Jinglan Bay Art Ñemuhaha Renda Nic Lee omba'apóva

Jinglan Bay Art Ñemuhaha Renda Nic Lee omba'apóva ha'e rembiporuarã oñemba'eguaséva 2024 A' Design Award Pláta pegua Ogapype Jejapo Ñeha'ã Categoría-pe.

PlátaOgapype· 2024

Jinglan Bay Art Ñemuhaha Renda

Nic Lee -gua

Mba'eporuhára: China Resources Land South China Guangxi Co.

A' Design Award Pláta Rembiporuarã Ogapype Categoría-pe

22,229

Premio Rembiporuarã Oñemoneĩva

Emoneĩ Premio Reko #152974 Peg̃ua

Eike Tendápe Ehecha A' Design Award-pe Marandu Myasãi Mba'ete Jeguerohory

Sa'y

Diseño

Jinglan Bay Art Ñemuhaha Renda Rehegua

Jinglan Bay Art ha'e peteĩ ñemuhaha renda ryepypegua diseño oĩva Liuzhou-pe, peteĩ tenda yvytyrusu ha ysyry ojerepáva ndive. Pe ryepy tuichakue 1705 metro cuadrado ha oguereko mbohupaha, ñemuhaha, techaukaha, medio digital ha VIP renda. Nomonguatiái pe yvy porãngue ta'ãngakuéra rupive, ha katu oiporu tesape ha kuarahy'ã ohechauka hag̃ua yvyty yvate ha y pypuku. Terrazo hũ oñemboverapy espejo ramo, upéicha pe okapegua tenda porã ha oikeva'ekue jeku'e ojehecha jey ipype. Ita opívo pe jeikeha renda oiporavo ombojoja hag̃ua peteĩ yvyty pa'ũ pypukukue. Ambue materiales apytépe oĩ mármol ojejapíva, pintura mineral, yvyra hũ ha roble.

Jeguerohory

A' Design Award Pláta Rehegua

Jinglan Bay Art Ñemuhaha Renda ohupyty A' Design Award Pláta, peteĩ ñehechakuaa extraordinariamente prestigioso oñeme'ẽva diseño de primera línea, hechapyrãva ha impresionante-pe. Umi ganador Pláta ha'e tembiapo brillante ha heta creativo ohechaukáva expertise, talento ha agudeza sobresaliente umi diseñador-pe. Oñeha'ãrõ Jinglan Bay Art Ñemuhaha Renda ha'eha peteĩ tembiapo maravilloso, ejemplar, profesional ha innovador pypukuvéva. Ko diseño ohupytýva A' Design Award Pláta ha'e invento ojehechakuaáva ha ojehayhúva ohepyme'ẽva ha ombohasáva límite arte, ciencia, diseño ha tecnología rehegua. Jinglan Bay Art Ñemuhaha Renda ha'e creación heta ojeenvidiáva omokyre'ỹva ipotapy, ome'ẽva sentimiento positivo ha omoheñóiva maravilla ha sorpresa.

Diseño Rapykuéri

Marandu Aty

Diseñador ome'ẽva'ekue crédito, aty pegua ha mba'e técnico.

Mba'e Iñambuéva: The project is located in Liuzhou, a mountainous area with winding waters. Instead of simulating the landscape with shapes, we think it would be better to use light and shadow to create high mountains and deep water. The material facade is used to recreate the mental transitions of entering a deep forest, and to incorporate nature into the interior gestures.
Tuichakue ha Ñemyenyhẽ: Location：Liuzhou
Area：1705 m2
Layout： Reception area. Sales area. Display area. Digital media area. VIP area. Office. Toilet
Material：polished terrazzo. chiseled marble. mineral paint. red paint. black wood. oak
Ñe'ẽ Rape: sales center, landscape, museum, indoor architecture, interior design
Ñeapopy Tecnología: In addition to abstracting nature through volumetric forms, we also attempt to bring nature indoors from a different perspective. By polishing black terrazzo to a mirror-like finish, we create a deep and tranquil ambiance that constantly reflects the seasonal scenery and human movement outside the windows. Viewing from different heights within the space resembles the ever-changing landscapes experienced while hiking or walking in the mountains.
Diseño Jepy'apy: By inviting you to visit the landscape narrated by the architecture, and experience the white space and depth of the design grid, we hope that this site is like spreading a multi-view ink painting of a landscape, which synthesizes philosophy and poetry, and transcends the perception of the surface landscape to facilitate a pure feeling of the change in status and the state of mind fit.
Ñesẽheka: Liuzhou is famous for its wonderful stones, which include mountain stones, water stones, earth stones, cave stones, and rocks. Each of which has its own beauty. Taking this as our inspiration, we built the entrance with raw stones to create the depth of a valley. The deep cut stone surface of the counter is not only used as the facade of the building but also as a display of the mountain wall, transforming the natural stone gestures into an emotional turn when experiencing nature.
Inspiración: The focus of the landscape in paintings is expressions, but how does architecture become a narrative tool to record nature? We imagine that walking through the interior of the building is like a mountain climbing practice, passing through a tunnel covered by branches and leaves with the sky hidden behind boulders or looking up at the mountain peaks under the cliff, feeling the personal transformation of the mind and the tranquility of not clinging to material things.
Proyecto Ára Tuichakue: The project started in November 2021 and finished in July 2022, and was exhibited in Liuzhou in August 2022.
Mba'apo Rape: Giving up persistence, we withdraw ourselves from the environment to maintain the clarity of non-stagnation. Therefore, we do not simulate a figurative landscape, but reproduce the experience of people wandering in the mountains through the multi-directional views of people zigzagging, climbing, looking up, or looking down between structures, and even the real and imaginary contours of reflections on the floor.
Ta'ãnga Mba'eñemoneĩ: Image #1: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.
Image #2: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.
Image #3: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.
Image #4: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.
Image #5: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.