Radiance of Nature with Urushi Tesapymi Yu Watanabe omba'apóva

Radiance of Nature with Urushi Tesapymi Yu Watanabe omba'apóva ha'e rembiporuarã oñemba'eguaséva 2024 A' Design Award Pláta pegua Tatarendy Jejapo Ñeha'ã Categoría-pe.

PlátaTatarendy· 2024

Radiance of Nature with Urushi Tesapymi

Yu Watanabe -gua

Mba'eporuhára: Yu Watanabe

A' Design Award Pláta Rembiporuarã Tatarendy Categoría-pe

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Premio Rembiporuarã Oñemoneĩva

Emoneĩ Premio Reko #154276 Peg̃ua

Eike Tendápe Ehecha A' Design Award-pe Marandu Myasãi Mba'ete Jeguerohory

Sa'y

Diseño

Radiance of Nature with Urushi Tesapymi Rehegua

Oñembyaty tekohápe Hapõ-pe oĩva savia natural-gui, laca Urushi oñemohenda takuapi rehe omoheñóivo peteĩ tenda ojemomba'apóva yvyra-icha. Occidental cultúra-gui javy, upépe umi tapicha omboguete tesape'ã tenda-gui, ko tembiapo omoheñói tesape'ã jeheguípe porãha peteĩ mba'e ramo. Umi columna Urushi-gua ikatu ohechauka tesape vela-icha peteĩ ñotĩva óga-pe, ome'ẽvo peteĩ ojava pytãtã ome'ẽva hasytu ñotĩ pypuku rehegua. Umi mba'e ijojaha'ỹva forma ha tesape rehegua omoheñói peteĩ ñembojoja iporãitereíva tesape jehechaukaha ha tesape'ã rehegua oñemandu'áva peteĩ tenda michĩmi tekoha-icha.

Jeguerohory

A' Design Award Pláta Rehegua

Radiance of Nature with Urushi Tesapymi ohupyty A' Design Award Pláta, peteĩ ñehechakuaa extraordinariamente prestigioso oñeme'ẽva diseño de primera línea, hechapyrãva ha impresionante-pe. Umi ganador Pláta ha'e tembiapo brillante ha heta creativo ohechaukáva expertise, talento ha agudeza sobresaliente umi diseñador-pe. Oñeha'ãrõ Radiance of Nature with Urushi Tesapymi ha'eha peteĩ tembiapo maravilloso, ejemplar, profesional ha innovador pypukuvéva. Ko diseño ohupytýva A' Design Award Pláta ha'e invento ojehechakuaáva ha ojehayhúva ohepyme'ẽva ha ombohasáva límite arte, ciencia, diseño ha tecnología rehegua. Radiance of Nature with Urushi Tesapymi ha'e creación heta ojeenvidiáva omokyre'ỹva ipotapy, ome'ẽva sentimiento positivo ha omoheñóiva maravilla ha sorpresa.

Diseño Rapykuéri

Marandu Aty

Diseñador ome'ẽva'ekue crédito, aty pegua ha mba'e técnico.

Mba'e Iñambuéva: Urushi lacquer is produced from natural sap sustainably harvested in Japan. Unfortunately, the traditional craft of Urushi is in decline due to the emergence of alternative materials. This project aims to revitalise this craft and create a space that connects people with nature. Urushi also has qualities that reflect even the smallest light. Through the arrangement of tree-like shapes, the play of light and shadows can immerse people in a microcosmic space reminiscent of nature.
Tuichakue ha Ñemyenyhẽ: The object consists of 16 cylindrical lights. Diameter: 11 cm to 14 cm. It comes in four sizes: size S 60 cm, size M 90 cm, size L 128 cm, and size XL 167 cm.
Urushi lacquer is applied on the bamboo by hand by Urushi craftsmen.
The bamboo is cut by artisans who cut the bamboo vertically, revealing the cut section on a dare.
Ñe'ẽ Rape: Lighting, Sustainable, Traditional, Revitalising, Cultural, Meditative, Darkness, Space, Installation, Product,
Ñeapopy Tecnología: Urushi is extracted from trees in small amounts, applied to natural materials such as bamboo. Although highly durable, Urushi products can be returned to nature when disposed of breaking down naturally under UV light. Crafted by hand by skilled artisans, each product is created in respect of the slow, yet continuous production of natural material. This circular design has the potential to restore the relationship between nature and people contrasting the modern reliance on single-use plastics.
Diseño Jepy'apy: Why can’t everyday objects also be an opportunity for people to connect with nature? Urushi, a fully repairable, biodegradable, and naturally produced lacquer, allows people to create products embodying the cycle of nature. This ancient Japanese craft founded in principles of sustainability is revitalized through a modern design in this project
Ñesẽheka: Design research was conducted through hands-on experiments, thesis research, and collaboration with experts such as craftsmen, harvesters, and product designers. Hands-on experiments involved experimenting with more than 20 natural materials in combination with lacquer, while on the theoretical side, we investigated the relationship between how traditional Japanese lighting and space are perceived, and the relationship between Japanese gardens, modernism, and minimalism.
Inspiración: Unlike the West, where people often remove shadows from space, the Japanese embrace shadows as a part of aesthetic beauty. In Junichiro Tanizaki's In Praise of Shadows, he mentions the true value of lacquerware is that it reflects a candle-like light in a dark room, giving off a luminous glow that gives a sense of the depth of darkness and invites one into a meditative space. Through this project, Urushi is used to reflect a small flickering light while embracing shadows.
Proyecto Ára Tuichakue: The project started in August 2022 in London and Japan, and finished in June 2023 in London, and was exhibited in Saint Central Martins in London.
Mba'apo Rape: Through the arrangement of tree-like shapes, the project seeks to evoke a sense of being in a forest. The play of light and shadows allows viewers to immerse themselves in a microcosmic space reminiscent of nature. This project not only explores the fascination of materials but also encourages the viewer to look at the materials through the lense of their backgrounds, narratives and connections with nature.
Ta'ãnga Mba'eñemoneĩ: ALL Images: Yu Watanabe, 2023
Sound in Video: Kevin MacLeod (incompetech.com) Ambiment, Licensed under Creative Commons: By Attribution 3.0 License
http://creativecommons.org/licenses/by/3.0/