Tha Jinglan Bay Art Ionad Reic le Nic Lee na bhuannaiche air leth urramach anns an fharpais chliùitich 2024 Duais Airgid A' Design Award ann an Roinn Farpais Dealbhadh Àiteachan Taobh a-staigh agus Taisbeanaidh.

AirgeadTaobh a-staigh· 2024

Jinglan Bay Art Ionad Reic

le Nic Lee

Neach-ceannach: China Resources Land South China Guangxi Co.

Buannaiche Duais Airgid A' Design Award ann an Roinn Taobh a-staigh

22,229

Buannaiche Duais Dearbhaichte

Dearbhaich Inbhe na Duaise airson #152974

Tadhail air an Làrach Seall aig A' Design Award Brath Naidheachd Suaicheantas Duaise

Dathan

An Dealbhadh

Mu dheidhinn Jinglan Bay Art Ionad Reic

'S e taobh a-staigh ionad reic a th' ann an Jinglan Bay Art a tha suidhichte ann an Liuzhou, sgìre bheanntach le uisgeachan lùbach. Tha an taobh a-staigh a' còmhdachadh 1705 meatairean ceàrnagach agus a' gabhail a-steach raointean fàilteachaidh, reic, taisbeanaidh, meadhanan didseatach agus VIP. An àite a bhith a' dèanamh lethbhreac den t-sealladh-tìre tro chumaidhean, thathar a' cleachdadh solas is sgàil gus beanntan àrda agus uisge domhainn a mholadh. Tha terrazzo dubh air a lìomhadh gu crìoch sgàthain, gus am bi an sealladh a-muigh agus gluasad an luchd-tadhail air am faicinn ann. Tha clach amh aig an t-slighe a-steach a' cruthachadh doimhneachd glinne. Am measg nan stuthan eile tha marmor gearraichte, peant mèinnearach, fiodh dubh agus darach.

An Aithneachadh

Mu dheidhinn Duais Airgid A' Design Award

Tha Jinglan Bay Art Ionad Reic air Duais Airgid A' Design Award a bhuannachadh, aithneachadh gu math urramach a bheirear do dhealbhaidhean den chiad ìre, àlainn agus drùidhteach. Tha buannaichean Airgid nan obraichean anabarrach boillsgeach agus gu math cruthachail a nochdas sàr-eòlas, tàlant agus geurchuis an luchd-dealbhaidh. Thathar an dùil gum bi Jinglan Bay Art Ionad Reic na obair mhìorbhaileach, na sàr-eisimpleir a tha gu sònraichte proifeiseanta agus gu domhainn ùr-ghnàthach. Tha an dealbhadh seo a bhuannaich Duais Airgid A' Design Award na innleachd glè fhaicsinneach, ion-mholta a bhrosnaicheas crìochan ealain, saidheans, dealbhaidh agus teicneolais. Tha Jinglan Bay Art Ionad Reic na chruthachadh air a bheil mòran eud, a dhùisgeas miannan, a bheir faireachdainnean math agus a thogas iongnadh is miorbhail.

Air Cùl an Dealbhaidh

Pasgan Naidheachd

Creideasan, buill sgioba agus fiosrachadh teicnigeach a chuir an dealbhaiche ri chèile.

Feartan Sònraichte: The project is located in Liuzhou, a mountainous area with winding waters. Instead of simulating the landscape with shapes, we think it would be better to use light and shadow to create high mountains and deep water. The material facade is used to recreate the mental transitions of entering a deep forest, and to incorporate nature into the interior gestures.
Tomhasan & Pacadh: Location：Liuzhou
Area：1705 m2
Layout： Reception area. Sales area. Display area. Digital media area. VIP area. Office. Toilet
Material：polished terrazzo. chiseled marble. mineral paint. red paint. black wood. oak
Tagaichean: sales center, landscape, museum, indoor architecture, interior design
Teicneòlas Cinneasachaidh: In addition to abstracting nature through volumetric forms, we also attempt to bring nature indoors from a different perspective. By polishing black terrazzo to a mirror-like finish, we create a deep and tranquil ambiance that constantly reflects the seasonal scenery and human movement outside the windows. Viewing from different heights within the space resembles the ever-changing landscapes experienced while hiking or walking in the mountains.
Dùbhlan Dealbhaidh: By inviting you to visit the landscape narrated by the architecture, and experience the white space and depth of the design grid, we hope that this site is like spreading a multi-view ink painting of a landscape, which synthesizes philosophy and poetry, and transcends the perception of the surface landscape to facilitate a pure feeling of the change in status and the state of mind fit.
Rannsachadh: Liuzhou is famous for its wonderful stones, which include mountain stones, water stones, earth stones, cave stones, and rocks. Each of which has its own beauty. Taking this as our inspiration, we built the entrance with raw stones to create the depth of a valley. The deep cut stone surface of the counter is not only used as the facade of the building but also as a display of the mountain wall, transforming the natural stone gestures into an emotional turn when experiencing nature.
Brosnachadh: The focus of the landscape in paintings is expressions, but how does architecture become a narrative tool to record nature? We imagine that walking through the interior of the building is like a mountain climbing practice, passing through a tunnel covered by branches and leaves with the sky hidden behind boulders or looking up at the mountain peaks under the cliff, feeling the personal transformation of the mind and the tranquility of not clinging to material things.
Faid a' Phròiseict: The project started in November 2021 and finished in July 2022, and was exhibited in Liuzhou in August 2022.
Sruth Obrachaidh: Giving up persistence, we withdraw ourselves from the environment to maintain the clarity of non-stagnation. Therefore, we do not simulate a figurative landscape, but reproduce the experience of people wandering in the mountains through the multi-directional views of people zigzagging, climbing, looking up, or looking down between structures, and even the real and imaginary contours of reflections on the floor.
Creideasan Dhealbhan: Image #1: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.
Image #2: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.
Image #3: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.
Image #4: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.
Image #5: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.