Aeriform Apyka Guasu Kristian Ruden omba'apóva

Aeriform Apyka Guasu Kristian Ruden omba'apóva ha'e rembiporuarã oñemba'eguaséva 2025 A' Design Award Brónse pegua Mba'epyru Jejapo Ñeha'ã Categoría-pe.

BrónseMba'epyru· 2025

Aeriform Apyka Guasu

Kristian Ruden -gua

Mba'eporuhára: Kristian Ruden

A' Design Award Brónse Rembiporuarã Mba'epyru Categoría-pe

14,832

Premio Rembiporuarã Oñemoneĩva

Emoneĩ Premio Reko #163941 Peg̃ua

Eike Tendápe Ehecha A' Design Award-pe Marandu Myasãi Mba'ete Jeguerohory

Sa'y

Diseño

Aeriform Apyka Guasu Rehegua

Pe Apyka Guasu Aeriform omoambue jey py'aguapy, oguerekóva ijepy pyahu ergonomía ha diseño rehegua. Oñemoheñói realidad virtual-pe ha oñemboguata estudio antropométrico rupive, ko apyka ome'ẽ hetaichagua mba'e okuapy haguã, ikatu okuapy py'aguapy ha oñemoapara térã oguejy porã. Idiseño jejapo'ỹre ovy'a ndasy'ỹva ha oguereko base oñembojevýva omboguepy porãva haguã. Oñemoheñói casco fibra de vidrio-gui, tapicería sa'i ha tela térã cuero iporãitereíva ndive, Aeriform omoĩ ojuehe presencia sofisticada ha funcionalidad práctica, ojapo chugui mba'e tuichaitereíva óga moderno-pe.

Jeguerohory

A' Design Award Brónse Rehegua

Aeriform Apyka Guasu ohupyty A' Design Award Brónse, peteĩ ñehechakuaa heta prestigioso oñeme'ẽva diseño sobresaliente-pe ojekuaáva creatividad, ingenio ha astucia rupi. Umi ganador Brónse ha'e artefacto hábil ha creativo ohechaukáva experiencia, imaginación ha recurso umi diseñador-pe. Oñeha'ãrõ Aeriform Apyka Guasu ha'eha peteĩ objeto ojehayhúva, admirado ha estimado, profesional ha innovador. Ko diseño ohupytýva A' Design Award Brónse ombojoaju mejor práctica arte, ciencia, diseño ha tecnología rehegua ha iporãiterei detalle rehe. Aeriform Apyka Guasu ombohory necesidad, ohupyty ipotapy, ombovy'a sentimiento ha ohenói curiosidad.

Diseño Rapykuéri

Marandu Aty

Diseñador ome'ẽva'ekue crédito, aty pegua ha mba'e técnico.

Mba'e Iñambuéva: The Aeriform is a luxury seating design focused on both comfort and aesthetic appeal. Its form draws inspiration from aerodynamic shapes, offering a sculptural presence. Crafted from high-quality materials, the armchair is designed with ergonomic support in mind. The use of innovative materials and precise craftsmanship sets it apart, blending artistry with functionality. Its unique design serves as both a functional piece and a statement of elegance, making it suitable for high-end interiors.
Tuichakue ha Ñemyenyhẽ: Amchair sports 3 layer fiberglass frame with XPS foam core, various thickness and hardness of PU padding foam, fabric/leather upholstery with a single seam running around the edge. Base is done in steel with a 3D printed shell (time saving measures during prototype creation).
Dimensions of armchair: 1026 x 931x 1135
Dimensions of ottoman: 687 x 571 x 409
Ñe'ẽ Rape: Armchair, sculptural, ergonomic, luxury, comfort, presence, high-end, dynamic, aerodynamic, seating
Ñeapopy Tecnología: The prototype started with a foam core, CNC-milled from XPS foam and assembled with adhesive foam. It was sanded smooth, coated with epoxy resin, and layered with fiberglass for a strong shell. The base and legs were laser-cut steel, welded, and finished with a 3D-printed shell. The frame was padded with foam and batting, then covered with a precisely cut and sewn fabric. Finally, the chair was assembled with its base, lazy Susan, and headrest cushions.
Diseño Jepy'apy: Main challenge was the lack of proper studies of comfort in anthropometric books. While ergonomy is well documented, there isn't much information abou comfort. Ergonomy looks at things from 2 dimensions, and while it's a good start, seating is usually a dynamic activity for the body and needs to be studied in 3-4 dimensions. Thats why personal testing on the jig was conducted.
Ñesẽheka: Research started with ergonomics. Drawing inspiration from anthropometry books and personal tests on a special jig constructed to allow for change in seat and backrest positioning and change of angles. From that data was constructed a 3D "skeleton" of the armchair and then iterations took place in virtual reality. Testing was performed with people ages 18-60 as the main target demographic. First 1:1 model was made out of polystyrene and tested as well. Drawing conclusion on overall dimensions.
Inspiración: The Aeriform Armchair draws inspiration from the natural elegance of bird wings, evoking the feeling of an embrace. Designed entirely within virtual reality, the form was conceived from a flowing, ribbon like structure suspended in space. Influenced by Pierre Paulin’s Ribbon Chair, the design was further refined to create a more imposing and luxurious piece. Extensive prototyping and ergonomic testing via jigs and models were undertaken to ensure optimal comfort across various seating angles.
Proyecto Ára Tuichakue: Work on the project began in December 2023 and came to conclusion in June 2024 as the main focus of the diploma project.
Mba'apo Rape: The Armchair is designed for ease and comfort, promoting a natural seating posture. Its flowing structure supports the body, distributing weight evenly and allowing various sitting angles, such as sideways or with legs crossed. No complex adjustments are needed; interaction is intuitive. A Lazy Susan facilitates movement and fidgeting, while the springy base offers a rocking motion. The design combines aesthetic elegance with practical functionality for a comfortable and inviting experience.
Patente-kuéra: Patent pending. PVZ 2024-42455. Kristian Ruden. 2024. UPV.
Ta'ãnga Mba'eñemoneĩ: Image #1: Creator Kristian Ruden, Photo of Aeriform, 2024
Image #2: Creator Kristian Ruden, Photo of Aeriform, 2024
Image #3: Creator Kristian Ruden, Render of Aeriform, 2024
Image #4: Creator Kristian Ruden, Render of Aeriform, 2024
Image #5: Creator Kristian Ruden, Render of Aeriform, 2024