Plit Apyka Ykére Kutay Guler omba'apóva ha'e rembiporuarã oñemba'eguaséva 2021 A' Design Award Brónse pegua Mba'epyru Jejapo Ñeha'ã Categoría-pe.

BrónseMba'epyru· 2021

Plit Apyka Ykére

Kutay Guler -gua

Mba'eporuhára: Plit Co.

A' Design Award Brónse Rembiporuarã Mba'epyru Categoría-pe

10,732

Premio Rembiporuarã Oñemoneĩva

Emoneĩ Premio Reko #113795 Peg̃ua

Ehecha A' Design Award-pe Marandu Myasãi Mba'ete Jeguerohory

Sa'y

Diseño

Plit Apyka Ykére Rehegua

Plit ha'e peteĩ apyka ojejapóva umi tetã rekokatu ha oikohakuérape g̃uarã. Pe hendarã ojejapo mokõivo ijerekokuévo, ojapo mokõi ykére oñemomýiva ijehegui umi oiguapýva omoambue jave ijetũ térã ijeguapy. Pe hendarã apy ojejapo porãve g̃uarã ombohupa hag̃ua. Pe guýpe oĩ mokõi aluminio inga puku ojejapóva máquina ha ro'ýpe ombohesãi, oguerekóva peteĩ hesãiete ha peteĩ hũ satin anodizado. Pe hendarã ojejapo polipropileno copolímero ojemoĩva aluminio jere rehe, ha ipy ha'e ikangy ha iporã opoko hag̃uáicha. Ko diseño ombohovái mba'éichapa oiko oguapy vove, ipojera reheve.

Jeguerohory

A' Design Award Brónse Rehegua

Plit Apyka Ykére ohupyty A' Design Award Brónse, peteĩ ñehechakuaa heta prestigioso oñeme'ẽva diseño sobresaliente-pe ojekuaáva creatividad, ingenio ha astucia rupi. Umi ganador Brónse ha'e artefacto hábil ha creativo ohechaukáva experiencia, imaginación ha recurso umi diseñador-pe. Oñeha'ãrõ Plit Apyka Ykére ha'eha peteĩ objeto ojehayhúva, admirado ha estimado, profesional ha innovador. Ko diseño ohupytýva A' Design Award Brónse ombojoaju mejor práctica arte, ciencia, diseño ha tecnología rehegua ha iporãiterei detalle rehe. Plit Apyka Ykére ombohory necesidad, ohupyty ipotapy, ombovy'a sentimiento ha ohenói curiosidad.

Diseño Rapykuéri

Marandu Aty

Diseñador ome'ẽva'ekue crédito, aty pegua ha mba'e técnico.

Mba'e Iñambuéva: The typical seat is often imagined as a static entity, supporting the body in a linear way, disregarding the frequent changes in sitting poses and the shifting user weight. Plit chair proposes a new perspective by dividing the seating surface on the vertical axis to create two sides that react to the user independently as they re-adjust their pose. The seat surface is scored to provide better support. The base is composed of two curving strips to give the impression of fluidity and leniency.
Tuichakue ha Ñemyenyhẽ: Seat Height – 453mm; Seat Width – 445mm; Seat Depth – 445mm; Seat Angle – 5 degrees
Backrest Height – 405mm; Backrest Width – 405mm; Backrest Angle – 5 degrees; Lumbar Support Height – 155mm
Base Total Height – 505mm; Base Depth – 515mm
Package Size – 600mm x 600mm x 300mm unassembled
Ñe'ẽ Rape: Chair, Contemporary, Ergonomy, Onement, Side Chair, Split
Ñeapopy Tecnología: The structure of the chair is a combination of machined and cold-formed aluminum. The continuous strips that form the base feature a polished and a black satin finish applied through masked anodization to create a laminated effect. The seat is overmolded Polypropylene Copolymer around a machined aluminum internal frame to increase structural integrity, featuring a smooth matte finish with slight texturing, soft to the touch and flexible. The seat components are connected via a set of bolts.
Diseño Jepy'apy: The typical chair design assumes that seating positions are static and weight distribution is symmetrical on the vertical axis at all times. However, research suggests that sitting is a dynamic action and users naturally shift their body weight to regulate blood flow and balance tissue perfusion. This chair proposes a unique design by splitting the chair on the vertical axis. Through utilizing flexible materials, the chair can respond to the shifting body weight independently and asymmetrically.
Ñesẽheka: Although often envisioned as a static posture, sitting is a dynamic action. Seating surface applies pressure to the user’s body and forces them to shift their weight and realign their body to regulate blood flow and balance tissue perfusion. Research suggests that fidgeting starts within 30 minutes. This design addresses the dynamic nature of seating by splitting the chair into two sides that can flex independently and respond to the shift in weight distribution more actively and efficiently.
Inspiración: Inspired by the dynamic nature of sitting, in order to adaptively support the shifting poses and weight of the user, the chair form is split on the vertical axis creating two halves that can react to the user independently and asymmetrically. The effect of the split is inspired by the Onement series of paintings by Barnett Newman. The split creates a negative space that emphasizes independence yet, it also becomes the visual element that underlines and celebrates unity and totality.
Proyecto Ára Tuichakue: The project was started in May 2020 and completed in November 2020.
Mba'apo Rape: The chair is designed to deliver an unusual and comfortable seating experience while complementing modern corporate and residential interiors with its unique look. The flowing lines and sculptural aesthetic makes the chair ideal for creating focal points, however, the relatively simplistic features enable the designer to use the chair in a repeated fashion without overwhelming the intended visual composition.
Aty Rembiguái: Kutay Guler
Ta'ãnga Mba'eñemoneĩ: Kutay Guler, 2020