Fujifilm Clay Studio2 Oficina Ryepy Ñemoĩ Porã Koji Aoki, Lin Su and Atsushi Fujita omba'apóva

Fujifilm Clay Studio2 Oficina Ryepy Ñemoĩ Porã Koji Aoki, Lin Su and Atsushi Fujita omba'apóva ha'e rembiporuarã oñemba'eguaséva 2022 A' Design Award Brónse pegua Ogapype Jejapo Ñeha'ã Categoría-pe.

BrónseOgapype· 2022

Fujifilm Clay Studio2 Oficina Ryepy Ñemoĩ Porã

Koji Aoki, Lin Su and Atsushi Fujita -gua

Mba'eporuhára: Fujifilm Corporation

A' Design Award Brónse Rembiporuarã Ogapype Categoría-pe

10,594

Premio Rembiporuarã Oñemoneĩva

Emoneĩ Premio Reko #131321 Peg̃ua

Eike Tendápe Ehecha A' Design Award-pe Marandu Myasãi Mba'ete Jeguerohory

Sa'y

Diseño

Fujifilm Clay Studio2 Oficina Ryepy Ñemoĩ Porã Rehegua

Clay Studio 2 ha'e peteĩ oficina ryepy ojeguavapy, ojejapo hag̃ua produkto ha ta'anga apo rehegua Tokyo-pe. Pe tenda 300 metro cuadrado-gui ojeplaneia peteĩ tenda py'a guapy joayhupyre, iñambueha umi oficina omohu'ãva umi ñomongeta rehe. Concreto, pintura ha yvyra cemento tabla opyta ojeporavo'ỹre, upévare pe koty ojehecha ojejapohague umi viga ha horcón año reheve. Yvoty kotý ñemoĩporã ha ñande rekove reheguáva jaikuaa haguéicha ojapo pe fondo ha ogueru umi tiempo ñemoambue pe tenda peve. Umi mesa oñemoĩ okápe g̃uarã, ha peteĩ mesa 7 metro-gui omoneĩ ñomongeta mbykyeta, oñongatúvo pe mombyry umi tapicha apytépe.

Jeguerohory

A' Design Award Brónse Rehegua

Fujifilm Clay Studio2 Oficina Ryepy Ñemoĩ Porã ohupyty A' Design Award Brónse, peteĩ ñehechakuaa heta prestigioso oñeme'ẽva diseño sobresaliente-pe ojekuaáva creatividad, ingenio ha astucia rupi. Umi ganador Brónse ha'e artefacto hábil ha creativo ohechaukáva experiencia, imaginación ha recurso umi diseñador-pe. Oñeha'ãrõ Fujifilm Clay Studio2 Oficina Ryepy Ñemoĩ Porã ha'eha peteĩ objeto ojehayhúva, admirado ha estimado, profesional ha innovador. Ko diseño ohupytýva A' Design Award Brónse ombojoaju mejor práctica arte, ciencia, diseño ha tecnología rehegua ha iporãiterei detalle rehe. Fujifilm Clay Studio2 Oficina Ryepy Ñemoĩ Porã ombohory necesidad, ohupyty ipotapy, ombovy'a sentimiento ha ohenói curiosidad.

Diseño Rapykuéri

Marandu Aty

Diseñador ome'ẽva'ekue crédito, aty pegua ha mba'e técnico.

Mba'e Iñambuéva: It goes against the "dynamic" offices that exist today, where communication is the main focus. However, on the contrary, a place where people can gather and immerse themselves in friendly competition is the antithesis of the current office. Natural scenery used as the background for the landscaping of a garden adds seasonal changes to the space and enriches the experience of working while immersed.
Tuichakue ha Ñemyenyhẽ: The space is made of only unprocessed materials and has the appearance of being made up of only beams and pillars. While creating an environment where everyone can face outward to design, the ability to turn around and have a quick meeting at a big table adds flexibility and adaptability to the "immersion. This layout is not face-to-face, and also allows for social distance, so even without acrylic panels, droplet infection can be controlled.
Ñe'ẽ Rape: a place for immersion, dynamic, feel of material unprocessed material, natural scenery used as the background for the landscaping of a garden, 7m big table, To have nothing is to have plenty, Work while cultivating the sensitivity to see the fragility and preciousness of the natural world as beautiful, Length 7m large table
Ñeapopy Tecnología: concrete, painting, wood cement board
Diseño Jepy'apy: It was difficult to unite concentration and communication.
It was planned with the hope that people would immerse themselves in the designs they create. This is contrary to the many "dynamic" offices that exist today. This is contrary to the many "dynamic" offices that exist today, where the main focus is on communication. On the contrary, however, believe that it is the antithesis of the current office, where people can gather together and immerse themselves in friendly competition.
Ñesẽheka: This is the office for Fujifilm's product and visual design. As a place to practice design management, have created a new base, "Clay Studio 2" in addition to the current office. If the current office is a "dynamic" space, the new office is planned with immersion as a "static" space in mind.
Leased area: 300㎡, use: office, building location: Tokyo, Move-in department: Fujifilm Design Center, Number of residents: 26
Inspiración: The office was designed with the hope that people would work while cultivating the sensitivity to see the fragility and preciousness of the natural world as beautiful and to immerse themselves in the designs they create. The office was designed with this in mind. Space itself is used as a "guide" for immersion.
Used the original landscape of the building to promote immersion in a calm state of mind, as if visiting a temple or shrine.
Proyecto Ára Tuichakue: Start of design in November 2020, completion in April 2021
Nishi-Azabu, Minato-ku, Tokyo　
Mba'apo Rape: While creating an environment where employees can look outward to design, the ability to turn around and have a quick meeting at a BIG table adds flexibility and adaptability to the "immersion. This layout is not face-to-face, and also allows for social distance, so even without the acrylic panels, droplet infection can be controlled.
Aty Rembiguái: Director:Koji Aoki
Design:Lin Su
Design:Atsushi Fujita