Changes Cycles and Shapes Arte Digital Yuko Suzuki omba'apóva

Changes Cycles and Shapes Arte Digital Yuko Suzuki omba'apóva ha'e rembiporuarã oñemba'eguaséva 2025 A' Design Award Itaju pegua Ojejapo Ijeheguíva Jejapo Ñeha'ã Categoría-pe.

ItajuOjejapo Ijeheguíva· 2025

Changes Cycles and Shapes Arte Digital

Yuko Suzuki -gua

Mba'eporuhára: Feral File

A' Design Award Itaju Rembiporuarã Ojejapo Ijeheguíva Categoría-pe

210,079

Premio Rembiporuarã Oñemoneĩva

Emoneĩ Premio Reko #170864 Peg̃ua

Eike Tendápe Ehecha A' Design Award-pe Marandu Myasãi Mba'ete Jeguerohory

Sa'y

Diseño

Changes Cycles and Shapes Arte Digital Rehegua

Ko tembiapo ohesa'ỹijo mba'épa ha'e ta'anga, ohechauka hag̃ua oñemosarambi umi expresión visual. Oñemoinspira umi ñemoambue Mondrian ta'angaitépe, oñemopyendá peteĩ diagrama componente ta'angágui, upépe pe forma oñemongu'e figurativo ha abstracto mbytépe, ha ruido ha linearidad mbytépe - peteĩ idea oñeaplica sa'y rehe avei. Pe tembiapo ohechauka pe estado iñambuéva materialidad digitálgui, ombohypy'ỹ umi forma oĩva ñemoambue mbytépe ha'eha pe esencia ha'evéva. Omoingévo umi textura oñembokuatia peteĩ baren rupive, ohechauka pe artista reko grabador ramo forma digitálpe.

Jeguerohory

A' Design Award Itaju Rehegua

Changes Cycles and Shapes Arte Digital ohupyty A' Design Award Itaju, peteĩ ñehechakuaa heta prestigioso oñeme'ẽva diseño primera clase, maravilloso ha sobresaliente-pe. Umi ganador Itaju ha'e creación heta innovador, visionario ha glamoroso ohesape'ỹva ohechaukáva genio, sabiduría ha habilidad umi diseñador-pe. Oñeha'ãrõ Changes Cycles and Shapes Arte Digital ha'eha peteĩ invento ojehechakuaavéva, tendencia omoĩva ha monumental ome'ẽva valor ndojehecháiva. Ko diseño ohupytýva A' Design Award Itaju ha'e proyecto espectacular ha respetado ohepyme'ẽva heta ha ombohasáva límite arte, ciencia, diseño ha tecnología rehegua. Changes Cycles and Shapes Arte Digital omoheñói sentimiento ipotapy mbarete, omokyre'ỹ pasión, ombokyre'ỹ creatividad ha ñanemombyasy.

Diseño Rapykuéri

Marandu Aty

Diseñador ome'ẽva'ekue crédito, aty pegua ha mba'e técnico.

Mba'e Iñambuéva: Based on the question, What is painting?, this work expresses the circulation of multiple visual expressions, evoking the shifting state of digital materiality, oscillating between the concrete and the abstract. In it, it also expresses the idea that forms in between changes are the essence, and we live in a moment in change.
Furthermore, by incorporating textures printed with a baren, the artist's identity as a printmaker is incorporated in a digital form.
Tuichakue ha Ñemyenyhẽ: 1920×1080 px / 3840×2160 px, 25 seconds, 65 works
Ñe'ẽ Rape: Generative Art, Coding
Ñeapopy Tecnología: This work was created entirely in a programming language called Processing.
It is made up of animations that change from one shape to the next.
Diseño Jepy'apy: The theme of the exhibition was the inheritance of the experimental aesthetics of Hiroshi Kawano, a pioneer of Japanese computer art, so I researched Hiroshi Kawano and the history of past computer art.
I had repeated conversations with this great artist of the past to find out how to connect Kawano's work with my own experiments, and it took me a long time to dig deep into my theme and digest it.
Ñesẽheka: This design study aims to explore how print textures can be incorporated into paintings. The researcher delved into the historical background of Hiroshi Kawano and Mondrian to explore how their style and techniques can be reflected in his own work. In terms of methodology, he took an experimental approach and researched the archives of past painters to evolve the expression of his work by combining different materials and textures.
As a result, the work is a reflection of the history of painting, and the influences of Hiroshi Kawano and Mondrian are beautifully integrated. This study proposed a new way of expression that goes beyond the boundaries of print and painting, and offered a new perspective on contemporary art. In terms of business, it made us reconsider the commercial value of art and its potential as design, and in terms of society, it allowed us to delve deeper into the historical and cultural meaning of art.
Inspiración: In painting, shape has an axis of figurative - abstract and an axis of noise - linear, while color also has an axis of noise - linear. Based on the component diagram of painting constructed from this idea, I developed a means of cycling through multiple visual idioms at once, with the work expressing the cycle itself. This work was also inspired by the transitions in Mondrian's paintings.
Proyecto Ára Tuichakue: This work was exhibited at Patterns of Flow held at NEORT++ in Tokyo from September 24th to October 6th, 2024.
This exhibition was a collaboration with Right Click Save and Massage Magazine, and the works were sold on Feral File, an NFT platform.
Mba'apo Rape: In this animation, objects transform over time, oscillating between figurative and abstract, noise and linear. Designed to create a continuous flow of visual changes, the animation's timing and speed are adjusted to create a visually pleasing rhythm. By silently observing these changes, viewers can relate to their own lives and experiences, evoking deep empathy and emotional responses.
Ta'ãnga Mba'eñemoneĩ: Image #3: NEORT++, Changes, Cycles, and Shapes in Between, 2024.