Tea Culture Primary Function: Tembi'u Ka'a Reko Jehecha Rógape Shenzhen Horizon Space Design Co.,Ltd omba'apóva

Tea Culture Primary Function: Tembi'u Ka'a Reko Jehecha Rógape Shenzhen Horizon Space Design Co.,Ltd omba'apóva ha'e rembiporuarã oñemba'eguaséva 2021 A' Design Award Pláta pegua Ogapype Jejapo Ñeha'ã Categoría-pe.

PlátaOgapype· 2021

Tea Culture Primary Function: Tembi'u Ka'a Reko Jehecha Rógape

Shenzhen Horizon Space Design Co.,Ltd -gua

Mba'eporuhára: Shenzhen Horizon Space Design Co.,Ltd

A' Design Award Pláta Rembiporuarã Ogapype Categoría-pe

13,401

Premio Rembiporuarã Oñemoneĩva

Emoneĩ Premio Reko #116924 Peg̃ua

Ehecha A' Design Award-pe Marandu Myasãi Mba'ete Jeguerohory

Sa'y

Diseño

Tea Culture Primary Function: Tembi'u Ka'a Reko Jehecha Rógape Rehegua

Book Text: Ka'a Reko ha'e peteĩ tembi'u ka'a reko jehecha róga michĩ ojejapo va'ekue peteĩ tekokatu py'aguapy ramo oñeñandu haguã ka'a he'ẽ. Heta pa'ũ oñemboja ha oñemopu'ã va'ekue oñembojoaju peteĩ tenda mano'õ jeréme ikatu haguã umi ohechaséva oguata sãso, ojotopa ojupe térã opyta ha oma'ẽ jey. Pe ñemohenda oñemomýi va'ekue kuatia ojejo'ópava rehe, ha umi jehecha ñemoambue omoinge pe pyahápe jekoraity py'aguapy ha ko'ãga rekove pyahu. Umi cuadrícula po'i omyengovia pe kuatia rováre ojeporúva. Peteĩteĩ pa'ũ oñemomichĩ peteĩ mba'apo hesakãvape, ikatu haguã umi ohechaséva opytu'u ka'a mboyve oñeme'ẽ.

Jeguerohory

A' Design Award Pláta Rehegua

Tea Culture Primary Function: Tembi'u Ka'a Reko Jehecha Rógape ohupyty A' Design Award Pláta, peteĩ ñehechakuaa extraordinariamente prestigioso oñeme'ẽva diseño de primera línea, hechapyrãva ha impresionante-pe. Umi ganador Pláta ha'e tembiapo brillante ha heta creativo ohechaukáva expertise, talento ha agudeza sobresaliente umi diseñador-pe. Oñeha'ãrõ Tea Culture Primary Function: Tembi'u Ka'a Reko Jehecha Rógape ha'eha peteĩ tembiapo maravilloso, ejemplar, profesional ha innovador pypukuvéva. Ko diseño ohupytýva A' Design Award Pláta ha'e invento ojehechakuaáva ha ojehayhúva ohepyme'ẽva ha ombohasáva límite arte, ciencia, diseño ha tecnología rehegua. Tea Culture Primary Function: Tembi'u Ka'a Reko Jehecha Rógape ha'e creación heta ojeenvidiáva omokyre'ỹva ipotapy, ome'ẽva sentimiento positivo ha omoheñóiva maravilla ha sorpresa.

Diseño Rapykuéri

Marandu Aty

Diseñador ome'ẽva'ekue crédito, aty pegua ha mba'e técnico.

Mba'e Iñambuéva: The Project took only more than one month from design to opening. How to complete design and high-quality implementation in such short time? And I thought of the ancient literati and painters, who had often dealt with friends, but only a few strokes and words would reveal their broad mind, much better than a masterwork. So, I simplified what was complicated. The process looked quite like the original intention of the tea ceremony—to eliminate fidgetiness before tasting fragrance.
Tuichakue ha Ñemyenyhẽ: What came last was visual presentation. For the interspace distortion caused by the connecting paper, it was a contingent visual effect we wanted to achieve, giving the entire room not only classical calmness, but also modern vitality. Finally, the surface texture of paper was replaced with slender grids to express an elusory and visible Oriental mood.
Ñe'ẽ Rape: Tea Culture Exploration Hall
Ñeapopy Tecnología: Smelling Osmanthus Fragrance is a well-known story about Zen. Huang Tingjian, a great calligrapher and litterateur in the Northern Song Dynasty, practiced the dharma to reach understanding of Zen and seek enlightenment, but being short-tempered, he thought that the master didn’t teach him how to get enlightened although they had stayed together for many years. One day, they traveled leisurely between the earth and sky. The master asked, Have you smelled the fragrance of osmanthus flowers? Huang Tingjian answered, I have. Everywhere! The master laughed and said, As you know, I didn’t hide anything from you! Huang Tingjian perceived Zen through meditation: Like the beauty of living and the fragrance of osmanthus flowers, the way of life can be found everywhere and will never disappear, but everybody must smell and comprehend it himself. The same is true for the philosophical connotation of the tea ceremony, isn’t it? It is just that tea is used as the carrier to seek enlightenment. That’s called the tea ceremony at the cultural level.

At the substantial phase of design, the biggest obstacle encountered was that the spaces were too small. There would be no extra space provided that the room was given all functions, but the design would be uninteresting supposing that nothing more was added. As I was at my wits’ end, it struck me that some idea might be obtained from the paper folding game I played in my childhood, so I folded, unfolded and ripped A4 paper again and gain, finally joining a number of horizontal and vertical spaces together and making them into a holonomic one where people could walk freely, interact with one another or stop to look back, looking like a 3D hanging courtyard. Through functional ablation of each space, people could easily enter a calm state of relaxation and meditation. That should presumably be the most ideal state for tea affairs.
Inspiración: When I was young, I despised the Japanese sado culture as a red tape, but I have now realized that I was so shallow because the tea ceremony is a process where one cultivates himself and seeks enlightenment. Years later, I heard the story of Smelling Osmanthus Fragrance in the Suzhou Garden and suddenly had my chaotic thoughts straightened out. It happened that my friend commissioned me to design a small-sized tea culture experience hall, so I named it Osmanthus Fragrance Cottage.
Aty Rembiguái: Song Han
Hairong Wu
Wenxiang Zhou
Jianyong Zhu
Lingmin Wang
Yulan Liao
Qian Liu