Venus Berce, Sofá de Hajar Shahsavari and Golnoush Zamani

O deseño Venus Berce, Sofá de Hajar Shahsavari and Golnoush Zamani é un estimado gañador do moi prestixioso 2022 A' Design Award de Ferro na Categoría de Competición Deseño de Mobiliario.

FerroMobiliario· 2022

Venus Berce, Sofá

de Hajar Shahsavari and Golnoush Zamani

Gañador do A' Design Award de Ferro na Categoría Mobiliario

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Cores

O Deseño

Sobre Venus Berce, Sofá

Venus é un moble multiusos que funciona tanto como sofá coma como berce. A estrutura oval está feita de madeira cortada mediante unha máquina CNC, recheada con 60 mm de espuma de tapizaría e cuberta con tea. Unha valeira de madeira contrachapada pódese abaixar para protexer o bebé. Un coxín con tecnoloxía de estetoscopio permite que a nai escoite os latexos do feto durante o embarazo. Venus favorece o descanso, a alimentación e o sono dunha nai e un fillo de ata cinco anos de idade. A forma está inspirada nas antigas estatuas de barro iranianas do período Neolítico.

O Recoñecemento

Sobre o A' Design Award de Ferro

Venus Berce, Sofá gañou o A' Design Award de Ferro, un recoñecemento prestixioso outorgado a bos deseños que cumpren os requisitos profesionais e industriais esperados de creacións ben deseñadas. Os gañadores Ferro demostran a gran habilidade, a alta especialización, a comprensión experta e a capacidade creativa dos seus creadores. Espérase que Venus Berce, Sofá sexa unha creación moi apreciada, admirada e querida que é práctica e innovadora. Este deseño gañador do A' Design Award de Ferro integra as mellores prácticas do sector e ten características técnicas competentes ligadas ao saber facer e ao talento. Venus Berce, Sofá é respectado pola súa minuciosidade e está deseñado para proporcionar melloras na calidade de vida que axudan a facer do mundo un lugar mellor.

Detrás do deseño

Kit de prensa

Créditos, membros do equipo e detalles técnicos proporcionados polo deseñador.

Propiedades Únicas: Venous is furniture to a hug for mother and kid.
Venous inspire by Iran's feminine statues that go back to the Neolithic era.
with the specific vision to the concept of fertility and motherless, Venous provides a comfortable area for the mother and her child as well.
this is multi _purpose product that applies as a sofa and cradle, considered as a piece of child's room furniture.
A space for :
-Having rested in pregnancy
-listening to the fetus's heartbeat by the cushion (during pregnancy)
-feeding and resting with the baby
-baby's cradle up to a 5 year _old child
Dimensións e Embalaxe: The oval shape of the furniture has the following dimension: 800mm(width) 1200mm(depth) 1000mm (height)
Etiquetas: interaction, relax mother, cradle, pregnancy, ancient of Iran , statues
Tecnoloxía de Produción: The oval shape of Venus structure is made of wood, cut down with a CNC machine and filled with Upholstery Foam (60mm thickness), and then covered with fabric.
the fence was prototyped in the Polywood structure and was connected to the body with two circular patches.
we used stethoscope technology for the pillow to hear the fetus heartbeat.
Reto de Deseño: the main challenge was the connection between ancient inspiration and modern society. finding a design language the faces our real needs. we could highlight some of the fertility touch points and find solutions based on inspiration resources. as an example mother's concerns for the health of the fetus and the desire to hear the baby's heartbeat were founded in the function of the old mother statues that were used as some magical power to calm down and have an easy birth.
Investigación: The mother is the oldest subject of human art," says Toynbee. In ancient Iran, over the Neolithic period, there are some play statues with this subject. In some of these statues, their female organs are emphasized such as breasts and legs.
The excessive fatness of these statues reflects the difference that has been achieved in the aesthetic view of us and our prehistoric ancestors, and the belief in the beauty of fat women has remained strong in the minds of many people in the world until a few decades ago. Fatness was a symbol of health, wealth, and satiety for our ancestors.
Inspiración: The identity of this project goes back to ancient Iran and the importance of women in the fertility of the earth. there are some clay statues, called Venus, that go back to the Neolithic era which is the symbol of the mother, the oldest human artistic subject. (says, Toynbee) These statues are symbols of fertility in the human, agriculture, and earth and were inspirational for our ancestors to survive. these ancient Iranian Venouses have a minimal ascetic with exaggerated sexual organs.
Duración do Proxecto: The project started in Jul 2020 Isfahan/Iran and finished in Dec 2020.
Fluxo de Operacións: In the pregnancy period, the mother can lay down on the furniture and use the pillow behind her head to listen to the fetus heartbeat and feel relax physically and mentally with her baby.
after the birth, the furniture can be used as space work for both mother and newborn to sleep, feed, hug and calm down together.
the main interaction is when the furniture can be used as a cradle the mother can turn down the fence to protect her baby.
Membros do Equipo: Hajar Shahsavari & Golnoush Zamani
Créditos das Imaxes: image#1:photograpger GolnoushZamani, image#2:phptographer: Golnoush Zamani, image#3:photographer Golnoush Zamani, image#4:photographer Golnoush Zamani
Video: Golnoush Zamani