Chair of Soul Cathair le Wen Jenq Cherng

Tha Chair of Soul Cathair le Wen Jenq Cherng na bhuannaiche air leth urramach anns an fharpais chliùitich 2020 Duais Umha A' Design Award ann an Roinn Farpais Dealbhadh Àirneis.

UmhaÀirneis· 2020

Chair of Soul Cathair

le Wen Jenq Cherng

Neach-ceannach: Cherng's Work

Buannaiche Duais Umha A' Design Award ann an Roinn Àirneis

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Buannaiche Duais Dearbhaichte

Dearbhaich Inbhe na Duaise airson #91651

Seall aig A' Design Award Brath Naidheachd Suaicheantas Duaise

Dathan

An Dealbhadh

Mu dheidhinn Chair of Soul Cathair

Is cathair í Cathair an Anama atá deartha chun tacú leis an gcorp i seasamh díreach, ar shuaimhneas. Iompraíonn airde an tsuíocháin, an cúldroim ag an gcromán agus na taca uillinne meáchan an choirp uachtaraigh. Leanann an cúldroim atá cuartha go héadrom cruth an choirp agus maolaíonn sé teannas sna guaillí, sa mhuineál, sa chromán agus sna géaga. Cuireann troscán traidisiúnta de chuid Ríshliocht Ming an bhunphlean ar fáil don chomhréir shimplí. Is éabann as Sulawesi a chruthaíonn an phríomhstruchtúr, in éineacht le cosa feadáin chopair agus suíochán de leathar corcra Nappa. Ceanglaíonn altanna sonc-agus-teanga na codanna le chéile, agus nascann struchtúr stuach na cosa leis an suíochán.

An Aithneachadh

Mu dheidhinn Duais Umha A' Design Award

Tha Chair of Soul Cathair air Duais Umha A' Design Award a bhuannachadh, aithneachadh gu math urramach a bheirear do dhealbhaidhean sònraichte a tha air an comharrachadh le cruthachalachd, innleachd agus geurchuis. Tha buannaichean Umha nan obraichean gu math sgileil agus gu sònraichte cruthachail a dhearbhas eòlas farsaing, mac-meanmna agus tapachd an luchd-dealbhaidh. Thathar an dùil gum bi Chair of Soul Cathair na nì air a bheil mòran meas, ion-mholta agus gràdhach, a tha gu sònraichte proifeiseanta agus ùr-ghnàthach. Tha an dealbhadh seo a bhuannaich Duais Umha A' Design Award a' cur nan cleachdaidhean as fheàrr ann an ealain, saidheans, dealbhadh agus teicneolas an gnìomh, agus tha e sàr-mhath airson an aire do mhion-fhiosrachadh. Bidh Chair of Soul Cathair a' sàsachadh fheumalachdan gu h-iongantach, a' suathadh ri miannan, a' tàladh faireachdainnean agus a' togail fiosrachd.

Air Cùl an Dealbhaidh

Pasgan Naidheachd

Creideasan, buill sgioba agus fiosrachadh teicnigeach a chuir an dealbhaiche ri chèile.

Feartan Sònraichte: Chair of Soul is my entry point of use as a starting point for design thinking. Since I have long been practicing meditation for destressing and calming my body and mind, I am hoping the design of the chair could reflect a completely relaxed condition for the body. Overall design is thereby focused on its function, where the user would sit upright on the chair and his or her upper-body weight be perfectly supported through the height of the chair, the backrest at the waist, and the armrests.
Tomhasan & Pacadh: When producing a hereditary chair, what is more important than ensuring its functions is finding ways to incorporate visual aesthetics. I am using Chinese traditional Ming Dynasty style furniture as my blueprint, borrowing its elegant and simple exterior design and principles on proportion. And through enhancement of overall structural system, a unique arc structure is used as the support that connects the legs and the seat of the chair.
Tagaichean: Product, Chair, Health, Oriental, Furniture
Teicneòlas Cinneasachaidh: The curvature of the slightly bulging backrest embraces the body; this waist-supporting chair design offers supports for the human body, so that tensions around user’s shoulders, neck, waist, and limbs would all be relieved–user would be welcomed with a comforting sensation similar to a hug.
Dùbhlan Dealbhaidh: Pairing the material with the metallic copper tube of the legs and the purple cow Nappa leather seat, harmony, elegance, stability, and sustainability are incorporated altogether to bring forth a chair that user could converse with, the chair I dub – Chair of Soul.
Rannsachadh: A chair that is aimed to improve the users health would need to value the choice of material as equally important as the design that would fit precisely to human body proportions. I have especially chosen the ebony produced in Sulawesi, Indonesia as the chair’s main structure element; its fine material and deep-black colored lines flawlessly interpret the sophistication that the chair should exhibit.
Brosnachadh: We have always had different thoughts in regards to chairs. This piece of furniture with a long history of evolution has always been deemed irreplaceable in home interior. How should a classic chair, which one hopes to pass down for generations and stay eternally quintessential, be presented?
Faid a' Phròiseict: The project started in December 2016 and finished in December 2018.
Sruth Obrachaidh: The design is further complemented by the mortice and tenon joint as the reinforcing linkage between parts, bringing betterment to the complex composition found in old-fashioned traditional furniture. In addition to strengthening the chair’s mechanics system, a simplistic and spiritual appearance is thereby created for the chair.
Buill na Sgioba: Designer: Wen-Jenq Cherng