moladh mòr, a stèidhicheas gluasadan agus mòr-chuimhneachain a bheir luach nach fhacas riamh roimhe. Tha an dealbhadh seo a bhuannaich Duais Òir A' Design Award na phròiseact sònraichte, urramach a bhrosnaicheas crìochan ealain, saidheans, dealbhaidh agus teicneolais gu mòr. Bidh Jaipur Cruinneachadh Àirneis a' cruthachadh faireachdainnean làidir miann, a' dùsgadh dealas, a' brosnachadh cruthachalachd agus a' glacadh sinn.

Air Cùl an Dealbhaidh

Pasgan Naidheachd

Creideasan, buill sgioba agus fiosrachadh teicnigeach a chuir an dealbhaiche ri chèile.

Feartan Sònraichte: Each of the seven pieces of the Jaipur collection is an out-and-out reflection of the culturally rich city. Encapsulating the essence of the forms of the splendid city palace and the hues and motifs of the traditional craft of blue pottery, the collection is a spectacular unison of tradition with modernity. Handcrafted impeccably, each piece is made in India and finished to perfection. Jaipur is a work of art, a collector's reverie.
Tomhasan & Pacadh: Jaipur Console - Length 2190mm x Depth 510mm x Height 950mm Jaipur Credenza - Length 2380mm x Depth 525mm x Height 900mm Jaipur Mirror - Width 800mm x Depth 65mm x Height 1600mm Jaipur Rug - Length 1676mm x Width 2438mm
Tagaichean: Indian craft, Craftsmanship, Contemporary design, Art furniture, Art
Teicneòlas Cinneasachaidh: The purity of white marble and the beautiful blue of lapis lazuli come together with India's extraordinary and timeless crafts - stone inlay and stone overlay. Stone inlay is a traditional craft of India, in which delicate precious stones are inserted into the base stone to create a pattern. Stone overlay, on the other hand, uses slivers of stone that are pasted on any surface to create patterns. Both these crafts require expert hand skill, which is a legacy passed on from generations of master craftsmen.
Dùbhlan Dealbhaidh: In the early stages of design development, blue pottery was chosen not only as the inspiration, but the tiles were also conceptualized as a part of the material board. But, after numerous rounds of prototyping, we found the tiles to be too fragile , and hence, white marble, a stronger material that would give the same ethnic feel as pottery was chosen and in the process, another traditional craft technique of inlay and overlay work (Parchinkari) was used.
Another challenge we faced was the weight of the Jaipur console due to the heavy brass framework. This too would be a hurdle in the transportation of the piece. Hence, the Jaipur sideboard was redesigned such that it could be dismantled and each leg could be assembled and fixed at the top.
The inlay and overlay work on the curvature of the knobs and bowls has been painstakingly elaborate, and added many more weeks to the completion of the pieces.
Rannsachadh: A field trip to Jaipur was the beginning of the research for the Jaipur collection, to enable us to breathe in the context and its true spirit. The vibrant culture has so much to offer and the aim was to experience it directly. The Mughal and Rajput Architecture of the region was truly inspiring, but the geometry and proportions of the Hawa Mahal left the team in awe. The form of the collection has been derived from the honeycombed structure of the Hawa Mahal façade. We were mesmerized by the colors and patterns of blue pottery and so followed a visit to the local craft village of Kot Jewar to understand the process of blue pottery. Many samples were brought back to the studio to study its strengths and shortcomings. While in Jaipur, we witnessed a surprisingly huge number of peacocks in the Rambagh Palace, where we stayed, and that too inspired the motifs of the collection. Bringing back photographs and videos depicting colors, motifs, architecture, and samples of local crafts such as blue pottery tiles, knobs and bowls, inlay work, Tarkashi, sandstone and white marble ( local stones ) helped us put together the concepts and material board in the very beginning. Dialogues with local craftsmen helped with the understanding of crafts, techniques and materials. Once the early sketches were ready, we ordered blue pottery tiles for the collection, but during the design development, white marble and lapis lazuli were preferred to fit the narrative.
Brosnachadh: The Jaipur collection, a design narrative by Within is an untold story of the vibrant pink city of India. It celebrates the spirit and heritage of the city, drawing inspiration from its architecture and blue pottery - a traditional craft of Jaipur.
Faid a' Phròiseict: The project started in June 2020 in Delhi and finished in April 2021 in Delhi and was exhibited in India Design ID in May 2021.
Sruth Obrachaidh: All the pieces of the luxury collection Jaipur, are designed as pieces of art used to enhance any entrance way, foyer space or any other luxury space. These art pieces are interactive in their own ways.
The Jaipur sideboard surprises us with a glimpse of pink when one peeps inside the shutter, reminding of the pink sandstone of Jaipur.
The Jaipur chandelier and pendant, when lit bring alive the traditional patterns crafted with lapis lazuli on the glowing white marble.
The Jaipur mirror comes with an option of backlit knobs.
Also, the Jaipur sideboard is designed such that it can be dismantled and each leg can be assembled and fixed to the top.
Buill na Sgioba: Sonal Tuli
Sanjana Dawani
Creideasan Dhealbhan: Image #1 : 3D Visualiser Sushant Verma, 2022.
Image #2 : 3D Visualiser Sushant Verma, 2022.
Image #3 : Photographer Sohel Ahmed, 2022.
Image #4 : Photographer Sohel Ahmed, 2022.
Image #5 : Photographer Sohel Ahmed, 2022.
Video Credits : Videographer and Editor : Raoul Tandon, 2022.