Tha Cava Tha Stàladh Aotrom le Yingri Guan na bhuannaiche air leth urramach anns an fharpais chliùitich 2020 Duais Umha A' Design Award ann an Roinn Farpais Dealbhadh Gineadach, Algairimach, Parameatrach agus le Taic AI.

UmhaGineadach· 2020

Cava Tha Stàladh Aotrom

le Yingri Guan

Neach-ceannach: ARiceStudio

Buannaiche Duais Umha A' Design Award ann an Roinn Gineadach

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Buannaiche Duais Dearbhaichte

Dearbhaich Inbhe na Duaise airson #93170

Tadhail air an Làrach Seall aig A' Design Award Brath Naidheachd Suaicheantas Duaise

Dathan

An Dealbhadh

Mu dheidhinn Cava Tha Stàladh Aotrom

Tro bhith a ’cothlamadh foirmlean matamataigeach, ceàrnan cruthachadh structarail mèinnearach uaimh, dàta cothlamadh mèinnearach, chaidh sreath de dhealbhan vector a chruthachadh tro dhealbhadh coimpiutaireachd. Bidh Yingri Guan a ’dèanamh dealbh de phàtranan uamh tro dhealbhaidhean gineadach. Bidh i ag atharrachadh an dàta sin gu ionadan trì-thaobhach.

An Aithneachadh

Mu dheidhinn Duais Umha A' Design Award

Tha Cava Tha Stàladh Aotrom air Duais Umha A' Design Award a bhuannachadh, aithneachadh gu math urramach a bheirear do dhealbhaidhean sònraichte a tha air an comharrachadh le cruthachalachd, innleachd agus geurchuis. Tha buannaichean Umha nan obraichean gu math sgileil agus gu sònraichte cruthachail a dhearbhas eòlas farsaing, mac-meanmna agus tapachd an luchd-dealbhaidh. Thathar an dùil gum bi Cava Tha Stàladh Aotrom na nì air a bheil mòran meas, ion-mholta agus gràdhach, a tha gu sònraichte proifeiseanta agus ùr-ghnàthach. Tha an dealbhadh seo a bhuannaich Duais Umha A' Design Award a' cur nan cleachdaidhean as fheàrr ann an ealain, saidheans, dealbhadh agus teicneolas an gnìomh, agus tha e sàr-mhath airson an aire do mhion-fhiosrachadh. Bidh Cava Tha Stàladh Aotrom a' sàsachadh fheumalachdan gu h-iongantach, a' suathadh ri miannan, a' tàladh faireachdainnean agus a' togail fiosrachd.

Air Cùl an Dealbhaidh

Pasgan Naidheachd

Creideasan, buill sgioba agus fiosrachadh teicnigeach a chuir an dealbhaiche ri chèile.

Feartan Sònraichte: This project is generated using mathematical methods to visualize cave patterns and formation. Caves are formed by water going through rocks and deposit minerals through this process. This piece expresses this formation process while abstract the relationship between the patterns in the cave and also different rocks.
Tomhasan & Pacadh: Width 228 mm x Depth 62 mm x Height 508 mm
Tagaichean: generative, abstract, light, LED, cave, imagination, design, art, visualization
Teicneòlas Cinneasachaidh: This Cava series is realized through, first generating a series of images and vectors based on the analytical processes of the cave formations. Then those shapes are etched onto acrylic glass using a laser cutter. The final process is to assemble together the etched acrylic glass, LED lights and the pedestals.
Dùbhlan Dealbhaidh: During the process, the most challenging aspect was how to abstract naturally occurring visual patterns and formations into an abstract mathematical formula that can be implemented and substitute using different values to create different images.
Rannsachadh: The initial research was carried out through traveling to the mountains and seeing the physical caves myself. I was totally in awe of how these rocks were formed. Afterward, a few sessions of online reading and coding explorations were carried out. Once I have figured out the situation, then mathematical formula was applied to the different values to figure out the actual cave objects.
Brosnachadh: This piece is inspired by the cave formations and different patterns in the caves. The cave generation is a long and iterative process. It's completely organic.
Faid a' Phròiseict: This series of artwork spans across 6 months to complete and was created in the San Francisco Bay Area
Sruth Obrachaidh: These lights could be installed in houses, interior spaces and so on. They can be installed singularly or in different numbers to accommodate what's the best spatially.
Peutantan: IP pending
Buill na Sgioba: Yingri Guan
Creideasan Dhealbhan: Yingri Guan, 2019