On Stage Jehecha Rendágui Múvea Skevi Farazi omba'apóva

On Stage Jehecha Rendágui Múvea Skevi Farazi omba'apóva ha'e rembiporuarã oñemba'eguaséva 2020 A' Design Award Brónse pegua Ogapype Jejapo Ñeha'ã Categoría-pe.

BrónseOgapype· 2020

On Stage Jehecha Rendágui Múvea

Skevi Farazi -gua

Mba'eporuhára: THOC & Limassol Municipality

A' Design Award Brónse Rembiporuarã Ogapype Categoría-pe

12,657

Premio Rembiporuarã Oñemoneĩva

Emoneĩ Premio Reko #104550 Peg̃ua

Eike Tendápe Ehecha A' Design Award-pe Marandu Myasãi Mba'ete Jeguerohory

Sa'y

Diseño

On Stage Jehecha Rendágui Múvea Rehegua

Kuatia Moñe'ẽrã: On Stage ha'e pe Chipre Teatro Museo jehecharã oĩ opa ára. Pe jehechauka oikuaauka opaichagua mba'e teatro rehegua peteĩ tape rupive oñehendúva, oñondive ojehecha ha ojejapo mba'e ojoaju. Pe apopyre osẽ mbohapy hendápe, teatro apopyre haguéicha. Pe Tembiasakue ha'e peteĩ tape ojejapóva mba'ekuaápy rembiporu ramo. Pe Ojapóva Tenda ohechauka umi apopy oñemboaty guive ndojekuaáiva umi ohechávape. Pe Jehecha Ñemboyke ha'e pe apopy paha ha ohechauka mba'épa osẽ. Peteĩ jehechauka mbytépe oĩ oñemoĩva ojoparávo ohesa'ỹjóva pe tenda ha ogueraha umi ohóvape.

Jeguerohory

A' Design Award Brónse Rehegua

On Stage Jehecha Rendágui Múvea ohupyty A' Design Award Brónse, peteĩ ñehechakuaa heta prestigioso oñeme'ẽva diseño sobresaliente-pe ojekuaáva creatividad, ingenio ha astucia rupi. Umi ganador Brónse ha'e artefacto hábil ha creativo ohechaukáva experiencia, imaginación ha recurso umi diseñador-pe. Oñeha'ãrõ On Stage Jehecha Rendágui Múvea ha'eha peteĩ objeto ojehayhúva, admirado ha estimado, profesional ha innovador. Ko diseño ohupytýva A' Design Award Brónse ombojoaju mejor práctica arte, ciencia, diseño ha tecnología rehegua ha iporãiterei detalle rehe. On Stage Jehecha Rendágui Múvea ombohory necesidad, ohupyty ipotapy, ombovy'a sentimiento ha ohenói curiosidad.

Diseño Rapykuéri

Marandu Aty

Diseñador ome'ẽva'ekue crédito, aty pegua ha mba'e técnico.

Mba'e Iñambuéva: 'On Stage' is the permanent exhibition of the Cyprus Theatre Museum. It aims to explore the different aspects of theatre in an experiential approach where boundaries of spectating and acting are intertwined. The exhibition unfolds in three parts: The History, a passage that acts as a filter of knowledge. The Contributors which showcases all aspects of the production which usually are unknown to the spectator. The Performance which as a final act reveals the final outcome.
Ñe'ẽ Rape: theatre, museum, exhibition, interior, design, showcase, stage, contributors, space, curation
Ñeapopy Tecnología: A central diagonal showcase splits the space in 3 sections and directs the visitors through wide and narrow paths, in a flow of pauses and transitions from one section to the other. It opens only to the final part and prevents thus the visual connection between the different sections.
The entrance to the museum creates a play of knowledge through the reflections of mirrors, where the spectator, the graphics and displays dissolve their actual barriers in space and time.
Diseño Jepy'apy: The various materials of the existing space, such as natural stone on walls, timber roof, metal and concrete structures and big luminous windows needed to be approached with respect but on the same time without overshadowing the actual presentation of the exhibition items which demanded a dark space to allow them as such to be highlighted.
The aesthetic balance between the exhibition design and the actual display object which by itself is ‘flamboyant’ was constantly tested.
Ñesẽheka: An elaborate research was done on precedent examples, the new trends of museology and the ways of communicating the information with different media. Various display systems, materials and colour palettes were explored so that all items could be displayed in a balanced design.
The design was inextricably linked with the museological approach and developed in parallel with the exhibition material research until the final selection.
Inspiración: Having as a reference the magic one experiences when watching a theatrical performance, the design aims to create a narrative space which evolves gradually as a 'theatrical plot’ in different ‘acts’.
The transition from one section to the other is visually distinct allowing the surprise and the unexpected to escalate as in a theatrical play. Being on stage, backstage or in a dressing room were the main references for visual representations and interactive displays.
Proyecto Ára Tuichakue: 2010-2012
Limassol - Cyprus
Aty Rembiguái: Designer: Skevi Farazi
Museologist: Sofia Antoniadou
Graphic Designer: Marika Ioannou
Audiovisual: Nicoleta Kalatha
Lighting Design: Dakis Sevastides
Ta'ãnga Mba'eñemoneĩ: Image #1: Photographer Socrates Socratous, 2012
Image #2: Photographer Socrates Socratous, 2012
Image #3: Photographer Socrates Socratous, 2012
Image #4: Photographer Socrates Socratous, 2012
Image #5: Photographer Socrates Socratous, 2012