White Forest Óga Rembe'y Design Po Chuan Kao omba'apóva

White Forest Óga Rembe'y Design Po Chuan Kao omba'apóva ha'e rembiporuarã oñemba'eguaséva 2022 A' Design Award Brónse pegua Ogapype Jejapo Ñeha'ã Categoría-pe.

BrónseOgapype· 2022

White Forest Óga Rembe'y Design

Po Chuan Kao -gua

Mba'eporuhára: ACG Design International

A' Design Award Brónse Rembiporuarã Ogapype Categoría-pe

12,295

Premio Rembiporuarã Oñemoneĩva

Emoneĩ Premio Reko #127343 Peg̃ua

Ehecha A' Design Award-pe Marandu Myasãi Mba'ete Jeguerohory

Sa'y

Diseño

White Forest Óga Rembe'y Design Rehegua

White Forest ha'e peteĩ óga rembe'y design, 42 ping rupive, Taichung pegua. Pe plano oguereko peteĩ jeike rendagua, peteĩ cocina, peteĩ tembi'u karu renda, peteĩ oñemomorãha renda ha peteĩ estudio renda, avei peteĩ ko'ẽ ke renda guasu ha hi'upe rupi ha peteĩ ko'ẽ ke renda mokõiha ha hi'upe rupi. Umi ñu'ã naikotevẽiva oñemboguepa oñemyatyrõ hag̃ua pe layout ypy oĩvéva ha ojejaho'ipaitéva. Terrazzo hũngy jeike rendápe ombojoaju cocina ha tembi'u karu renda. Mármore, ta'anga rechaha, vidrio azulejo ha yvyra atã oñemboheguáva omomandu'a ita, ykua ha yvoty, aramboty tape rasami katupyry omeme mba'e rendy py'ỹi ha py'ỹigua.

Jeguerohory

A' Design Award Brónse Rehegua

White Forest Óga Rembe'y Design ohupyty A' Design Award Brónse, peteĩ ñehechakuaa heta prestigioso oñeme'ẽva diseño sobresaliente-pe ojekuaáva creatividad, ingenio ha astucia rupi. Umi ganador Brónse ha'e artefacto hábil ha creativo ohechaukáva experiencia, imaginación ha recurso umi diseñador-pe. Oñeha'ãrõ White Forest Óga Rembe'y Design ha'eha peteĩ objeto ojehayhúva, admirado ha estimado, profesional ha innovador. Ko diseño ohupytýva A' Design Award Brónse ombojoaju mejor práctica arte, ciencia, diseño ha tecnología rehegua ha iporãiterei detalle rehe. White Forest Óga Rembe'y Design ombohory necesidad, ohupyty ipotapy, ombovy'a sentimiento ha ohenói curiosidad.

Diseño Rapykuéri

Marandu Aty

Diseñador ome'ẽva'ekue crédito, aty pegua ha mba'e técnico.

Mba'e Iñambuéva: After calibrating the design elements exquisitely, the designer applied accurate and coordinated ratio transformations between abstracts and concretes and further delivered a visual depth of field through various methodical features. Meanwhile, the terrazzo base with shades of gray has drawn a parallel towards the odd rocks in forests. Concretes can be seen from the entryway marble facade, artworks of Taiwanese artists that were glaze fired and painted, and the three-stamen furnishing at the vista of the hallway.
Tuichakue ha Ñemyenyhẽ: The indoor area is around 42 ping; this design included the entryway, the kitchen, the dining room, the living room, and the study of the public space; and the private area including the master bedroom and bathroom, and the secondary bedroom and bathroom.
Ñe'ẽ Rape: flowers blooming, relaxing, silence and pure, pink
Ñeapopy Tecnología: Special paint, marbles, jet glasses, hardware, aluminum light band, painted solid wood, mirrors, glass tiles, grindstones, stretch cloth.
Diseño Jepy'apy: To combine all individual design elements into the room, the designer has applied metaphor methods to carefully hold onto the ratio of the part. For example, the light band that expands with areas strips that metaphor classic while visually outlining the sense of technology. Meanwhile, the grains and texture on materials symbolized the imagery of flowers, odd rocks, mountain springs, and others within the space. With the ratio arrangements of abstracts and concretes, a progressive depth of field is elaborated; all elements endued with characteristics, and are placed in each corner harmonically.
Ñesẽheka: To solve the distorted and multi-partitioned original spatial, the designer has remodified the surface. Abstract designing metaphors are used to elaborate the mountain springs, the odd rocks, the flowers, and other natural sights. The designer applied an open-ended method at the public area; a grindstone base is used as the go-between to create the entryway, the dining room, the kitchen, and other public areas. With the placing position of the desk and the sofa, a hidden border is created to divide the living room and the study.
Inspiración: The designer applied Language of Flowers as the central concept and combined it with the touches of that trip to create layers of emotions. The depth of the elements is composed between abstracts and concretes; the language of flowers is shaped with abstracts, comparing humans to stamens. Within the transformations of lights and shadows, different appearances and colors are shown through the changing of time: Eternity shall bloom in the bottom of one heart, a pure flower with beauty and infinity.
Proyecto Ára Tuichakue: The project finished in Jun 2021 in Taichung.
Mba'apo Rape: Traffic flow arrangements often affect users emotions and the space practicality. The designer removed unnecessary walls to remodify the structure to solve the originally distorting and blocking spatial issue. Using the gray grindstones of the entryway as the go-between, the kitchen and the dining room are connected. At the same time, the open-end method is applied to weaken formal definitions towards space; overmuch decorations are ignored, while the sofa and the study desk are placed in the middle of the room, allowing children to move within the area freely without limitations.
Aty Rembiguái: PO-CHUAN KAO
Ta'ãnga Mba'eñemoneĩ: ACG Design International