Moritomi Japanese Cuisine Tha Taigh-Bìdh Seapanach le Tetsuya Matsumoto

Tha Moritomi Japanese Cuisine Tha Taigh-Bìdh Seapanach le Tetsuya Matsumoto na bhuannaiche air leth urramach anns an fharpais chliùitich 2020 Duais Airgid A' Design Award ann an Roinn Farpais Dealbhadh Àiteachan Taobh a-staigh agus Taisbeanaidh.

AirgeadTaobh a-staigh· 2020

Moritomi Japanese Cuisine Tha Taigh-Bìdh Seapanach

le Tetsuya Matsumoto

Neach-ceannach: Moritomi

Buannaiche Duais Airgid A' Design Award ann an Roinn Taobh a-staigh

38,189

Buannaiche Duais Dearbhaichte

Dearbhaich Inbhe na Duaise airson #99235

Tadhail air an Làrach Seall aig A' Design Award Brath Naidheachd Suaicheantas Duaise

Dathan

An Dealbhadh

Mu dheidhinn Moritomi Japanese Cuisine Tha Taigh-Bìdh Seapanach

Bidh ath-ghluasad Moritomi, taigh-bìdh a tha a ’tabhann biadh Iapanach, ri taobh dualchas na cruinne Caisteal Himeji a’ sgrùdadh nan dàimhean eadar buntainneachd, cumadh agus mìneachadh ailtireil traidiseanta. Bidh an t-àite ùr a ’feuchainn ri pàtran daingneachdan cloiche a’ chaisteil ath-riochdachadh ann an grunn stuthan a ’toirt a-steach clachan garbh agus lìomhach, stàilinn còmhdaichte le dubh ocsaid, agus mataichean tatami. Tha làr air a dhèanamh ann an greabhal beaga còmhdaichte le rois a ’riochdachadh dìg a’ chaisteil. Tha dà dhath, geal is dubh, a ’sruthadh mar uisge bhon taobh a-muigh, agus a’ dol tarsainn air an doras inntrigidh sgeadaichte le uachdaran fiodha, don talla fàilteachaidh.

An Aithneachadh

Mu dheidhinn Duais Airgid A' Design Award

Tha Moritomi Japanese Cuisine Tha Taigh-Bìdh Seapanach air Duais Airgid A' Design Award a bhuannachadh, aithneachadh gu math urramach a bheirear do dhealbhaidhean den chiad ìre, àlainn agus drùidhteach. Tha buannaichean Airgid nan obraichean anabarrach boillsgeach agus gu math cruthachail a nochdas sàr-eòlas, tàlant agus geurchuis an luchd-dealbhaidh. Thathar an dùil gum bi Moritomi Japanese Cuisine Tha Taigh-Bìdh Seapanach na obair mhìorbhaileach, na sàr-eisimpleir a tha gu sònraichte proifeiseanta agus gu domhainn ùr-ghnàthach. Tha an dealbhadh seo a bhuannaich Duais Airgid A' Design Award na innleachd glè fhaicsinneach, ion-mholta a bhrosnaicheas crìochan ealain, saidheans, dealbhaidh agus teicneolais. Tha Moritomi Japanese Cuisine Tha Taigh-Bìdh Seapanach na chruthachadh air a bheil mòran eud, a dhùisgeas miannan, a bheir faireachdainnean math agus a thogas iongnadh is miorbhail.

Air Cùl an Dealbhaidh

Pasgan Naidheachd

Creideasan, buill sgioba agus fiosrachadh teicnigeach a chuir an dealbhaiche ri chèile.

Feartan Sònraichte: Architecture as a practice is deeply related to materiality. But what if we substitute a material by another, in an attempt of keeping its spirit, or temperament?
Offering Japanese cuisine Since 1945, Moritomi is relocating close to the world heritage Himeji Castle. The design for its new space is inspired by the castle stone fortification base and reproduces similar patterns using three different materials: Rough and polished stone, Black oxide coated steel, and Japanese tatami mats.
Tomhasan & Pacadh: Gross Built Area: 330sqm
W23800mm x D11805mm x H6954mm
Tagaichean: Japan, restaurant, material, interpretation, traditional, stone, steel, pattern, tatami, interior
Teicneòlas Cinneasachaidh: The restaurant occupies parts of the first and second level of an already existing mixed-use building constructed using a concrete structure. The interior finishes come in different materials: Stone, Black Oxide Coated Steel, Platina sheets, Tatami Mats, wallpaper, vinyl floor tiles, dark mirrors, and an organic plaster-based material called Joly-pat and resembling traditional Japanese earth walls. This later includes tiny glass beads that sparkles while exposed to light.
Dùbhlan Dealbhaidh: The biggest challenge was to find a common spirit of space using different and incoherent materials, but also applying materials outside of their traditional use to create a new atmosphere. Controlling these differences while guaranteeing the balance and keeping the identity of the space was one of the specificities of this space design. Furthermore, keeping the balance between the traditional spirit of the restaurant and the contemporary context added yet another complexity to the project.
Rannsachadh: Stone is more than just a material, and stonework is more than just a craft. Architecture as a practice is deeply related to materiality and the spirit of its spaces is thoroughly defined by the materials in use. But what if we substitute a material by another, in an attempt of keeping its spirit, or temperament? The approach of space at Moritomi new location is a redefinition of the Japanese materiality and design lines inspired by the stonework at Himeji Castle base fortifications.
Brosnachadh: The design for Moritomi Japanese Cuisine new relocation was inspired mainly by its new Neighbor, the 16th century world heritage Himeji Castle. The stone fortifications of the castle were part of the old restaurant, however in a traditional way. The new space needed to step forward and pay tribute to this military masterpiece by imitating their patterns using different contemporary materials and methods. The moat at the fortifications feet also inspired the entrance floor finish.
Faid a' Phròiseict: Project start: October 2018.
Construction start: June 2019.
Project/Construction End: September 2019.

Location: Designed and constructed in Himeji City, Japan.
Sruth Obrachaidh: The outside of the restaurant is clad in rough and polished stones resembling the Castle fortification and gravel floor reminding the mat water flow crosses the lattice entrance door inviting customers to do similarly. The first floor hosts some tables seating, three small rooms of 4 to 6 people, and a counter seating together with the kitchen. The second level includes a VIP room of 12 seats that can be divided into two rooms. and a larger banquet room that can be divided into four spaces.
Creideasan Dhealbhan: Image #1: photographer ©Stirling Elmendorf, Moritomi, 2019.
Image #2: photographer ©Stirling Elmendorf, Moritomi, 2019.
Image #3: photographer ©Stirling Elmendorf, Moritomi, 2019.
Image #4: photographer ©Stirling Elmendorf, Moritomi, 2019.
Image #5: photographer ©Stirling Elmendorf, Moritomi, 2019.