Gearr leum chun t-susbaint
Pinnannousu Taisbeanadh Deilbhe-deighe Robotach le Jussi Angesleva

Tha Pinnannousu Taisbeanadh Deilbhe-deighe Robotach le Jussi Angesleva na bhuannaiche air leth urramach anns an fharpais chliùitich 2024 Duais Òir A' Design Award ann an Roinn Farpais Dealbhadh Stàlaidh.


ÒrStàladh· 2024

Pinnannousu Taisbeanadh Deilbhe-deighe Robotach

le Jussi Angesleva

Buannaiche Duais Òir A' Design Award ann an Roinn Stàladh

194,655

Buannaiche Duais Dearbhaichte

Dearbhaich Inbhe na Duaise airson #158890

Dathan

An Dealbhadh

Mu dheidhinn Pinnannousu Taisbeanadh Deilbhe-deighe Robotach

Taisbeanadh deilbhe a tha a' leaghadh gu mall, far a bheil robot gnìomhachais a' snaidheadh bloca mòr deighe gu lionsa coimpiutaireachd a bhriseas solas an t-spotsholais gu grafaigean air a' bhalla, a' litreachadh còrr is dà cheum Celsius, rabhadh duaichnidh mu àrdachadh teòthachd na cruinne. Tha an obair-ealain a' cur taobh ri taobh dòchas àrd-theicneòlais le dùbhlain cruinneil diombuain nach eil crìochan aca. Chan eil san eadar-theachd ach luathachadh a' phròiseas.

An Aithneachadh

Mu dheidhinn Duais Òir A' Design Award

Tha Pinnannousu Taisbeanadh Deilbhe-deighe Robotach air Duais Òir A' Design Award a bhuannachadh, aithneachadh anabarrach urramach a bheirear do dhealbhaidhean den chiad ìre, mìorbhaileach agus sònraichte. Tha buannaichean Òir nan cruthachaidhean anabarrach ùr-ghnàthach, làn lèirsinn agus drùidhteach a nochdas gèinidh, gliocas agus comas an luchd-dealbhaidh. Thathar an dùil gum bi Pinnannousu Taisbeanadh Deilbhe-deighe Robotach na innleachd a gheibh moladh mòr, a stèidhicheas gluasadan agus mòr-chuimhneachain a bheir luach nach fhacas riamh roimhe. Tha an dealbhadh seo a bhuannaich Duais Òir A' Design Award na phròiseact sònraichte, urramach a bhrosnaicheas crìochan ealain, saidheans, dealbhaidh agus teicneolais gu mòr. Bidh Pinnannousu Taisbeanadh Deilbhe-deighe Robotach a' cruthachadh faireachdainnean làidir miann, a' dùsgadh dealas, a' brosnachadh cruthachalachd agus a' glacadh sinn.

Air Cùl an Dealbhaidh

Pasgan Naidheachd

Creideasan, buill sgioba agus fiosrachadh teicnigeach a chuir an dealbhaiche ri chèile.

Feartan Sònraichte
A slowly melting sculpture performance, where an industrial robot carves a large ice block to a computational lens that refracts spotlight to graphics on the wall, spelling “+2℃”, an ominous warning of global temperature rise. The artwork juxtaposes the high tech optimism with transient global challenges that know no bounds. The intervention only speeds up the process.
Tomhasan & Pacadh
Universal Robots UR5 robotic arm
High power LED flashlights
100 x 50 x 25 cm clear ice blocks.
Raspberry pi 5 timelapse capture and projection display.
Tagaichean
performance, computational design, robotics, new media, caustics, sculpture
Teicneòlas Cinneasachaidh
An industrial robot equipped with a drill and a flashlight alternates between carving the ice block and illuminating it from different angles. The target geometry for the CNC milling is design algorithmically so that when the spotlight is placed on a specific location, the ice refracts lightrays to a predefined caustic image: “+2℃” on the wall. A timelapse camera records the few weeks of melting, and the slowly unfolding morph.
Dùbhlan Dealbhaidh
Where the artwork was inherently a physical and material process, the team was distributed across the world. Working virtually with experimental physical research posed a major challenge. Also, when the work was unfolding, capturing it on film was also a challenge: every moment was unique, and there was no way of replaying anything due to the living material.
Rannsachadh
Where the intent of the artwork was to leverage the innate qualities of melting ice as the messenger, it was challenging to find a balance between the "idealised" use of technology with this amorphous material. The computational design of the lens geometry expects perfect planar surfaces, but melting ice is never planar, and the carved surface keeps changing. Loosing control, and embracing the accidental lead to the elegant result.
Brosnachadh
I use advanced technologies to design bespoke experiences, in this case industrial robot and computational design. The aesthetics and the urgent metaphorical meaning of melting ice embodies the qualities I wanted to communicate with the work. I try to celebrate the beauty of nature, but also the human ingenuity in art that makes people think. The spectacular high tech performance, and the resulting melting sculpture should stop us to think where we stand together in facing the near future.
Faid a' Phròiseict
The project was developed and exhibited at Sapporo International Art Festival between January 20 and February 11 in the Snow Storage of the Glass Pyramid at Moerenuma Park, Sapporo, Japan.
Sruth Obrachaidh
The artwork unfolds in two stages: First, a robotic performance carves the block of ice, occasionally illuminating the block from different angles with the flashlight. After completion, the block slowly melts, and is captured with a timelapse camera.
Peutantan
Computational Caustics: Rayform & EPFL Geometric Computing Laboratory
Robotics: AATB
Technical Planning: Arsaffix
Supported by: Sapporo International Art Festival 2024
Research support: Part of the research Project “A Third Hand – Creative Applications for Robotics”, ECAL/University of Art and Design Lausanne, Switzerland
Funding Support: ProHelvetia
Ice Field recording: Jonna Jinton
Creideasan Dhealbhan
IMAGE CREDITS:
Image #1: ©Sapporo International Art Festival 2024, Photo by KUSUMI Erika
Image #2: ©Sapporo International Art Festival 2024, Photo by KUSUMI Erika
Image #3: ©Sapporo International Art Festival 2024, Photo by KUSUMI Erika
Image #4: ©Sapporo International Art Festival 2024, Photo by KUSUMI Erika
Image #5: ©Sapporo International Art Festival 2024, Photo by KUSUMI Erika
Video Credits: ©Sapporo International Art Festival 2024,

PATENTS/COPYRIGHTS:
Computational Caustics: Rayform & EPFL Geometric Computing Laboratory
Robotics: AATB
Technical Planning: Arsaffix
Supported by: Sapporo International Art Festival 2024
Research support: Part of the research Project “A Third Hand – Creative Applications for Robotics”, ECAL/University of Art and Design Lausanne, Switzerland
Funding Support: ProHelvetia
Ice Field recording: Jonna Jinton

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