Selena Apyka Aciole Felix omba'apóva ha'e rembiporuarã oñemba'eguaséva 2025 A' Design Award Pláta pegua Mba'epyru Jejapo Ñeha'ã Categoría-pe.

PlátaMba'epyru· 2025

Selena Apyka

Aciole Felix -gua

Mba'eporuhára: Morada Decor

A' Design Award Pláta Rembiporuarã Mba'epyru Categoría-pe

44,525

Premio Rembiporuarã Oñemoneĩva

Emoneĩ Premio Reko #161889 Peg̃ua

Eike Tendápe Ehecha A' Design Award-pe Marandu Myasãi Mba'ete Jeguerohory

Sa'y

Diseño

Selena Apyka Rehegua

Selena ha'e peteĩ apyka ojejapóva Jequitiba yvira ha kapi'i natural-gui. Pe estructura oñemoha'anga CNC mba'e'apo detalladúpe, omoheñóiva superficie sỹi ha oñondivepáva ojehechay'ỹre joaju. Tembiapo po rupive ojejapopa pe ñemboaty ha kapi'i ñemohatã. Pe kapi'i oho apyka atukupe guive apyka guapyha peve, omoheñóivo peteĩ elemento oñondivepáva ombohesa'ỹijove ha ombovevýiva peteĩ volumen monolítico. Ojeporu peteĩ ñemohu'ã y rehegua omomichĩ hag̃ua jehasa vai ambiente rehe. Selena ombojoaju peteĩ jehecha minimalista peteĩ estructura mbarete ndive ojejapóva ohasa hag̃ua heta ñemoñare rupive.

Jeguerohory

A' Design Award Pláta Rehegua

Selena Apyka ohupyty A' Design Award Pláta, peteĩ ñehechakuaa extraordinariamente prestigioso oñeme'ẽva diseño de primera línea, hechapyrãva ha impresionante-pe. Umi ganador Pláta ha'e tembiapo brillante ha heta creativo ohechaukáva expertise, talento ha agudeza sobresaliente umi diseñador-pe. Oñeha'ãrõ Selena Apyka ha'eha peteĩ tembiapo maravilloso, ejemplar, profesional ha innovador pypukuvéva. Ko diseño ohupytýva A' Design Award Pláta ha'e invento ojehechakuaáva ha ojehayhúva ohepyme'ẽva ha ombohasáva límite arte, ciencia, diseño ha tecnología rehegua. Selena Apyka ha'e creación heta ojeenvidiáva omokyre'ỹva ipotapy, ome'ẽva sentimiento positivo ha omoheñóiva maravilla ha sorpresa.

Diseño Rapykuéri

Marandu Aty

Diseñador ome'ẽva'ekue crédito, aty pegua ha mba'e técnico.

Mba'e Iñambuéva: Selena was designed with the aim of having a light and minimalist look. It represents a little of what we tried to convey with these innovative surfaces and transitions, resulting in the smooth shapes of a resistant and durable chair. The continuity of the straw produces a minimalist effect, and the transparency of this material generates lightness in a monolithic volume. The chair is a tactile object, to understand its complexity it is necessary to feel each transition, fit and surface.
Tuichakue ha Ñemyenyhẽ: Width 0.560 mm
Depth 0.600 mm
Height 0.840 mm
Ñe'ẽ Rape: minimalist design, cnc machining, jequitiba wood, portuguese straw, form and function, contemporary design, sustainable design
Ñeapopy Tecnología: A project focused on detailed cnc programming. Added to artisanal processes that require a lot of experience and care, in the use of organic materials, such as Jequitibá wood, and natural straw.
It highlights the resistance created in the machining processes, generating precision in assembly. And its water-based finish guarantees lower environmental impact. This makes the product durable and sustainable, thinking about pieces that will be used for generations.
Diseño Jepy'apy: Search for fluid surfaces, without encounters, without visible obstacles, the process of fixing the natural straw, to form the smooth piece, search for exclusive tools and solutions with partners, was a great and time-consuming challenge, but delivered an exceptional result. Furthermore, it increased our creative repertoire.
The challenge was to make an aesthetically minimalist chair, which at the same time was structurally robust, and with this appearance was ergonomically attractive.
Ñesẽheka: The research into the design of the brief showed us that the natural puts us in a very positive way, in tune with our ancestry, awakening intrinsic sensations that welcome us, influencing human well-being, which is why the final objective of the project was to deliver a contemporary product , made with natural materials and organic shapes.
There was also a great effort in researching technology and tools that could execute according to the project.
Inspiración: In-depth CNC machining techniques were essential to define the shape of the chair, this was exploited to the maximum.
The search for fluid and smooth surfaces, characteristics that make the piece so interesting, and that hide the formal complexity, with different visual elements.
Also the natural straw, starting at the back, moving towards the seat, generates a continuous element of visual lightness and the impression that the chair does not have many stops, making the product even more fluid.
Proyecto Ára Tuichakue: The project began in Lagoa Vermelha, Rio Grande do Sul, Brazil on April 2, 2023 and ended in March 2024.
Mba'apo Rape: The natural straw in the seat initially creates hesitation, and the feeling when sitting is one of surprise, comfort and security.
Designed with an organic shape and fluid lines, at the same time complex and intriguing, it becomes a product that also appeals to the sense of touch, going beyond ergonomics and visuals, interacting with human curiosity.
Visually light in a product with materials as noble and known for their robustness as wood, this product conveys softness and elegance.
Aty Rembiguái: Design - Aciole Felix
Prototyping - Eduardo Bossardi
Approval - Rafael Schmidt
Search - Juliano Schmidt
Ta'ãnga Mba'eñemoneĩ: Pherphoto fotografias