Tha Guanshan Aithne Branda le Hong Jia Min na bhuannaiche air leth urramach anns an fharpais chliùitich 2025 Duais Iarainn A' Design Award ann an Roinn Farpais Dealbhadh Grafaigean, Dealbh-mhìneachaidh agus Conaltradh Lèirsinneach.

IarannGrafaig· 2025

Guanshan Aithne Branda

le Hong Jia Min

Neach-ceannach: Jijia Brand Creative Studio

Buannaiche Duais Iarainn A' Design Award ann an Roinn Grafaig

2,022

Buannaiche Duais Dearbhaichte

Dearbhaich Inbhe na Duaise airson #172951

Seall aig A' Design Award Brath Naidheachd Suaicheantas Duaise

Dathan

An Dealbhadh

Mu dheidhinn Guanshan Aithne Branda

Is aithne branda é Guanshan a cruthaíodh do shiopa tae bainne. Úsáideann an dearadh carachtair Shíneacha mar bhunús leis agus tugann sé nuachóiriú ar struchtúr an script chléireachais traidisiúnta agus a spiorad clasaiceach á choinneáil aige. Fréamhaithe in aeistéitic oibiachtaí an Oirthir, comhcheanglaíonn an aithne íomháineachas na lucha dúigh agus soithí tae. Léiríonn an móitíf lárnach lucha agus cupán tae i gcomhdhéanamh forluiteach, ag cruthú siombalachas dúbailte. Tugann na buillí scuaibe dúigh le fios creatlach bambú de lucha traidisiúnta chruinn, agus tarraingíonn creatlach an chupáin ar bhabhlaí tae Jianzhan.

An Aithneachadh

Mu dheidhinn Duais Iarainn A' Design Award

Tha Guanshan Aithne Branda air Duais Iarainn A' Design Award a bhuannachadh, aithneachadh urramach a bheirear do dhealbhaidhean math a choinnicheas ris na riatanasan proifeiseanta is gnìomhachais a thathar a' sùileachadh bho chruthachaidhean a chaidh an dealbhadh gu math. Tha buannaichean Iarainn a' nochdadh sgil mhòr, speisealachadh àrd, tuigse eòlaiche agus comas cruthachail an luchd-cruthachaidh. Thathar an dùil gum bi Guanshan Aithne Branda na chruthachadh air a bheil mòran meas, ion-mholta agus gràdhach a tha practaigeach agus ùr-ghnàthach. Tha an dealbhadh seo a bhuannaich Duais Iarainn A' Design Award a' cur nan cleachdaidhean as fheàrr sa ghnìomhachas còmhla agus tha feartan teignigeach comasach aige ceangailte ri eòlas-dèanamh agus tàlant. Tha meas air Guanshan Aithne Branda airson a dhùrachd agus chaidh a dhealbhadh gus leasachaidhean càileachd beatha a thoirt seachad a chuidicheas le bhith a' dèanamh an t-saoghail na àite nas fheàrr.

Air Cùl an Dealbhaidh

Pasgan Naidheachd

Creideasan, buill sgioba agus fiosrachadh teicnigeach a chuir an dealbhaiche ri chèile.

Feartan Sònraichte: Anchored in the philosophy of teahouse as home, we construct a contemporary sanctuary for tea connoisseurs. Our brews extract primal essences from ancient tea groves, harmonized with mountain springs and melted snow to reveal terroir authenticity. Spaces crystallize tea mountains textures and light interplay, crafting immersive nomadic tea sanctuaries that engage all senses.
Tomhasan & Pacadh: The brand multi series tea collections employ phytographic design extracting each teas botanical essence and marrying it with Chinese aesthetic principles. This methodology crystallizes into Neo Chinese packaging that embodies product specific visual identities.
Tagaichean: Oriental, Creativity, Tea , Ink Painting, Chinese
Teicneòlas Cinneasachaidh: The creative process prioritizes onomastic morphology deriving visual forms directly from the brands nomenclature while integrating product typology. This methodology undergoes cultural synthesis through strategic collisions between contemporary creativity and Chinese heritage elements, generating innovative semiotic expressions rooted in commercial context.
Dùbhlan Dealbhaidh: The project requires the seamless integration of multiple elements to simultaneously communicate the brand core identity, embody Oriental aesthetics, and ensure versatile application across diverse scenarios.
Rannsachadh: We reconfigure tea rituals through Ceramic Deconstructionism transposing bamboo brazier fans mechanical logic into ergonomic curves, translating ink bleeds into tactile gradients on vessel surfaces. Packaging evolves into Tactile Typology archives where material stratigraphy chronicles tea history, Neo Chinese design manifests as Parametric Archaeology methodology.
Brosnachadh: Rooted in Chinese tea ware aesthetics, the concept reimagines Song Dynasty tea house imagery through calligraphic brushwork. Capturing the symbiotic relationship between luzan brazier fans and tea utensils, Ink tonalities outline the fan silhouette, its flowing strokes organically morphing into modern teacups streamlined forms. This visual philosophy of holding a fan while contemplating tea manifests through design.
Faid a' Phròiseict: Located in Dongguan, Guangdong Province, China, this project was designed in October 2024.
Sruth Obrachaidh: Carve the eraser into desired shapes, saturate its sculpted surfaces with ink, then employ this unconventional tool as a brush substitute. Through rhythmic imprinting and calculated pressure variations on paper, the rubber matrix undergoes iterative experimentation. Each impression accumulates ink dynamics angular edges deposit geometric patterns while worn facets create mist like gradients.
Peutantan: Copyrights belong to Hong Jia Min, 2024.
Buill na Sgioba: Hong Jia Min
Creideasan Dhealbhan: Hong Jia Min