Oita Soho Tembi'u Renda Hapõ Pyahu Mika Kanayama omba'apóva

Oita Soho Tembi'u Renda Hapõ Pyahu Mika Kanayama omba'apóva ha'e rembiporuarã oñemba'eguaséva 2024 A' Design Award Pláta pegua Ogapype Jejapo Ñeha'ã Categoría-pe.

PlátaOgapype· 2024

Oita Soho Tembi'u Renda Hapõ Pyahu

Mika Kanayama -gua

Mba'eporuhára: Muzo

A' Design Award Pláta Rembiporuarã Ogapype Categoría-pe

24,153

Premio Rembiporuarã Oñemoneĩva

Emoneĩ Premio Reko #151700 Peg̃ua

Eike Tendápe Ehecha A' Design Award-pe Marandu Myasãi Mba'ete Jeguerohory

Sa'y

Diseño

Oita Soho Tembi'u Renda Hapõ Pyahu Rehegua

Oita Soho oñemoheñói omopu'ã hag̃ua peteĩ tenda iporãitereíva ha opy'aguapýva oguerekóva mba'e Hapõ-gua ha oñondivémiva identidad oñemopyendáva Oita peteĩha tembi'u rendápe, informal ha ka'aguýva ka'a opaite hendápe. Ko tenda oikotevẽ hetave mba'e umi rape ojeporuvéva añoite diseño Hapõ pyahu minimalista-pe ome'ẽ hag̃ua peteĩ experiencia ijojávava ha rembiapokuaáva ha'éva peteĩ ñembyaty elemento estético ha cultural-gua. Ko tembiapo oñemoinspira ensayo Tanizaki rehegua "In Praise of Shadows" oñe'ẽva jeporu, he'ise ha estética pytũ ha sombra rehegua arte, diseño ha arquitectura Hapõ-pe.

Jeguerohory

A' Design Award Pláta Rehegua

Oita Soho Tembi'u Renda Hapõ Pyahu ohupyty A' Design Award Pláta, peteĩ ñehechakuaa extraordinariamente prestigioso oñeme'ẽva diseño de primera línea, hechapyrãva ha impresionante-pe. Umi ganador Pláta ha'e tembiapo brillante ha heta creativo ohechaukáva expertise, talento ha agudeza sobresaliente umi diseñador-pe. Oñeha'ãrõ Oita Soho Tembi'u Renda Hapõ Pyahu ha'eha peteĩ tembiapo maravilloso, ejemplar, profesional ha innovador pypukuvéva. Ko diseño ohupytýva A' Design Award Pláta ha'e invento ojehechakuaáva ha ojehayhúva ohepyme'ẽva ha ombohasáva límite arte, ciencia, diseño ha tecnología rehegua. Oita Soho Tembi'u Renda Hapõ Pyahu ha'e creación heta ojeenvidiáva omokyre'ỹva ipotapy, ome'ẽva sentimiento positivo ha omoheñóiva maravilla ha sorpresa.

Diseño Rapykuéri

Marandu Aty

Diseñador ome'ẽva'ekue crédito, aty pegua ha mba'e técnico.

Mba'e Iñambuéva: It was designed to create a sophisticated, relaxing space with Japanese influences, and carrying some of the identity established in Oita's first restaurant, informal and verdant with plants throughout the space. The space required more than the conventional approaches of minimalistic modern Japanese design to deliver a distinct, remarkable experience that is a synthesis of aesthetic and cultural elements.

The space required more than the conventional approaches of minimalistic modern Japanese design, to deliver a distinct, remarkable experience that is a synthesis of aesthetic and cultural elements.Backlit paper parasols are placed overlapping in a flowing pattern that follows the stairs creating a feature wall to surprise and delight leading visitors to the upper level. The warm light of the parasols is accentuated in the dark. Lighting is careful and muted throughout relying on position and shades. Two mirrors placed parallel in opposite directions reflect the lights infinitely in their depths, adding to the glow and mystery of the space.
Tuichakue ha Ñemyenyhẽ: The area of project is
Ground Floor - 67sqm
First Floor - 69sqm
Ñe'ẽ Rape: Japanese restaurant design, muzo, Oita, interior design, restaurant design, Japanese design, chinatown
Ñeapopy Tecnología: Grade II Listed Building
Material: Fire retardant timber & veneered oak MDF throughout.
Diseño Jepy'apy: As it was a Grade II listed building, the history of the premises was researched in depth prior to work. Great consideration was given at design stage and fit-out work was carried out carefully. Any finishes that needed repairing was matched to the original finish.
Ñesẽheka: The space is abundant with plants and botanical imagery bringing a sense of exotic night garden or conservatory. Artworks by Imao Keinen featuring birds in seasonal settings with plants and flowers feature throughout, furthering the theme, Keinen’s masterful use of colours is utilised to play with the décor palette introducing flashes of bright colour that are echoed elsewhere, harmonising with the greenery and midnight shades to effect a unique, spectral contrast. The effect has almost the feeling of Japanese lacquerware artwork made real where living forms are presented luminously against the deep dark of lacquer surfaces.
Inspiración: The work was inspired by the Tanizaki essay 'In Praise of Shadows' which discusses the use, meaning and aesthetics of darkness and shadows in Japanese art, design and architecture.
Proyecto Ára Tuichakue: The project was completed in January 2023 in London.
Mba'apo Rape: Backlit paper parasols are placed overlapping in a flowing pattern that follows the stairs creating a feature wall to surprise and delight leading visitors to the upper level. The warm light of the parasols is accentuated in the dark.
Lighting is careful and muted throughout relying on position and shades.
Two mirrors placed parallel in opposite directions reflect the lights infinitely in their depths, adding to the glow and mystery of the space.
Patente-kuéra: Copyrights belong to Muzo, 2023
Ta'ãnga Mba'eñemoneĩ: Image #1: Photographer Sara Hibbert
Image #2: Photographer Sara Hibbert
Image #3: Photographer Sara Hibbert
Image #4: Photographer Sara Hibbert
Image #5: Photographer Sara Hibbert